#1
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Sound hole size?
How important is the size of the sound hole ?
It must be so big that I can put my hand through it. But is bigger better? I have two jumbos with almost the same dimensions but different top materials. The western red cedar (6-string) is 11 cm or 4,33", the spruce (12-string) is 9 cm or 3,54331". Are there any "recipes"?
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Thanks! Martin D28 (1973) 12-string cutaway ...finished ;-) Hoyer 12-string (1965) Yamaha FG-340 (1970) Yamaha FG-512 (ca. 1980) D.Maurer 8-string baritone (2013-2014) and 4 electric axes Last edited by viento; 06-10-2022 at 03:19 PM. |
#2
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#3
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The soundhole size is related to the volume of the body, The "martinrep" link given, is a good guide to start. I have noticed that a Gibson L-00 has the same 4 inch size soundhole as a Martin Dreadnought in spite of the body being smaller than a 000 so there is room for experimentation.
I typically read that smaller soundholes focus the bass response but I have played a Martin D-21 and D-28, both with Factory Large Soundholes that had great bass response to my ear so YMMV. As for getting your hand through it, I can get my average size male hand through a 3 9/16" size 1-18 I built to bolt on the neck but smaller might be difficult for me. |
#4
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Sound-hole size impacts main air resonance…
Increasing sound-hole diameter will raise the air body resonance, reducing the diameter will drop the air resonance. This can have a significant effect on how an instrument sounds.
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#5
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The bass response of both of the mentioned guitars isn´t bad, cause might be the red cedar top of the 6-string and the other being a 12-string.Comparing both isn´t easy as they´re different.
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Thanks! Martin D28 (1973) 12-string cutaway ...finished ;-) Hoyer 12-string (1965) Yamaha FG-340 (1970) Yamaha FG-512 (ca. 1980) D.Maurer 8-string baritone (2013-2014) and 4 electric axes |