#31
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Most fascinating discussion indeed. I too wish to thank Alan C and Five Fourths for some great reading.
jmagill and zmf touch on "the other" important aspect of this topic - our own ears and brains. And as you would expect, there are numerous people working in this area. Some are interested in the human anatomy, others the psychology; and how these relate to our perception of music. You can get a reasonable primer at this Wiki page: https://en.wikipedia.org/wiki/Neuroscience_of_music Years ago, I read a couple books on the more mental aspect. Oliver Sacks is one well-known author and his Musicophilia was a fascinating read. Another I enjoyed, albeit even more tangential to the original question here, is Music, the Brian, and Ecstasy, by Robert Jourdain.
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~~~~~Bird is the Word~~~~~ Martin D-41, Larrivee L-19; Gibson L-130; Taylor 614-ce-L30; R Taylor 2 H&D Custom OM; Bauman 000 Cervantes Crossover I; Kenny Hill 628S; Rainsong Shorty SGA; CA GX Player, Cargo; Alvarez AP70; Stella, 12-string; 2 Ukes; Gibson Mandola; Charango, couple electrics |
#32
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Good choice for the basics. It's easy to get deep into the weeds very quickly when these topics come up.
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#33
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It would be great to hear from James Goodall on this subject. His guitars are known for their complex overtones and sustain. My 1990 Rosewood Standard always amazes me with its combination of crystal clarity and rich overtones.
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1972 Yamaha FG200 My 1st guitar 2003 Yamaha LL500 2007 Larrivee JCL 40th Anniversary Edition 1998 Larrivee OM05-MT All Mahogany 1998 Larrivee D09 Brazilian “Flying Eagle” 1998 Larrivee D10 Brazilian "Flying Eagle" 1990 Goodall Rosewood Standard https://soundcloud.com/247hoopsfan |
#34
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I have great deal of respect for John, but my worst guitar for overtone content, belies that statement. Reading it more carefully, i end up confused: do you mean Honduran is harder than BRW, which in turn is harder than Indian?
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The Bard Rocks Fay OM Sinker Redwood/Tiger Myrtle Sexauer L00 Adk/Magnolia For Sale Hatcher Jumbo Bearclaw/"Bacon" Padauk Goodall Jumbo POC/flamed Mahogany Appollonio 12 POC/Myrtle MJ Franks Resonator, all Australian Blackwood Blackbird "Lucky 13" - carbon fiber '31 National Duolian + many other stringed instruments. |
#35
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Hardness:
Less hard harder Indian RW Palo Escrito Brazllian Honduran Cocobolo Blackwood Density: Less dense denser lndian RW Palo Escrito Brazllian Brazilian Honduran Cocobolo Blackwood Elasticity: more elastic less elastic lndian RW Palo Escrito Brazllian lighter Brazilian Dark Honduran Cocobolo Blackwood |