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Unbalanced vs balanced cables
What type of cable do I use to connect my modeling guitar amp to a P.A. system? I used it once or twice before when I owned a small P.A. system and I think I used a standard guitar cable (unbalanced). However I've read the manual and it recommends using a balanced TRS cable for the best results.
Huh? Can I use either type of cable? Do I run the risk of damaging either my amp or the P.A. system if I used the wrong type of cable? The manual does not say one type or the other HAS to be used ... just that the balanced TRS cable will provide the optimal result.
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Martin X1-DE Epiphone AJ500MNS Alvarez AD30 Alvarez AD710 Alvarez RD20S Esteban American Legacy Rogue mandolin |
#2
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TRS is stereo 1/4" jack
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#3
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This was last weeks discussion. It should cover all the pit falls.
https://www.acousticguitarforum.com/...41&postcount=4
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jf45ir Free DIY Acoustic Guitar IR Generator .wav file, 30 seconds, pickup left, mic right, open position strumming best...send to direct email below I'll send you 100/0, 75/25, 50/50 & 0/100 IR/Bypass IRs IR Demo, read the description too: https://youtu.be/SELEE4yugjE My duo's website and my email... [email protected] Jon Fields |
#4
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Martin X1-DE Epiphone AJ500MNS Alvarez AD30 Alvarez AD710 Alvarez RD20S Esteban American Legacy Rogue mandolin |
#5
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What is the modeling amp you are connecting to?
If the modeling amp manual states that a balanced TRS cable can be used, that suggests the amp is capable of a balanced connection and likely is not a stereo output on the amp. A balanced connection will provide a bit more signal and less susceptible to noise picked up from longer cable lengths. To be balanced throughout the PA system would also need inputs which are balanced as well. If interconnecting 1/4" balanced connections, either a cable with TS or TRS plugs will work. Using a TS cable will not cause any damage, but will deliver slightly less signal and 'may' pickup some noise on longer cable runs. |
#6
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Balanced signals matter most when the signal is low level (such as a microphone). The people who would be concerned about this are audio engineers.
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-Gordon 1978 Larrivee L-26 cutaway 1988 Larrivee L-28 cutaway 2006 Larrivee L03-R 2009 Larrivee LV03-R 2016 Irvin SJ cutaway 2020 Irvin SJ cutaway (build thread) K+K, Dazzo, Schatten/ToneDexter Notable Journey website Facebook page Where the spirit does not work with the hand, there is no art. - Leonardo Da Vinci |
#7
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It is impossible to tell from 'TRS' which mutually incompatible use case is being discussed.
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-Gordon 1978 Larrivee L-26 cutaway 1988 Larrivee L-28 cutaway 2006 Larrivee L03-R 2009 Larrivee LV03-R 2016 Irvin SJ cutaway 2020 Irvin SJ cutaway (build thread) K+K, Dazzo, Schatten/ToneDexter Notable Journey website Facebook page Where the spirit does not work with the hand, there is no art. - Leonardo Da Vinci |
#8
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It is an older Fender G-Dec 3 Thirty. When it came out it came with 100 general-purpose presets but you could also download selective sets so I downloaded the folk and country set which has maybe eight acoustic emulations ... dreadnoughts, jumbo and parlor guitars. And yes the manual says "These line level stereo outputs are suitable for connection to recording or sound reinforcement equipment. Use balanced (TRS) cables for the best performance." And why stereo? The amp has backing tracks that can accompany the playing. The idea was you could opt to send the backing track of a song into a P.A. or similar system where it could be played in stereo while the guitarist plays through the amp's onboard speaker (a 10-inch in a closed cabinet.) Or you could send the guitar signal with the backing track to the P.A. or you could send just the guitar signal, which is what I would do. I imagine it would be in mono. (The funny thing is I used this setup only once in a band I played in a couple of times. I brought the amp and told the band members what I wanted to do and I thought I told the sound guy or I told somebody to tell the sound guy, who was just a friend of a band member. Well I played the set in a large restaurant and got no complaint. After we tore down the band equipment I found out the sound guy had never connected my amp to the P.A. system! The audience just heard me playing through the monitor.)
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Martin X1-DE Epiphone AJ500MNS Alvarez AD30 Alvarez AD710 Alvarez RD20S Esteban American Legacy Rogue mandolin |
#9
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Martin X1-DE Epiphone AJ500MNS Alvarez AD30 Alvarez AD710 Alvarez RD20S Esteban American Legacy Rogue mandolin |
#10
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#11
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Well now I'm thinking about getting a TRS cable.
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Martin X1-DE Epiphone AJ500MNS Alvarez AD30 Alvarez AD710 Alvarez RD20S Esteban American Legacy Rogue mandolin |
#12
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An unbalanced connection has 2 wires: ground and signal.
A balanced connection has 3 wires: 1. ground 2. signal + 3. signal -, which is the phase inverted version of signal + If your balanced cable is exposed to electromagnetic influences, both signal + and - will catch those. At the input, signal - will be phase inverted again and is the same as signal + then. So. both wires carry the + signal again, but the noise is phase reverted and cancels out when mixed. At the same time you mix both, the signal + and the inverted signal - (that was also inverted and therefore signal + again) together. And that gives you 6db. The noise will cancel out, the useable signal will double. TRS and XLR cables can also be used for stereo signals. Then you get ground, left channel and right channel on your 3 wires. But unbalanced! You can also use them for them for inserts. Then your 3 wires carry ground, send and return. Also unbalanced! And now I need jonfields to transfer this into understandable English. Sorry, thats not my native language.
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#13
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The Line outs on the Fender G-DEC amp are indeed TRS balanced outs as a Left and Right stereo pair. You can use either 1/4" TS or TRS cables with the TRS being a better option as noted in a couple previous posts.
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#14
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I will definitely invest in a TRS cable and I thank everybody here for their help. As I said I don't much about cables ... in fact I had always assumed a speaker cable and a TRS cable were the same thing.
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Martin X1-DE Epiphone AJ500MNS Alvarez AD30 Alvarez AD710 Alvarez RD20S Esteban American Legacy Rogue mandolin |