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#31
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I usually save the funny for the in between song chatter but I did write a song called Venus and Mars that encouraged laughter and awkward conversations. Here are the lyrics...
Venus and Mars I like football on Sunday afternoons I watch it all day in my underwear Maybe that’s too much information But I’m a guy and we just don’t care You buy things that make the house smell sweet You yell at me when I don’t lift the seat You call my friends names I can’t repeat But without you, life’s incomplete You see that’s just the way things are When worlds collide I’m onion dip, you’re caviar You’re from Venus and I’m from Mars You’ve gone from spinning the bottle and Barbie dolls To antique stores and shopping malls I’ve had a similar evolution I’ve gone from sports and beer to sports and microbreweries I was married once when I was young For two whole years I didn’t talk to her It's not that I had nothing to say It's just that I didn’t want to interrupt You see that’s just the way things are When worlds collide You’re fresh flowers, I’m a smelly cigar You’re from Venus and I’m from Mars spoken: “I was going to sing that line backwards...I’m from Mars and you’re from Venus...but I could only think of one word that rhymes with Venus and I wanted to maintain the song’s PG rating” You like to make the bed everyday And that’s never made much sense to me If we’re gonna mess up the sheets later anyway Perhaps I’d better save my energy You see that’s just the way things are When worlds collide I’m a black hole, you’re a morning star You’re from Venus and I’m from Mars Of the two of us, you’re the best by far You’re from Venus and I’m from Mars
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Jim 2023 Iris ND-200 maple/adi 2017 Circle Strings 00 bastogne walnut/sinker redwood 2015 Circle Strings Parlor shedua/western red cedar 2009 Bamburg JSB Signature Baritone macassar ebony/carpathian spruce 2004 Taylor XXX-RS indian rosewood/sitka spruce 1988 Martin D-16 mahogany/sitka spruce along with some electrics, zouks, dulcimers, and banjos. YouTube |
#32
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[depending upon the audience, replacing the word "Heck" with another exclamatory and, well, four-letter word, gives the song a bit of a kick and jocularity.]
Ode to Widow Jones I told Cletus where to meet us There was things we must discuss Jethro Jones had lost his life Was up to us to tell his wife. He'd never had the time to jump When the tree had parted from its stump The outhouse took away his chance When Jethro Jones had dropped his pants. That tree fell down both true and straight To squash him dead, to seal his fate Tell her fact there weren't no squallin' When Jethro's God did come a'callin'. One of us has got to say Gotta tell his wife about today Ain't no reason she should know Where he was, about the blow. You do it Cletus, the boys all said You tell his wife ole Jethro's dead He weren't that smart the boys had heard But Cletus had the way with words. He had a nip, just a little shine To calm his nerves, to ease his mind To take that walk to Jethro's house And break the sad news to his spouse. He ambled on, formin' up his plan How to break the news about her man To say the words 'bout his decease How to say it soft and give her peace. Licked down his hair, tucked in his shirt Boots diggin' furrows in the dirt Widdah Jones! Widdah Jones! he cried 'Til Maybelle finally come outside. Stop yellin' so, Maybelle said I ain't no widow, ain't no one dead My man Jethro's full of life You know I ain't no dead man's wife. The words had failed him in his need To tell it right so she would heed His knees were weak, his mind grew faint Then Cletus hollered, Heck you ain't! That tree fell down both true and straight To squash him dead, to seal his fate Tell Widow Jones there ain't no squallin' Cuz Jethro's God had come a'callin'. Cuz Jethro's God had come a'callin'. [oh, i wrote it.] |
#33
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"Origin of Species" Chris Smither
"Send Me to Glory in a Glad Bag" "Huggin' and Chalkin'" Hoagy Carmichael |
#34
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Mike Cross has written some good ones. They can be found on an album called Mike Cross: The Best of the Funny Stuff. One example - Elma Turn. Here is the opening line:
"Elma Turl is a beautiful girl, and I'd love to have her for my wife, She's just the kind of woman who could make me happy for the rest of my life My daddy said, "Son, there's something you don't know, and it's something I think you oughter Elma Turl is a beautiful girl; but son, she's my daughter." If anyone is listening, the killer punch line is at the end of the song. Antsy McClain and the Trailer Park Troubadours have some amusing material too, such as "I Married Up" and "Prozac Made Me Stay". "She's in her brown fuzzy slippers and a mustard yellow Terry Clothier robe She's got her mail-order Richard Petty earrings dangling from each lobe She's got her hair up in rollers and the rollers are mountain dew cans She's a picture of grace with that grilled spam n' cheese in her hands" etc... "I married up...."
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----------------------------- Jim Adams Collings OM Guild 12 String Mark V Classical Martin Dreadnaught Weber Mandolin |
#35
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Camp Granada by Allan Sherman.
Many in my audience don't get the humor of this song. |
#36
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#37
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![]() Quote:
David
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I took up the guitar at 62 as penance for a youth well-spent. |
#38
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-Ray
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"It's just honest human stuff that hadn't been near a dang metronome in its life" - Benmont Tench |
#39
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Yes! My dad had every one of Allan Sherman's albums. When I get together with a certain bunch of friends, we always play/sing "Don't Buy the Liverwurst"!
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__________________ "Tread softly for you tread on my dreams" --W.B. Yeats "It could have been worse" --Roy Book Binder |
#40
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You're so Sweet (Horseflies Keep Hangin' Round Your Face) (Neil Diamond - also IME makes a great break-up song
![]() Kosovo (parody of the Beach Boys' "Kokomo") Brooklynese (another parody, this one of Schooner Fare's "Quebecois") Itsy-bitsy Teenie-weenie Achy-breaky Ding-a-Ling (original, the supposed product of a collaboration between Brian Hyland, Billy Ray Cyrus, and Chuck Berry)
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"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased) |
#41
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He comes off that way, but he was extraordinarily musical. Big voice, wonderful texture, great natural phrasing. He totally knew what he was doing.
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