#16
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There's certainly something to that. I think that most of the important qualities in our guitar sound comes from our fingers.
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#17
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Nice arrangement, the two guitars stay in their own space well.
I thought that the rhythm guitar was played in a sorta-electric manner, or could have been an electric easily without changing the vibe too much. That blues shuffle style was all some electric players could do when I was coming up. So maybe your friend heard the approach and associated it with electric guitar?
__________________
-Gordon 1978 Larrivee L-26 cutaway 1988 Larrivee L-28 cutaway 2006 Larrivee L03-R 2009 Larrivee LV03-R 2016 Irvin SJ cutaway 2020 Irvin SJ cutaway (build thread) K+K, Dazzo, Schatten/ToneDexter Notable Journey website Facebook page Where the spirit does not work with the hand, there is no art. - Leonardo Da Vinci |
#18
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Quote:
It's not that far-off, really, from Louis Jordan jump or Freddie Green wood-choppin,' and in that kind of setting nobody really makes a distinction between acoustic and electric. The playing style's the same either way and the sounds are very similar. |
#19
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I think it is fine as-is. I could tell it was an acoustic. I kept listening for the electric and never heard it.
Bob
__________________
"It is said, 'Go not to the elves for counsel for they will say both no and yes.' " Frodo Baggins to Gildor Inglorion, The Fellowship of the Ring THE MUSICIAN'S ROOM (my website) |
#20
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That's kinda what I thought everyone would say, which is why I posted it here among people who listen to acoustic guitars a lot. Didn't mean for it to be some kind of "gotcha" exercise, and my apologies to anyone who felt like they got gotcha'ed.
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#21
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I don't hear an electric guitar so I suppose it must be very low in the mix.
I think the sound you've gotten there between the guitars is fabulous and I wouldn't change a thing. But I think the accents and solo could use a bit more oomph. |
#22
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It doesn't bother me. In all honesty I didn't hear an electric in there...even in my big speakers...am I missing something?
I would highpass the rhythm guitar though, it's fighting with the bass, which is fighting a little with the kick drum. You could sidechain a compressor on the bass keyed from the kick as a quick fix. Like the tune & the feel. Nice work.
__________________
-Steve 1927 Martin 00-21 1986 Fender Strat 1987 Ibanez RG560 1988 Fender Fretless J Bass 1991 Washburn HB-35s 1995 Taylor 812ce 1996 Taylor 510c (custom) 1996 Taylor 422-R (Limited Edition) 1997 Taylor 810-WMB (Limited Edition) 1998 Taylor 912c (Custom) 2019 Fender Tele |
#23
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#24
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I don't like things to stick out -- I tend to do a first automation pass of a mix and then start turning stuff down. But between here and the real world you're like the ninth person to say that. I should take another swipe at it listening mono and quiet, and see if my opinion on the balances changes.
Last edited by Brent Hahn; 08-28-2018 at 12:51 PM. |
#25
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Late add: I listened mono and quiet. Yeah, that guitar stuff could come up a nano-gnat... or not. So I'm standing pat. Defiance! :-)
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#26
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#27
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I didn't feel like they were asking for more. They felt like they sat right where they needed to.
__________________
-Steve 1927 Martin 00-21 1986 Fender Strat 1987 Ibanez RG560 1988 Fender Fretless J Bass 1991 Washburn HB-35s 1995 Taylor 812ce 1996 Taylor 510c (custom) 1996 Taylor 422-R (Limited Edition) 1997 Taylor 810-WMB (Limited Edition) 1998 Taylor 912c (Custom) 2019 Fender Tele |
#28
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Quote:
Bob
__________________
"It is said, 'Go not to the elves for counsel for they will say both no and yes.' " Frodo Baggins to Gildor Inglorion, The Fellowship of the Ring THE MUSICIAN'S ROOM (my website) |