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  #1  
Old 10-22-2016, 04:24 AM
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Max Spohn Max Spohn is offline
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Post Spohn Guitars Koa/Swiss Spruce OMC build

Hi, this is my first post here. I am from Germany and I am currently studying lutherie at university in Markneukirchen in my fifth semester.


This thread is about the guitar I have to build for this semester.
It will be my OM model with a cutaway, some specs listed below.

Swiss moon spruce for the top
Slightly flamed koa for the back and sides
Ebony fretboard
Mahogany neck
Custom segmented rosette
Ebony bridge
Segmented backstrip inlay
Ebony bindings
Body wedge
25" scale
Alessi tuners



This is the swiss spruce top



And the koa back



The sides are a three piece laminate with paulownia for the middle and dyed maple for the inner layer.

I will use some of this dyed birch for the rosette...



I will post more photos when the build is going on.
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Last edited by Max Spohn; 10-23-2016 at 02:43 PM.
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  #2  
Old 10-22-2016, 06:57 AM
printer2 printer2 is offline
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Nice work on Facebook, will be watching your thread.
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Old 10-22-2016, 07:18 AM
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Cool shape and wood choices, all from the town in Germany where CF Martin I was from! Looking forward to following along.
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Old 10-22-2016, 09:49 AM
GeoffStGermaine GeoffStGermaine is offline
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Max,
I checked out your Facebook page and your work is very nice! I particularly like your Birdseye Maple/Moon Spruce guitar. I especially like the view of the end graft on that one. There's something refreshing about the more "plain" looking sides on it with the segmented end graft and dark that really makes those aspects stand out.

I'm looking forward to seeing your building progress on this one. I'm very interested to see the dyed birch in your rosette!
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Old 10-24-2016, 01:32 AM
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Thank you guys!

Quote:
Originally Posted by GeoffStGermaine View Post
Max,
I checked out your Facebook page and your work is very nice! I particularly like your Birdseye Maple/Moon Spruce guitar. I especially like the view of the end graft on that one. There's something refreshing about the more "plain" looking sides on it with the segmented end graft and dark that really makes those aspects stand out.

I'm looking forward to seeing your building progress on this one. I'm very interested to see the dyed birch in your rosette!
Thank you Geoff, a lot of inlay work on the birdseye guitar is made of buffalo horn. And the guitar is still available!


I was working on some inlays the last few days... so here are the results.

The rosette is made of dyed birch, wenge and some rusty metal.





And the segmented backstrip inlay...

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Old 12-06-2016, 03:53 AM
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So here are some updates of the build.

The rosette is finished and is already sealed with shellac.





The rim is completed





And the top and back are braced.



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Old 12-06-2016, 04:44 AM
emmsone emmsone is offline
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Nice work Max, its looking fantastic
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Old 12-06-2016, 05:53 AM
ukejon ukejon is offline
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Welcome to AGF. That is a beautiful looking guitar. Look forward to seeing more pictures in the weeks to come.
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2014 Pono N30 DC EIR/Spruce crossover
2009 Pono koa parlor (NAMM prototype)
2018 Maton EBG808TEC
2014 Hatcher Greta 13 fret cutaway in EIR/cedar
2017 Hatcher Josie fan fret mahogany
1973 Sigma GCR7 (OM model) rosewood and spruce
2014 Rainsong OM1000N2
....and about 5 really nice tenor ukuleles at any given moment
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Old 12-09-2016, 01:30 PM
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Thank you guys!

I finished the bridge today.
This one weighs 19,5 g.
What weight for your bridges do you prefer?

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Old 12-28-2016, 05:41 AM
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Just before christmas I finished the bindings.
Here is a photo of the finished bindings and the endgraft.

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Old 12-28-2016, 06:38 AM
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Looking good! Thanks for sharing!
Matthew
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Old 01-25-2017, 05:38 AM
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Here are some photos while french polishing.



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Old 01-25-2017, 08:32 AM
Marcus Wong Marcus Wong is offline
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That is awesome
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Old 01-25-2017, 08:50 AM
riverrummed riverrummed is offline
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Beautiful workmanship. So how will this project be graded and by whom? Is tone a consideration or is the grading strictly on workmanship? Personally I'd say you have passed with flying colors!
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Old 01-25-2017, 09:55 AM
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So cutting the top out for the neck before being glued on with the neck block is a different approach than it seems most luthiers take. Any reason for this or just another way to do the same thing?
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