#61
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1955 Gibson ES-125 1956 Fender Champ lap steel 1964 Guild Starfire III 1984 Rickenbacker 330 1990s Mosrite (Kurokumo) Ventures 2002/2005 Fender Japan '60s Tele [TL-62-66US] 2008 Hallmark 60 Custom 2018 Martin Custom Shop 00-18 slot-head 1963 Fender Bandmaster (blonde blackface) 1965 Ampeg Gemini I 2020 Mojotone tweed Champ kit build |
#62
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#63
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1955 Gibson ES-125 1956 Fender Champ lap steel 1964 Guild Starfire III 1984 Rickenbacker 330 1990s Mosrite (Kurokumo) Ventures 2002/2005 Fender Japan '60s Tele [TL-62-66US] 2008 Hallmark 60 Custom 2018 Martin Custom Shop 00-18 slot-head 1963 Fender Bandmaster (blonde blackface) 1965 Ampeg Gemini I 2020 Mojotone tweed Champ kit build |
#64
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I have known about storied rays for a very long time. Storied rays cause the ripple marks on flatsawn surfaces. The problem is, most mahogany used by Martin is quartersawn. I bought mahogany boards salvaged from a defunct veneer mill in the late-1970's, and was able to identify it as khaya by the staggered rays. No DNA test necessary. Martin actually used khaya on style-18 backs and sides in the 1970's, as told by their wood buyer who recently retired. AFAIK, Martin's recent use of the term 'genuine mahogany' is limited to Swietenia macrophylla, AKA South American, Honduran, etc. But that is not necessarily a description of where it comes from. These days, S. macrophylla can be sourced from Fiji or elsewhere, the result of plantation operations. |
#65
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I love my 000-15sm, therefore I love Sipo. |
#66
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#67
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I don't know how it could be clearer. |
#68
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I'd say it's Fiji mahogany.
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Martins: '93 D35, '94 D18, '95 00016, '06 D41 Spec., '49 018 Guilds: '76 D25, '92 JF65-12 Santa Cruz: '92 F model w/cutaway Recording King RO227 Fender FR-50 Baby Taylor (spruce) Blueridge BR 180 Eastman E10 SS/v |
#69
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Go to about the 3:30 mark and pick it up from there.
Maybe helpful, maybe nothing. https://www.youtube.com/watch?v=C8iRVtvStY8
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Eastman 2007 AC-510 Eastman 2008 AJ-816C Eastman 2010 AC-712 Eastman 2012 AH6OM Eastman 2016 HE-222GAC Eastman 2018 E1SS Ltd La Patrie Presentation La Patrie Collection |
#70
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1 dreadnought, 1 auditorium, 1 concert, and 2 travel guitars. |
#71
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[QUOTE=beatcomber;6216175]I've been looking at examples of different woods online, and I just can't conclude what type of mahogany was used on my 000-15SM
What do you think? Is this South American, African or some other type of mahogany? FWIW, it doesn't really matter, it sounds great no matter what it is, I'm just curious. Definitely African..........Probably.....Nah, just kidding. Looks African to me.
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2012 Eastman E20om 2017 Eastman E40om SB |
#72
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But also she said the phrase 'we're really nervous' about future Mohogany supplies. She said it several times. And the YT was from 2014 I think. OP guitar is 2019 I believe. It looks nearly identical. So, ...draw your own conclusions.
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Eastman 2007 AC-510 Eastman 2008 AJ-816C Eastman 2010 AC-712 Eastman 2012 AH6OM Eastman 2016 HE-222GAC Eastman 2018 E1SS Ltd La Patrie Presentation La Patrie Collection |
#73
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I’m surprised by how cloudy the info is about this is.
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1955 Gibson ES-125 1956 Fender Champ lap steel 1964 Guild Starfire III 1984 Rickenbacker 330 1990s Mosrite (Kurokumo) Ventures 2002/2005 Fender Japan '60s Tele [TL-62-66US] 2008 Hallmark 60 Custom 2018 Martin Custom Shop 00-18 slot-head 1963 Fender Bandmaster (blonde blackface) 1965 Ampeg Gemini I 2020 Mojotone tweed Champ kit build |
#74
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That is a beautiful guitar made with beautiful mahogany. Nice to know that it has been confirmed by Martin to be genuine no-name mahogany.
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#75
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Im guessing its Sipo. Well at least its better than khaya tonally.
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