#31
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I'll always be a rosewood guy -- but there's something about light-coloured guitars that I find very appealing. I'm really looking forward to strumming this one! |
#32
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Beautiful guitar. As you already know, maple can really surprise you with deep, resonant bass and sparkling highs. Very cool....
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My YouTube Page: http://www.youtube.com/user/ukejon 2014 Pono N30 DC EIR/Spruce crossover 2009 Pono koa parlor (NAMM prototype) 2018 Maton EBG808TEC 2014 Hatcher Greta 13 fret cutaway in EIR/cedar 2017 Hatcher Josie fan fret mahogany 1973 Sigma GCR7 (OM model) rosewood and spruce 2014 Rainsong OM1000N2 ....and about 5 really nice tenor ukuleles at any given moment |
#33
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Another SJ
Congratulations Mau on another stunning looking guitar. The maple is gorgeous as others have stated, and the top looks to have zero runout just like you prefer. I can't wait to hear it.
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John Tucson, AZ 2020 Kraut 00, Swiss/Brazilian, build 2018 Eady EG Pro Electric, Redwood/Mahogany 2013 Baranik Meridian, Blue Spruce/Cocobolo, build 2008 Baranik CX, Blue Spruce/African Blackwood 2008 Breedlove A20 Masterclass 12-string, Adi/IRW 2003 Thames classical, Euro/Brazilian Fodera Standard 4 Fretless bass, figured walnut |
#34
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Don't expect too much from me as far as jazz is concerned though. I've seriously tried a few times but I'm just not very good at it. Perhaps a nice guitar would keep me motivated? We'll see. I studied a Joe Pass classic on my PRS electric for months. By the end of it, my frets were all worn out -- but I still couldn't play the darn tune properly... |
#35
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The build thread is just the beginning of the journey... |
#36
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I'm confident I will love it as well. With a back like this, it won't really matter how it sounds...
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#37
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I typically hear two kinds of bass -- the fundamental bass and the "breath". While I expect the fundamentals to remain more or less the same across all SJs, the "breath" will likely be much more trebley. I can hear this clearly when I compare my rosewood and mahogany SJs -- the latter lacks no bass but the former definitely sounds warmer. |
#38
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For the top I hesitated between Sitka and red spruce. Euro spruce was never in the cards as I wanted a more utilitarian look. When Jim mentioned he had some old stock Sitka that was nearly flawless, I gave him the OK right away. |
#39
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That is some nice maple! You have another winner on your hands Mau.
Can't wait to see the pictures and hear the inevitable sound clip. Once you have it, you should make a road trip to Ottawa and bring it to me - I'll make room at my place so you can store it safely.
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___________________ Colin Ensor ES (Sycamore/Lutz) Halcyon (Flamed walnut/Engelmann) Taylor 324ce Taylor Baritone 6 Warwick Streamer Eastman MD505 "I only drink coffee on days ending in 'y' " |
#40
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A bunch of nice archtops, flattops, a gypsy & nylon strings… |
#41
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I've been driving for over 20 years. I drove to Toronto at least 100 times, rarely making the trip in more than 4.5 hours (do the math). Meanwhile, I think I only went four times to Ottawa in my entire life. Last week I earned a speeding ticket on my way to Chelsea. It was my third ticket in my entire life -- and my second in the NCR! Besides, I was only going 127 kph -- and driving a minivan! Sigh... |
#42
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Given I have Ontario plates and the SQ love out of province drivers, I'm shocked I've never been picked up in Quebec. A few years ago I was dating a girl who had family in Trois Rivieres so I spent a lot of time on Quebec highways (and the joy that is Montreal construction). A lot of that driving was spend up around 130 kph and zero tickets. Got lucky like that driving hwy 2 between Calgary and Edmonton years ago. Blew past an RCMP cruiser in a rental - not sure how I managed to avoid being pulled over that day.
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___________________ Colin Ensor ES (Sycamore/Lutz) Halcyon (Flamed walnut/Engelmann) Taylor 324ce Taylor Baritone 6 Warwick Streamer Eastman MD505 "I only drink coffee on days ending in 'y' " |
#43
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Congrats on your new project. Would you mind commenting on the choice to go with ivoroid bindings instead of wood?
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#44
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This is going to be a special guitar, Mau! Congrats, I'm very happy for you.
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#45
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As for bindings, I should have a simple answer but it was actually a long thought process. First of all, I don't view plastic as being inferior to wood. Martin and Gibson use plenty of plastic and it's a look I've grown to appreciate. For an Olson guitar, I wanted all specs to be as classic as possible -- so no flamey stuff, no "alternate" tone woods, etc. Jim used BRW bindings on my previous SJs but I wanted something that was lighter-coloured to match with the maple. Also, if you browse Charlie Hoffman's site for long enough, you'll see some really interesting old photos, like this one: When I visited Jim in 2012, he was building a bunch of BRW guitars -- so in 2013 I got a BRW SJ. When I dropped by his shop last year, he was building a maple SJ and now I've ordered a maple SJ. I think there might be a pattern there. Here's the SJ that Jim was working on last year: |