#16
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Is it your PA? do you have control over the mixer board? what type of mixer board?
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The Blond The Brunette The Red Head The Old Lady Goldilocks Flipper "Sometimes I play a song I never heard before" Thelonious Monk |
#17
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Quote:
People use an acoustic preamp like those I listed earlier in this thread (or units like your A3, for that matter) because they want all of these functions in one compact unit. Many of these also offer much finer EQ control than is on offer in an onboard system like yours or on a typical combo amp or PA mixer. An effects loop in the unit also allows the addition of effects after the preamp and EQ, but before the DI output, and some of these units also offer other useful things like feedback filters, the option of mixing-in a mic signal or second pickup source, switching between two instruments, high pass filters, phase reversal, foot-controllable boost and/or mute, tuners, etc.. Other units offer various kinds of processing designed to add a more natural acoustic tone to the pickup sound (digital imaging, saturation, etc.). One more thing: you mentioned earlier that you haven't been happy with the sound your get with the A3, but remember that the problem might not be the A3. It might be your pickup sound itself. If you try going through the GE7 and pedals to a DI and it still doesn't sound good to you, you might consider another type of pickup. Or maybe someting like a ToneDexter. I'm not saying that the Takamine system is a bad one. It's actually one of the better onboard systems, but that doesn't mean it sounds the way *you* want to sound. It also might be worth being patient with yourself and the controls on the A3, which are pretty extensive. It might be that the sound you want is available in there, but you haven't yet found it. Louis Last edited by lschwart; 02-22-2019 at 09:19 PM. |
#18
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OK I get it now, thanks for the explanation.Do you propose an active or passive DI for a system like mine?
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#19
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Quote:
Louis |