#16
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Yes indeed. Stay tuned for that in the near future.
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James May Audio Sprockets maker of ToneDexter James May Engineering maker of the Ultra Tonic Pickup |
#17
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James,
When I put down my $400 for my ToneDexter, it was a big chunk of change for me and a big leap of faith. I just want to say that I have no regrets. Not only because the product does what it's advertised to do, but your level of support, with not only fixes, but feature updates as well, is unparalleled. The fact that you listen to your customers is just icing on the cake. For most companies, each product is just another income stream. It's obvious that for you this is personal. There is a level of love and care you won't find in Big Music, Inc. Thank you!
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Patrick 2012 Martin HD-28V 1984 Martin Shenandoah D-2832 2018 Gretsch G5420TG Oscar Schmidt Autoharp, unknown vintage ToneDexter Bugera V22 Infinium |
#18
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Quote:
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James May Audio Sprockets maker of ToneDexter James May Engineering maker of the Ultra Tonic Pickup |
#19
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i use guitar,mandolin,and bass in a live band scenario. ( or did until c19).
I use a helix stomp. it addresses the volume eq differences between the instrunents and adds efx to each preset. It also has ir capabilities. For my fender pbass i have an ir from a 16th century upright..its pretty cool. ..it is half the footprint of the TD. I tried the td. But found it too cumbersome for my application constant tweaking between songs for each inst swap. It sounded good. But i needed 3 tonedexters. The stomp serves me well. |
#20
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I love the Tone Dexter, it's a game changing bit of kit for me. However I've just bought a Headrush Gigboard and plan to try making custom IRs of my TD wavemaps to load into the Headrush in the hope that, for live multi instrument gigs, it will get reasonably close to the TD sound. The advantages are that I can play both electric and acoustic and have all my fx (including a decent looper, the reason the Helix did not work for me) in one box. I will still use my small TD/Delay/Looper acoustic pedalboard for acoustic gigs so the new 'gain/trim' facility will be very much appreciated (I was one who asked if it would be possible).
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Brian Eastwood Custom Acoustic (1981) Rob Aylward 'Petit Bouche' Selmer Style (2010) Emerald X7 OS Artisan (2014) Mountain D45 (mid '80s) Brian Eastwood ES175/L5 Gibson Les Paul Custom (1975) Brian Eastwood '61 Strat Bitsa Strat with P90s (my main electric) The Loar F5 Mandolin, Samick A4 Mandolin Epiphone Mandobird Brian Eastwood '51 P Bass NS Design Wav EUB Giordano EUB |