#16
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Would you recommend 80/20 for my Collings OM2H?
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#17
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I would say it’s worth trying a set and seeing what you think...
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Burguet AC-007 (2003 - Cedar/Rosewood) Webber OM (2009 - Sitka/Sapele) https://www.youtube.com/channel/UC8A...2TVEhWes2Djrig |
#18
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I own two Collings OM2 guitars. One is all mahogany and the other is Adi/higuerilla and find Collings to be so naturally projective that PBs smooth them out a bit. I find 80/20s aren’t a good compliment. But I agree, absolutely worth trying. Everyone has their own ears.
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#19
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I think I have settled on 80/20 for both of my guitars. They make the GS mini less muddy And the Martin 0015 sounds very clear and rich. Really has a vintage tone ( I know that’s not a very good description)
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Taylor 322,512ce 12 fret cedar/hog & 362ce Martin 00015SM Guild 1966 F20 Larrivee P03 sitka/hog,simple 6 OM & OM 09 Eastman E100ss-sb Gibson J185 & 2016 J35 Fender player plus telecaster & Mustang P90 Gretsch MIK 5622T |
#20
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Quote:
Does any manufacturer fit 80/20s as standard anymore?
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I'm learning to flatpick and fingerpick guitar to accompany songs. I've played and studied traditional noter/drone mountain dulcimer for many years. And I used to play dobro in a bluegrass band. |
#21
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Quote:
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#22
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I think that's what Gibson has been putting on their acoustic guitars, but I could be dead wrong on that one.
whm |
#23
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Hi Wrighty!
I'm glad to hear that 80/20 Elixir strings have helped you get the sound you want from your guitar. I tend to use Martin 80/20 SP Authentic strings because these strings, at least for me have a non-harsh sound to them. Some string manufacturers' 80/20 strings sound quite harsh to me. Martin also makes a coated version of 80/20 (Lifespan Authentic) strings. I use 80/20 strings on my Olson SJ and my Martin 000-28VS because both of these guitars need a bit of a treble boost to keep from sounding too dark. I also use John Pearse 80/20 light gauge strings. If you are happy with Elixir 80/20, then you have what you need. Part of the problem is that we all have different hearing with different frequency response curves. What sounds good to one person may not sound good to another. - Glenn
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My You Tube Channel |
#24
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For years I had heard that 80/20's were better on rosewood and that PB's were what you needed on Mahogany.
I was given a set of 80/20 Elixir nanos and put them on my J-45 just to see what would happen and I was very pleasantly surprised. I agree with people who say that it's a good idea to try anything at least once when it comes to acoustic strings. Every guitar sounds a bit (or more) different than any other and you just might change your perception as to what "should" be used in a given situation. |
#25
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Quote:
So what happened with that guitar is a bit of a drag, but I would definitely have started experimenting with the strings immediately, and not waited for the set on the guitar to die first. Those are best jettisoned right away, in my opinion. Quote:
It is an intriguing thought, though. A lot of dreadnoughts, particularly those made in the latter half of the 20th Century, have more bass response than treble. 80/20 strings can definitely help with those instruments. As factory-built guitars' designs and manufacturing techniques have evolved, though, there's usually more treble response coming to the foreground, so using phosphor bronze strings and coated strings are a non-invasive way to help tame those pesky upper partials. So in that sense, yeah, you've got a point there. Interesting. I learn something new every day.... Wade Hampton Miller |
#26
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Hi Peter, p.m.sent.
Ol' Andy
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#27
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Tried them on my OM2HG. They were fine, but EJ16 PBs are substantially better: richer, better blend of highs and lows. I do use 80/20s on a Huss and Dalton DS. |
#28
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I ordered a few sets of 80/20. I never knew they were good for rosewood guitars.
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Barry Youtube! Please subscribe! My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#29
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Yamaha ships their LL/LS/LJ-6/16 series with Elixir Nanoweb 80/20 Bronze Light strings.
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Martin D-35 Martin 000-18 |
#30
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They sound wonderful on my Taylor 317. Elixir Nano’s
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Peter Eastman AC630BD --The Hot Blonde Taylor 317 Rickenbacker 620 Midnight Blue Yamaha FG700 (lives in Miami for family visits) "Son, don't wait till the break of day, 'cause you know how time fades away..." |