#46
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It is helpful to practice in front of a mirror to check your posture, wrist angles, shoulders, etc.
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#47
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I've done the mirror thing for years and have found it very helpful.
Another suggestion: practice with your eyes closed, or while not looking at your hands. Keep Playing, Scott |
#48
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When you have learnt the guitar you will realise that even experienced players land their fingers now and then too close or a bit away from frets or not grabbing strings exactly by the tip of their fingers etc. but they quickly and instinctively adjust because they feel it under their fingers where they should be. So muscle memory is good; but in the flow and speed of song, these things do happen. So instinct that develops through touch feel is quite important too apart from muscle memory of your fingers forming chord shape. Yet still, if you feel like that it is helping you get going, go ahead; but don't do it all the time. May be just now and then as you are learning new chord shape. Good luck with your learning.
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Gibson Hummingbird, J45 Martin OM-21 Breedlove AJ250 - Spruce/Maple Guild D120 - All hog |
#49
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Troubleshooting: Use a Mirror. No, you're not vain, you're actually improving your playing: https://www.fender.com/articles/play...g-use-a-mirror Why You Should Practice Guitar In Front of a Mirror: https://www.jropro.com/why-you-shoul...-a-mirror.html Last edited by stringjunky; 06-14-2019 at 05:18 AM. |
#50
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One thing, with a mirror, you should be able to hear yourself a bit better. Sound reflects as well as light.
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The Bard Rocks Fay OM Sinker Redwood/Tiger Myrtle Sexauer L00 Adk/Magnolia For Sale Hatcher Jumbo Bearclaw/"Bacon" Padauk Goodall Jumbo POC/flamed Mahogany Appollonio 12 POC/Myrtle MJ Franks Resonator, all Australian Blackwood Blackbird "Lucky 13" - carbon fiber '31 National Duolian + many other stringed instruments. |
#51
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I was going to say the same thing. Fwiw the mirrors in a gym are for the same thing. Now I know that some people just use them to check themselves out, but a lot of people are actually using them for the proper intention.
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#52
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"I've always thought of bluegrass players as the Marines of the music world" – (A rock guitar guy I once jammed with) Martin America 1 Martin 000-15sm Recording King Dirty 30s RPS-9 TS Taylor GS Mini Baton Rouge 12-string guitar Martin L1XR Little Martin 1933 Epiphone Olympic 1971 square neck Dobro |
#53
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Yep, that's correct. Ever since I've attached a ToneRite to my bathroom mirror, I have noticed that I look like a stud!
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"I've always thought of bluegrass players as the Marines of the music world" – (A rock guitar guy I once jammed with) Martin America 1 Martin 000-15sm Recording King Dirty 30s RPS-9 TS Taylor GS Mini Baton Rouge 12-string guitar Martin L1XR Little Martin 1933 Epiphone Olympic 1971 square neck Dobro |
#54
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The way that many great musicians learned to play is vastly different from how many of us here on AGF learn --- usually they started out very young, had a strong support system through family and/or school, and showed an exceptional dedication and perseverance to their practice. In short, they dedicated their lives to music very early on, unlike the rest of us who pursued various degrees of education, built a career in something other than music and started to learn or grow their skills on the guitar as a hobby. I compare the two scenarios to the (very different) ways that we learn a primary vs. a secondary language.
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"I've always thought of bluegrass players as the Marines of the music world" – (A rock guitar guy I once jammed with) Martin America 1 Martin 000-15sm Recording King Dirty 30s RPS-9 TS Taylor GS Mini Baton Rouge 12-string guitar Martin L1XR Little Martin 1933 Epiphone Olympic 1971 square neck Dobro |
#55
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The only reason I practice in front of a mirror occasionally would be to see if I was pulling strings #sharp. Otherwise DadOfThree, I can’t see the benefit. Muscle memory IS a wonderful thing, that comes to play more with learning complex songs. Learn to use your ears to hear if your getting good ringing tones from all strings, and/or if you are muting any open strings, or hear any buzzing. Good Luck!!!
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#56
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1970 Martin D28 1970s Eko Ranger 12 1984 Goodall Rosewood Standard 1990s Hirade K5 1996 Ibanez AG600e 2000s Eastman E10D 2009 Breedlove American 000 MM 2007 Breedlove DR Deluxe Custom 2010s Eastman E10OM SB |