#16
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I'm obsessed with the recordings of Papa Charlie Jackson, playing his songs on the same model Gibson that he recorded with is a real blast...that tone just gushes out of the GB-4 with no effort whatsoever.
http://www.youtube.com/watch?v=JlZGIHvzLzA http://www.youtube.com/watch?v=Jn2WBUdkpjg http://www.youtube.com/watch?v=I65pCreE1rA |
#17
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Nice videos, I just got a Deering D-6 and find it is very hard to put down.
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#18
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I would suggest with a banjitar you still tune it open similar to a banjo if you can. I have noticed that when folks tune them to standard guitar they often don;t sound banjoish... you can hear the difference..IF that is what you are going for awesome...but recently a friends band put on in a song cause they "wanted some banjo" and it just did not sound right.
But it is correct in that it certainly occupys its OWN sonic space |
#19
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Quote:
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Steve 2020 McKnight Grand Recording - Cedar Top 2005 McKnight SS Dred 2001 Michael Keller Koa Baby 2014 Godin Inuk 2012 Deering B6 Openback Banjo 2012 Emerald Acoustic Doubleneck 2012 Rainsong JM1000 Black Ice 2009 Wechter Pathmaker 9600 LTD 1982 Yairi D-87 Doubleneck 1987 Ovation Collectors 1993 Ovation Collectors 1967 J-45 Gibson 1974 20th Annivers. Les Paul Custom |
#20
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Why do people always assume that folks who play banjitar are seeking a "guitarist's shortcut" to the 5-string/bluegrass sound? The banjitar was a common instrument in 1920s jazz and ragtime, it definitely has its own niche.
Listen to some Papa Charlie Jackson or Johnny St Cyr...the last thing these guys wanted to do was sound like 5-string bluegrass banjo (which seems to be the yardstick for sounding "banjo-ish" these days). They played in standard (guitar) tuning. http://www.youtube.com/watch?v=ncBdgNOPiAY |
#21
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http://youtu.be/_mODWPxmfRM
Try this on a five string The worst thing that happened to the banjo is that bluegrass (a fairly recent style really) took it over and seemed to make its style the norm. Thank god for Pete Seeger, Bela Flack, and my current favorite Munford and Sons.
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Steve 2020 McKnight Grand Recording - Cedar Top 2005 McKnight SS Dred 2001 Michael Keller Koa Baby 2014 Godin Inuk 2012 Deering B6 Openback Banjo 2012 Emerald Acoustic Doubleneck 2012 Rainsong JM1000 Black Ice 2009 Wechter Pathmaker 9600 LTD 1982 Yairi D-87 Doubleneck 1987 Ovation Collectors 1993 Ovation Collectors 1967 J-45 Gibson 1974 20th Annivers. Les Paul Custom Last edited by Doubleneck; 01-01-2014 at 08:41 AM. |
#22
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Quote:
Five-string wasn't always a bluegrass instrument, either. http://www.youtube.com/watch?v=XdGR9duRZ78 http://www.youtube.com/watch?v=A7FVbKN3i6g Check out some Fred Van Eps (George's father) and Vess Ossman to hear 5-string in an early ragtime context! http://www.youtube.com/watch?v=0SJvohQlpTk http://www.youtube.com/watch?v=M_YgGfoiJNA http://www.youtube.com/watch?v=5rW0fmFjyI8 http://www.youtube.com/watch?v=o47zCQ_95mI Last edited by Cone Head; 01-01-2014 at 08:43 AM. |
#23
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Quote:
In the 1920's production of five string banjos almost ceased as the market became totally dominated by four string banjos, mostly tenors but also plectrum banjos, which retained the long scale and a version of the then-current five string banjo tuning that most five string players used prior to bluegrass music. Bluegrass music came along and most players switched to the open G tuning, but older styles never completely died out, whether mountain clawhammer or jazz four string styles. And now we are on the brink of another era. It's nice to see. Nothing ever stays the same for very long.... Cone Head wrote: Quote:
And there IS a significant percentage of guitar-banjo owners who do, in fact, use the guitar-banjo as a way to get a banjo sound without bothering to learn five string. So there is some foundation in truth to justify that particular stereotype. But as you and I and hopefully most of the people reading this thread now realize, the guitar-banjo has its own charms and is, in fact, its own unique instrument. Anyway, anyone who buys or borrows a guitar-banjo is going to use it for his or her own purposes, and more power to them. Wade Hampton Miller |
#24
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Quote:
http://www.johnhartford.com/ http://www.youtube.com/watch?v=CXPP66ImrgA http://www.youtube.com/watch?v=dCVQ3w3sKxA http://www.youtube.com/watch?v=aICsD4C-pC8
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Dan Carey (not Crary) A couple of guitars A Merida DG16 Classical Guitar A couple of banjos A Yueqin A Mountain Dulcimer that I built A Hammered Dulcimer that I'm currently building And a fiddle that I built! Time flies like an arrow. Fruit flies like a banana. Last edited by Dan Carey; 01-01-2014 at 08:14 PM. |
#25
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#26
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Quote:
__________________
Steve 2020 McKnight Grand Recording - Cedar Top 2005 McKnight SS Dred 2001 Michael Keller Koa Baby 2014 Godin Inuk 2012 Deering B6 Openback Banjo 2012 Emerald Acoustic Doubleneck 2012 Rainsong JM1000 Black Ice 2009 Wechter Pathmaker 9600 LTD 1982 Yairi D-87 Doubleneck 1987 Ovation Collectors 1993 Ovation Collectors 1967 J-45 Gibson 1974 20th Annivers. Les Paul Custom |
#27
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Read this thread and was surprised - never heard of the instrument, but immediately intrigued.
Went perusing eBay & Amazon and ordered this:http://www.amazon.com/gp/aw/d/B009FK...&pi=SY200_QL40 Positive reviews and people consistently said the build quality surpassed the price. Excited - if it fizzles I'm sure I can recover the cost, but doubt I'll need too! Oh boy. = ) |
#28
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Well, that's a no-name and is probably Korean-made. It looks identical to the one I had for several years before I stepped up to the Deering B-6.
Those have lots of intonation problems and you're also likely to find that there's generally just one "sweet spot" on each string where you can get a decent tone out of it. The weird thing about the one I had is that the "sweet spot" was in a slightly different spot on each string - I actually had to hit the strings on a diagonal to get the best sound. If I remember correctly, the sweet spot on the low E string was about four inches away from the bridge, while it was about three inches from the bridge on the high E, with the sweet spots on all the other strings on the diagonal between those two. Or it might have been four inches away on the high E and three on the low E - I've had the Deering now for about 15 years, and immediately sold off the no-name once I got it, and am not sure I remember exactly. In any event, it took some accommodation to get the best sound out of it, that's for sure. But at that price you might as well get it and dink around on it, and if you find that you still like the instrument, then save up for a Gold Tone or a Deering. whm |
#29
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Deering B6 Acoustic Electric
Definitely the most versatile one to go with would be the Deering Boston 6-String Acoustic/Electric banjo
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#30
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6-String Banjo Strings
If you need strings for a 6-string banjo, these are the best:
http://www.banjostudio.com/products/...-banjo-strings |