#16
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I’ve yet to play one I didn’t want to leave the shop with. And I’ve played more than a few. This is going to be the year! (Fingers crossed)
That said, I agree that it makes sense to try to end up with this particular guitar given the overwhelmingly positive reaction. See what you can do! |
#17
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I just watched Tony P's review of it. The top comment made me smile. Guy wrote "Can you play some ill fretted chords out of time? I wanna see what it will sound like if I play it."
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#18
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Just a suggestion from past experience; I would go back ASAP and if "that" guitar is still there I would play "that" guitar, and if I still felt the same way about "that" guitar I would buy, make a deposit, or whatever you can manage to do to make "THAT" guitar your guitar.
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#19
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I gotta' admit, I can be a snooty sort when it comes to high/higher end dreads. I've owned Martins, several Collings, several Bourgeois's, a Santa Cruz, and two Altmans. I've had a tendency to look past Martins toward other high/higher end guitars the last 10+ years or so (except for a '37 D18 Authentic). That '37 D18 Authentic was the first Martin to turn my head Martin's direction in many, many, years. But in the last 9 months I played a used Martin CW and a Custom Shop Martin D21. Both sounded stellar.
Fast forward to now. A couple months ago I went to my favorite bluegrass/acoustic music store, Morgan Music, and played many of the new Collings, Bourgeois, and Martin guitars. I wasn't planning on playing any Martins but, at the last minute I decided to pick up a new D18 and wow! What a surprise! It really sounded good. Far better than I expected. If they all sound like that Martin really did their homework on that one. I haven't played a new D28 yet. But if it is as improved as the D18 they're going to make a big dent in the market. Especially at their price point. Huge bang for the buck. Now go get that D18!! Last edited by drbluegrass; 04-21-2018 at 06:07 PM. |
#20
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Quote:
I was thinking about the D-18 all day. “Was it really that good?” I asked myself. My morning session with my OOOC was lackluster. I had to force myself to keep playing. Chords felt cramped. Nothing seemed clean. Everything was compared to the D-18. I was sitting in the woods calling for turkeys and all I could hear were G runs on the D-18. I was in church tonight listening to a woman singing out of her range and I thought I should lead service with the D-18. It’s starting to wear on me. Lol I’m reading/heeding all of the advice, listening to my own as well, and leaning towards going back Wednesday or Thursday and trying again. If the guitar repeats its performance I’ll come up on my offer and see if they move as well. Funny thing is that I’ve been hanging onto the ring my ex-fiancé threw at me and told me to go pawn about six or seven months ago. She never liked me playing music in the house. It might be a fitting (and therapeutic) transition-diamond to D-18. |
#21
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Warning* Do Not Play a New Martin D-18
Friday evening I ordered my first new guitar (D-18) from one of the forum sponsors, only to to wake up the next morning to see "Warning* Do Not Play a New Martin D-18 ". I had to laugh when I realized it was not a real warning. I compared a lot of guitars, but kept coming back to the D-18. I can't believe I will have one in just a couple more days.
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#22
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#23
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*Warning* Do Not Play a New Martin D-18 ...
I solidified today that the D-18 is my favorite Martin dread I’ve played so far. Was wanting a D-28 and thought about selling my D18, but I miss the D-18 growl every time I play the D-28. It’s just missing something in the mids for me, and sounds too scooped which is what I liked about the D18 in the first place.
Keeping my trusty old D-18 |
#24
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Hot for a Martin D-18 and dont have the cash?? Takamine EF-340tt. All the dimensions, all the tone, 2/3 the price. I'm a faithful Martin guy, own two, but this Takamine is really something else. Try one.
__________________
Free speech...its' not for everybody |
#25
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The D-18 is a cannon....I'd love to have one. Too bad dread bodies just don't work for me. But I took a spin on a new 000-18 the other day. Wow.
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#26
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*Warning* Do Not Play a New Martin D-18 ...
I won't...
Y'see, I'm getting to the point in life where playing comfort means as much (if not more) to my musical satisfaction - not to mention my continued longevity as a guitarist - as tone... I passed on a phenomenal first-run '37 D-18 Authentic at MandoBros several years ago, that my normally-jaded guitar-playing wife aptly described as "mind-blowing" (and would have gladly forked over the $5K price of admission to add to our mutual collection) - easily one of the finest Martins of any vintage I've played in the last 55 years, and one that quickly made its way to Stan Jay's personal stash (small wonder) - as even a short workout was causing left-hand cramps... It's a very rare 1-3/4" neck that I can handle comfortably for any length of time - certainly not enough for an all-night gig or extended jam - and even a narrower neck had better have the right shape, or it's a no-go regardless of how good it sounds... I'd have to go through the Custom Shop to have one made to order with a shallow soft-D 1-11/16" neck - and for what I'd be paying there are a number of better options IMO...
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"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased) |
#27
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Guitars have always been very individual to me. The same make and model is not the same guitar. I think of production guitars as built to a bell curve - a few terrible ones and a few great ones and the majority decent to mediocre in between.
When you find a great one, grab it! $250 is a small premium to pay for an outstanding instrument. |
#28
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https://www.mcmakinmusic.com |
#29
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I agree completely. I have played a number of D-18’s since the redesigned them in 2012, and they are very consistent. |
#30
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Walker Clark Fork (Adi/Honduran Rosewood) Edmonds OM-28RS - Sunburst (Adi/Old Growth Honduran) |