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#1 OM, Benjamin Paldacci Guitars: "First Taste" - video on line
Hello Everybody,
Some people probably remembered me, I posted one thread when I was at the National School of lutherie, at Quebec City. I graduated in may 2013, and I opened my own workshop the december,1st. So, I began my first guitar after school: OM Modified Indian RW and Sitka Salvaged, from Roy Tonewood. Model: OM Mod Body Size: Auditorium 14-Fret Cutaway Top: Private Stock Sitka Bearclaw Rosette: Segmented, Like Jason Kostal or Ervin Somogyi. Black Ebony/Indian RW/figured Mapple Top Braces: Salvaged Sitka Spruce Back Material: Indian RW Back-center Purfling: Ebony with White/blac/White Purfling Binding: Black Ebony Neck Material: Honduras Mahogany Nut Material: Bone Faceplate: Segmented design (same woods than Rosette) Backplate: Solid Black Ebony Fingerboard Material: Ebonyst Grade black ebony Scale Length: 25.34 inches Fret material: Stainless Steel Number Of Frets Clear: 14 Number Of Frets Total: 21 Fretboard radius: 16 inches Fingerboard Binding: Black Ebony Finish: KTM9 Bridge Material: Black Ebony Bridge Style: Custom Design Saddle: Bone Tuning Machines: Gotoh 510 I hope You'll like that thread, thank you for your comments! https://scontent-a-lga.xx.fbcdn.net/...40800740_n.jpg Last edited by BenjaminPaldacci; 04-08-2014 at 07:34 PM. |
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#4
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The guitar looks awesome so far. I love the photos, though I would suggest using a different white balance setting to take some of the yellow out of them (and some are a bit dark). The rosette is great, though a lot of people seem to be taking that "fragmented shape" approach these days so I'm not sure how much it differentiates your guitars.
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Circa OM-30/34 (Adi/Mad) | 000-12 (Ger/Maple) | OM-28 (Adi/Brz) | OM-18/21 (Adi/Hog) | OM-42 (Adi/Braz) Fairbanks SJ (Adi/Hog) | Schoenberg/Klepper 000-12c (Adi/Hog) | LeGeyt CLM (Swiss/Amzn) | LeGeyt CLM (Carp/Koa) Brondel A-2 (Carp/Mad) |
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Go benx4, go !
Did you inlay the purfling strips of the rosette at the same time of gluing the rosette, or did you first glued the purfling to the (beautiful) ring, and then inlay everything? It's a Kostalized rosette, I guess |
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Don't mean to be critical. Just offering some constructive feedback other than, "It looks awesome," which of course is true. But not very helpful to you.
Please keep up the photos!
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Circa OM-30/34 (Adi/Mad) | 000-12 (Ger/Maple) | OM-28 (Adi/Brz) | OM-18/21 (Adi/Hog) | OM-42 (Adi/Braz) Fairbanks SJ (Adi/Hog) | Schoenberg/Klepper 000-12c (Adi/Hog) | LeGeyt CLM (Swiss/Amzn) | LeGeyt CLM (Carp/Koa) Brondel A-2 (Carp/Mad) |
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don't worry, I haven't taken as a critic, but as a constructive advice
I always want to improve my skills in what I do, it could be photography or lutherie, so your advice was good for me |
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Last edited by BenjaminPaldacci; 01-17-2014 at 02:59 AM. |
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Wonderful! I like the shape of the cutaway.
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#11
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Looking good, very clean work.
One question, I see a righty cutaway but the tone bars look like a lefty. Am I nuts? SA |
#12
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It's looking great Benjamin ... love your work!
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David Wren |
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Quote:
I don't know if it is the consequence of this mistake but with the actual guitar, I really wanted to know if it plays a role or not... so, when I see that a lot of luthiers realized a X instead the tone bar, I think that you can have a lefty bracing on a Right-hand guitar Thank you Matthew! In fact, it's a really Somogyi-Like cutaway, I really dig the comfort of it, but maybe I'll personalized it a little bit in the future Thank you very much David, it means a lot for me when it comes from a masterclass luthier like you! |
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This looks very nice, and I love when a "mistake" becomes a possible innovation!! Is this a commission, or are you building it on your own?
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--------------------------------------- 2013 Joel Stehr Dreadnought - Carpathian/Malaysian BW 2014 RainSong H-OM1000N2 2017 Rainsong BI-WS1000N2 2013 Chris Ensor Concert - Port Orford Cedar/Wenge 1980ish Takamine EF363 complete with irreplaceable memories A bunch of electrics (too many!!) |
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Thank you, I love it when Lutherie take an unexpected way too (but not too much of course )
It is a comission for Maurice Roy, from Roy Tonewood I haven't got other comission for the next guitar so, I'll build the next for whoever'll wants it |