#1
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814 in a bluegrass jam?
I usually bring a dreadnaught to a bluegrass jam however I just got a 814ce this year and I love it. Will it work in a bluegrass jam? I think it is loud enough but not sure.
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#2
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You might get a few people looking sideways at you but I'd give it a shot.
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#3
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That's a nice guitar, and it will work, but it probably will not hang in there like a dreadnought would. When the banjos and mandolins kick in, sure you can strum along and carry rythm. You probably won't be able to hear yourself that good. The 814 won't carry the bass end as well as a dread. But if you flatpick lead lines, I think it would probably cut through well. Just my two cents worth.
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#4
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Any guitar will work, some will just work better than others. Loud is not the only thing, it needs to be loud in the registers occupied by the guitar in a jam. Probably will do well for leads. Probably won't be heard playing rhythm.
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#5
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That's a nice guitar, and it will work, but it probably will not hang in there like a dreadnought would. When the banjos and mandolins kick in, sure you can strum along and carry rythm. You probably won't be able to hear yourself that good. The 814 won't carry the bass end as well as a dread. But if you flat pick lead lines, I think it would probably cut through well. Just my two cents worth.
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#6
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Sure, you could show up at a bluegrass jam with a Taylor 814.
What's the worst that could happen?
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2015 Martin D-18 1982 Martin HD-28 2013 Taylor 314ce 2004 Fender Telecaster MIM 2010 Martin DCX1RE 1984 Sigma DM3 Fender Mustang III v2 |
#7
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I wouldn't worry as much about it being loud enough as much as I would worry about the name on the headstock.
Bluegrassers can be ruthless, but some don't care. It just depends on the group. |
#8
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I agree that it will work better for leads than for rhythm.
The 814 probably won't garner much cache in a bluegrass jam. If you're a rhythm player and are deadset on the 814, consider a switch to old time. Folks in that genre generally don't want the guitar to kill banjos.
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1 dreadnought, 1 auditorium, 1 concert, and 2 travel guitars. |
#9
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I've played Bluegrass rhythm for years and my main guitar, for a long time, was a 1995 810 and while it was a FANTASTIC guitar, it couldn't hang with the Martin dreads for bass and volume. I also received my fair share of compliments on it too...…..most of them not pleasant!!
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Education is important! Guitar is importanter!! 2019 Bourgeois “Banjo Killer” Aged Tone Vintage Deluxe D 2018 Martin D41 Ambertone (2018 Reimagined) 2016 Taylor GS Mini Koa ES2 |
#10
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The jams I attend are dominated by Martin and Alvarez. You will a couple Fenders, Yamahas, and Gibsons.
We even have a couple of home builds. I have the only Takamines and get quite a few compliments on them. Every now and then I will drag along one of the Indianas. The Indiana Scout is a dread and can hold it's own. The Madison is a concert size and totally gets covered up. I have not seen a Taylor at the jams in my area. But give it a whirl, you my be pleasantly surprised.
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2007 Indiana Scout 2018 Indiana Madison Quilt Elite 2018 Takamine GJ72CE 12-String 2019 Takamine GD93 2022 Takamine GJ72CE 6-String 2022 Cort GA-QF CBB 1963 Gibson SG 2016 Kala uke Dean A style mandolin. (Year unknown) Lotus L80 (1984ish) Plus a few lower end I have had for years |
#11
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Here's my 2 cents as a guy who plays almost exclusively bluegrass: Anyone who gives you cr*p about your guitar, whatever it may be, is someone whose personality rhymes with a small, furry black animal that digs tunnels underground. I'm not talking about friendly banter. I mean, if I was involved, of course I'd be knocking your cutaway, but it's all in good spirit.
I once played in a bluegrass jam with a guy who was an accomplished player, but his thing was playing sock rhythm using closed chords Western swing style. He played an Ovation. Of course nobody could hear him unless everybody quieted down A LOT. Did I personally think his choice of playing style and guitar were not necessarily ideal for a bluegrass jam? Absolutely. But I kept those thoughts to myself. Plus, his playing added some fun flavor to the mix. The point is, we all smiled and welcomed him playing with us. Now, don't get me wrong. I will take unsolicited advice, comments and criticism about the kind and model of guitar someone might bring to a bluegrass circle seriously --- if by bluegrass circle we mean an actual band playing gigs. But in an informal bluegrass jam? Come on. Bring what you have and have fun.
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"I've always thought of bluegrass players as the Marines of the music world" – (A rock guitar guy I once jammed with) Martin America 1 Martin 000-15sm Recording King Dirty 30s RPS-9 TS Taylor GS Mini Baton Rouge 12-string guitar Martin L1XR Little Martin 1933 Epiphone Olympic 1971 square neck Dobro Last edited by DesertTwang; 11-19-2019 at 12:31 PM. |
#12
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String it with mediums. That'll raise the volume noticeably.
(Right before they burn you at the stake.) |
#13
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Quote:
With that said if every one is thrashing away, with little to no sensitively to the other guy/gal, then even the loudest of dreads will struggle in a big crowded blue grass jam.
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David Webber Round-Body Furch D32-LM MJ Franks Lagacy OM Rainsong H-WS1000N2T Stonebridge OM33-SR DB Stonebridge D22-SRA Tacoma Papoose Voyage Air VAD-2 1980 Fender Strat A few Partscaster Strats MIC 60s Classic Vib Strat |
#14
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As far as I'm concerned, that's when it gets fun.
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1 dreadnought, 1 auditorium, 1 concert, and 2 travel guitars. |
#15
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Quote:
Don |