#16
|
|||
|
|||
Quote:
|
#17
|
||||
|
||||
This soundport is stunning, so well executed, like it’s meant to be there.
__________________
Tom '21 Martin D-18 Standard | '02 Taylor 814c | '18 Taylor 214ceDLX | '18 Taylor 150e-12 | '78 Ibanez Dread (First acoustic) | '08 CA Cargo | '02 Fender Strat American '57 RI My original songs |
#18
|
|||
|
|||
Many people are serious about these things. Having played a few guitars that have them I retain my skepticism. Many people are serious about tattoos for about the same reason: It's the thing all the cool kids are doing. I suspect in future years plastic surgeons specializing in tattoo removal will have storefront clinics next to guitar repairmen specializing in tone port closure. Both for $49.95!
__________________
Some Acoustic Videos |
#19
|
||||
|
||||
Hook line and sinker........
|
#20
|
|||
|
|||
I ordered a custom guitar last year and opted to have the optional soundport. This particular luthier does an unbound narrow oval which I liked both functionally and aesthetically. I play with a light attack and it does bring a noticeable difference. As a singer, I thought the extra sound would be too much but I found with this guitar to not be an issue. Another one of those options that depends on personal preferences.
Best, Jayne |
#21
|
|||
|
|||
A builder friend built one with a small sliding "door" that you could open and close over the sound port. So several of use experimented with playing and standing out front. We tried it with the door open all the way, partly, and closed. We found that when open the volume out front would decrease by a couple of percent, but be much more for the player. So they do have an effect.
OMMV |
#22
|
|||
|
|||
I wasn't the one that called them mutilations, but only that i found them somewhat unattractive (as if a preamp had been removed leaving an open hole). I personally don't like the looks of the wide open sound holes, but those that were pictured above where they're less "wide open" I do find appealing. I would definitely consider a guitar with one like those.
__________________
Taylor 814ce DLX Taylor GTe Urban Ash Taylor GS Mini-e Rosewood Ovation CS257 Celebrity Deluxe Epiphone PR-350 Kramer 450G Gretsch G2622 |
#23
|
|||
|
|||
I'm going to guess you don't like cutaways...
__________________
-Gordon 1978 Larrivee L-26 cutaway 1988 Larrivee L-28 cutaway 2006 Larrivee L03-R 2009 Larrivee LV03-R 2016 Irvin SJ cutaway 2020 Irvin SJ cutaway (build thread) K+K, Dazzo, Schatten/ToneDexter Notable Journey website Facebook page Where the spirit does not work with the hand, there is no art. - Leonardo Da Vinci |
#24
|
|||
|
|||
Wow, not one cup holder joke yet? You guys are slacking today!
|
#25
|
|||
|
|||
Quote:
There are a lot of modifications to a guitar which are hard to hear at best such as changing bridge pins. Sound ports are a night and day difference in how the player hears the guitar. I honestly didn't think there would be anyone who said they didn't make a difference.
__________________
Guild CO-2 Guild JF30-12 Guild D55 Goodall Grand Concert Cutaway Walnut/Italian Spruce Santa Cruz Brazilian VJ Taylor 8 String Baritone Blueberry - Grand Concert Magnum Opus J450 Eastman AJ815 Parker PA-24 Babicz Jumbo Identity Walden G730 Silvercreek T170 Charvell 150 SC Takimine G406s |
#26
|
|||
|
|||
Quote:
|
#27
|
|||
|
|||
Quote:
When I play with bare fingers or with a light right hand attack, there's an audible difference and clear advantage to having a soundport on the guitar. But that's not how I play most of the time. I should point out that I've owned two guitars with soundports, one of them for about five years, the other for about ten. So I do have personal experience with playing guitars that have soundports, and am not basing my opinion on playing a soundported guitar in a music store for a few minutes. I no longer have either guitar, as it happens, but the one I sold last fall is absolutely loved by the guy who bought it. It works well for him. Short version: soundports work well for some players, but are not especially useful for others. If you're an enthusiastic convert to soundports that might be hard for you to believe, but it's true. Wade Hampton Miller |
#28
|
|||
|
|||
I don't know, careless handling maybe?
|
#29
|
|||
|
|||
they were swinging their guitar around and it hit the microphone stand making a hole in it.
play music!
__________________
2014 Martin 00015M 2009 Martin 0015M 2008 Martin HD28 2007 Martin 000-18GE 2006 Taylor 712 2006 Fender Parlor GDP100 1978 Fender F65 1968 Gibson B25-12N Various Electrics |
#30
|
|||
|
|||
Quote:
play music!
__________________
2014 Martin 00015M 2009 Martin 0015M 2008 Martin HD28 2007 Martin 000-18GE 2006 Taylor 712 2006 Fender Parlor GDP100 1978 Fender F65 1968 Gibson B25-12N Various Electrics |