#1
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Monel strings on rosewood guitars
There is a plethora of threads already regarding monel strings such as Martin Retro, and general consensus seems to be that they sound great on mahogany guitars.
I am interested in hearing experiences from players who tried them on rosewood guitars (or other dark woods), especially for fingerpicking. I tried Martin Retro light on my Martin OM-28 and I noticed a decrease in volume compared to 80/20 but, after a couple of weeks, a very nice mellow sound came out which is delightful for fingerpicking blue/jazz. What do you think? Also: I cannot seem to be able to find videos of people playing monel on rosewood guitars, so any share is appreciated. Ll.
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Martin OM-28 1931 Authentic | Martin CEO-7 Taylor GS Mini Mahogany | Logan Custom Telecaster |
#2
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They tamed my rosewood jumbo in all the ways I hoped. PBs were too bright. Now it's a better strummer.
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#3
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I’ve got a set of Martin Monels in 11-52 on my Alvarez PD85S. Spruce with a solid RW back and laminate sides.
Phenomenal guitar. They’ve been on it for more than a month, and I still like the way they sound. Not as dark as PB, but less odd overtones.
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A bunch of guitars I really enjoy. A head full of lyrics, A house full of people that “get” me. Alvarez 5013 Alvarez MD70CE Alvarez PD85S Alvarez AJ60SC Alvarez ABT610e Alvarez-Yairi GY1 Takamine P3DC Takamine GJ72CE-12-NAT Godin Multiac Steel. Journey Instruments OF660 Gibson G45 |
#4
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They are the best strings in the world on my 1927 000-28. I've tried probably 10 different sets of strings on the guitar and the Monels are the clear winner.
I sold a 1928 00-40H last year and it sounded good with them but ultimately, I decided that EJ-16's sounded better. It wasn't night and day or anything and I would have been happy to always have the monels on that one. I put them on my modern Brazilian Rosewood Gibson Roy Smeck style guitar and they were less than impressive. I kept them on for 2 weeks and then went back to EJ-17's and it was a big improvement. I've done setups on probably 7-8 Rosewood guitars with them for customers in the last couple years and with a couple exceptions, they've been pretty great. Maybe not my first choice on some but the owners were all happy. |
#5
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I like them on my D-18.
They sounded dull and thumpy on my HD-28. In other words, they made it sound like a Gibson.
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2015 Martin D-18 1982 Martin HD-28 2013 Taylor 314ce 2004 Fender Telecaster MIM 2010 Martin DCX1RE 1984 Sigma DM3 Fender Mustang III v2 |
#6
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May I ask you which gauge? I tried the light (012) on my long-scale OM but want to switch to Martin Retro LJ (013).
Ll.
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Martin OM-28 1931 Authentic | Martin CEO-7 Taylor GS Mini Mahogany | Logan Custom Telecaster |
#7
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I'm one of the Retros on mahogany guys.
I've been running them for about a year on my D-18. I tried a couple of sets of them on my Bourgeois (EIR B&S). I liked them ok, and I liked the fact that last well. But ultimately I prefer 80/20s on that guitar. That said, I do play a lot of bluegrass, and I like the punch and shimmer of the 80/20s. But, depending on what kind of finger picking I was doing I very well might prefer the retros, and the retros also do seem to blend a bit better when strumming, if that's an important consideration. I think the long and short is that you're just going to have to try them and see what you think.
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"What have I learned but the proper use for several tools" -Gary Snyder Bourgeois DR-A / Bowerman "Working Man's" OM / Martin Custom D-18 (adi & flame) / Martin OM-21 / Northwood M70 MJ / 1970s Sigma DR-7 / Eastman E6D / Flatiron Signature A5 / Silverangel Econo A (Call me Dan) |
#8
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I had a set of Retros on my last HD-28. I liked them but it was short term. Went back to EJ-17's.
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Jim Dogs Welcome......People Tolerated! |
#9
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Tony Rice seems to love 'em on his D-28. But he's Tony Rice...
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"It's just honest human stuff that hadn't been near a dang metronome in its life" - Benmont Tench |
#10
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I like them on my OM-21, I’ve been using 11-52 custom light Retros, now have 80/20 EJ11 on it (all rosewood guitars I’ve had eat strings) - next time the monels go on I’ll beef up the plain strings one gauge to thicken up the trebles. As for consensus on mahogany top guitars - I’d rather consider monels on an individual guitar basis, as there is natural variance in wood and string type can vary accordingly.
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#11
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I'm using a set of Tony Rice monels on my Huss & Dalton sitka/rosewood dread. Lovely combination. Warms the guitar up quite a bit. I also get quite a lot of power out of them that I lose within hours of playing PB's or 80/20's.
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Neal A few nice ones, a few beaters, and a few I should probably sell... |
#12
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LOL, a bit OT but I had my first ever Gibson borrowed for about 2 weeks - a 12th fret slope shoulder but 'dull and thumpy' would not be remotely my description. It was loud, loud, projective and clear. I'm brand agnostic by the way - not Gibson fan or detractor.
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#13
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Light. It might sound a hair better with 13's but honestly, '27 was very early in the steel string bracing and this one is so light I would probably worry about it. Plus, it sounds great as it is.
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#14
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I've been using Martin Retro's on my 000 for over a year now. I play 95% with fingers and love the sound and feel.
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Keith Martin 000-42 Marquis Taylor Classical Alvarez 12 String Gibson ES345s Fender P-Bass Gibson tenor banjo |
#15
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I was just kidding, anyway. I played a 1961 J-50 last week that really got the GAS going.
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2015 Martin D-18 1982 Martin HD-28 2013 Taylor 314ce 2004 Fender Telecaster MIM 2010 Martin DCX1RE 1984 Sigma DM3 Fender Mustang III v2 |