#1
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Stompmix4, QSC K12, Mic guitar
Stompmix 4....QSC k12.2. Simple set up great sound...acoustic solo/duo? Any advice for or against? I really wouldn't mind hearing from someone who has tried the stompmix/speaker, nothing else, rout and if that worked for them.
(12" speaker size is so I can use as a backup when with my band..stompmix4...tiny, phantom power, mixer, effects, extra 2 channels) So, I have band gear if venues get too large..just picture small to medium size venues..any hangups you foresee (I have a small monitor if needed)? Also, I'd like to start mic'n up my guitar where i can get away with it. Any recommendations on current mics for this purpose. Thanks in advance.. |
#2
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Great choice - no doubt.
I use the Stompmix X6 for multi-instrumentalist purposes and really love it. Sound quality, features, ease of use, ... perfect ! We have a pair of K12.2. and three K8.2s, a bass cube and a Bose L1. When it comes to sound quality, I always will chose the K8.2, if needed with the bass cube. Almost no need for our K12.2 over the year. I play solo, duo, trio, quartet in front of 50 to 500 people. In most venues I use an instrument mic on a stand in front of me. Use it on mandolin and banjo, but guitar and dobro still get some pickup treatment (50 % pickup / 50 % external mic). Here is a vid to demonstrate my approach on the Stompmix6: https://www.youtube.com/watch?v=wZRxyR1azmU For an external mic always prefer flat response, no hyped trebles. Take a Shure SM81, engage the high pass filter on your Stompmix, and enjoy. I use an old Neumann KM85, perfect for that. But rare and pricey. Best, Bob
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Blazer & Henkes, vintage Martins & Gibsons, Altman, Martin 00016 Streetmaster mandolin family, Weissenborn, dobro, lap steel, pedal steel, 5-string banjo live gear: Dazzo, Schatten, K&K, Mimesis Kudos, Schoeps CMC6MK4, DPA4061, Neumann KM85, Grace Felix 2, SunnAudio, ToneDexter, RedEye https://www.youtube.com/@roberthasleder1526 |
#3
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Fantastic choice. We use the StompMix X6 for our acoustic duo and a single or dual Bose S1. Before going to a second S1 we had a QSC k8.2. So I think your choice is great. I'd say the k12.2 is overkill for a solo/duo but since you mentioned using it for a full band then rock on.
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#4
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Thanks Bob, great info and loved the YouTube video (all instruments sounded great!). I'm sold on the Stompmix!
So, you think a k8 will do for the majority of my small to medium solo/duo shows? Can you elaborate on why you choose the K8.2 over the k12.2 soundwise? Do they have similar dispersion patterns? How do they handle feedback? I'm hoping to get away with not using a monitor more often than not..placing the speaker slightly behind or as far back as I can get away with. Thanks for your help! |
#5
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I'm not Bob but I'll chime in anyway. I chose the K8.2 over the 10 or 12" models mostly because I didn't need the extra low end the larger two provide. But if you're running bass or keys or drums through it then the 10 or 12 is the way to go. I also didn't want the extra weight.
Weight is a big factor of why we chose to sell the QSC and buy a second Bose S1. I initially had the QSC for when we needed extra power but quickly realized that we would never need that much power. Besides, the S1 can get plenty loud when it has something preamping the signal in front of it like the StompMix. The k8.2 actually has a slightly wider dispersion than the 10 or 12" models, as I recall. As for feedback, it's like any powered speaker - as long as you don't stick a mic in front of it you should be okay. Feedback from a guitar will depend of course on the pickup system of the guitar and the overall volume. We used the QSC behind of off to the side a few times with no issues but it was also at relatively low volumes. If you go down into my sig line below and click on the review link it will take you to full page of links of all my reviews. If you scroll down on that there are reviews of the StompMix X6, the Bose S1 (a few) and the QSC k8.2 vs. the Bose S1, many with video demos. I'd say if you only are going to do the solo/duo thing then the k8.2 is enough but if you want to do the full band thing then either the 12" or split the difference and go with the 10". |
#6
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A 12" two or three way PA setup is the optimum setup versus 10" or 15". The 15" cabinets tend to get muddy, and the 10" become unpleasant on the treble end when pushed hard. A 12" cab has enough well defined bass to run a bass guitar or synth through it without breaking it up or getting muddy, and enough power to reach out and fill a medium sized auditorium without it becoming shrill. The QSC 8" sounds good with guitars, but the QSC 10" (if pushed) becomes quite brittle sounding on the treble end. Our church had a set of the 10" coupled with a sub which I was forced to listen to for 4 years (painful). The QSC 12" is the best of their line. If it ever needed more bottom end, adding a sub would be the way to go. We played through a pair of the 12" QSC powered speakers last year in a room of 350 people and it sounded fabulous. We were standing within 8 feet of them and they were right behind us and we had zero feedback. Hope this adds to the discussion… |
#7
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Thanks and I'll check out your reviews! |
#8
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#9
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When I first got my S1 I went straight in with my wife's mic and my guitar and I was a little disappointed. But I know we'd need something in front of it anyway since I also sing and since there are only the two inputs I knew I'd need a mixer or something. And when I put the preamped signals through it I was quite frankly shocked at just how loud it got. Not only how loud but also (thankfully) is still maintained decent tone. The ability to carry everything we need in one trip between the two of us is awesome. We're not getting any younger! |
#10
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__________________
Blazer & Henkes, vintage Martins & Gibsons, Altman, Martin 00016 Streetmaster mandolin family, Weissenborn, dobro, lap steel, pedal steel, 5-string banjo live gear: Dazzo, Schatten, K&K, Mimesis Kudos, Schoeps CMC6MK4, DPA4061, Neumann KM85, Grace Felix 2, SunnAudio, ToneDexter, RedEye https://www.youtube.com/@roberthasleder1526 |
#11
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From personal experience the only reason to get rid of the k12 is for the bulk and weight. They are a great speaker. like your friend said "all you'll ever need." If your young and still able
to schlep it around. it adds just the right amount of low end that an acoustic guitar needs. and when pushed hard it doesn't get harsh like the other two do. This is my own opinion of course. And for most quiet applications the k8 does the job nicely. I sold my k12 and bought a k10. only for the weight. As far as the stomp mix goes. I have a EAE d68 mk2 . Which has the same mixer minus the stomp feature. I use this for smaller rooms. And it truly is an all in one pa. If need be i can do the aux out to the qsc k10 and grab more power for bigger rooms. But if it wasn't for my old back..id still have the k12. |
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stompmix 4 qsc k12.2 |
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