#16
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As for the alignment issue, there are plugins for that. I use one called SoundRadix Auto-Align. It's quite simple to use and it really makes a difference. Quote:
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Jim 2023 Iris ND-200 maple/adi 2017 Circle Strings 00 bastogne walnut/sinker redwood 2015 Circle Strings Parlor shedua/western red cedar 2009 Bamburg JSB Signature Baritone macassar ebony/carpathian spruce 2004 Taylor XXX-RS indian rosewood/sitka spruce 1988 Martin D-16 mahogany/sitka spruce along with some electrics, zouks, dulcimers, and banjos. YouTube |
#17
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In regards to mylodyne, it’s definitely limited in this application
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David Webber Round-Body Furch D32-LM MJ Franks Lagacy OM Rainsong H-WS1000N2T Stonebridge OM33-SR DB Stonebridge D22-SRA Tacoma Papoose Voyage Air VAD-2 1980 Fender Strat A few Partscaster Strats MIC 60s Classic Vib Strat Last edited by Mbroady; 06-06-2019 at 06:36 AM. |
#18
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Or depending on your DAW you may have a drum VI you can use also. As far as a click and separate takes feeling unnatural at first, besides the "silent singing" Jim mentioned, ( which I realized I have always done also ) think of this somewhat related analogy. Back in old days when we learned to drive on a manual transmission. Trying to coordinate clutch, gas , braking , shift pattern, speed of of car , direction of car and other traffic etc. etc. was all very stilted and unnatural (Until after enough repetitions and miles it became natural ) this is very much the case of dubbed vocal recording
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Enjoy the Journey.... Kev... KevWind at Soundcloud KevWind at YouYube https://www.youtube.com/playlist?lis...EZxkPKyieOTgRD System : Studio system Avid Carbon interface , PT Ultimate 2023.12 -Mid 2020 iMac 27" 3.8GHz 8-core i7 10th Gen ,, Ventura 13.2.1 Mobile MBP M1 Pro , PT Ultimate 2023.12 Sonoma 14.4 Last edited by KevWind; 06-06-2019 at 07:03 AM. |
#19
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The importance became clear when we began adding other instruments (bass, keyboards, etc). Adding anything else became quite a chore and took up so much more time because of all the editing we had to do to get things to line up. On top of that, on the songs that had a wider dynamic, I have a tendency to speed up play as I sing louder. I never noticed it when I performed but when hearing the song I recorded over and over again in the studio, the speed-ups became quite noticeable. About halfway through that project I was determined to learn to play to a click and finally got comfortable with it. These days I won't record without it. Quote:
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Jim 2023 Iris ND-200 maple/adi 2017 Circle Strings 00 bastogne walnut/sinker redwood 2015 Circle Strings Parlor shedua/western red cedar 2009 Bamburg JSB Signature Baritone macassar ebony/carpathian spruce 2004 Taylor XXX-RS indian rosewood/sitka spruce 1988 Martin D-16 mahogany/sitka spruce along with some electrics, zouks, dulcimers, and banjos. YouTube |
#20
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Regarding click, my m.o. has evolved to this:
1. Print a click. 2. Do a quick single-mic guitar/vocal "roadmap" track. 3. Mute the click except for the countoff and any significant stops. 4. Start tracking the actual "keeper" stuff. Seems like doing it this way, the feel is more me and less metronome. |