#76
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Much larger tonal differences than heard in the recordings can be had with different kinds of strings.
The world is full of myth. |
#77
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#78
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It's probably #1 that guitar sounds like the tree to me which is a cedar top. #4 I think is the kraut
#2 is the Martin #3 Dana B |
#79
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Originally Posted by JoeCharter Guitar #1: Bourgeois SJ (Madagascar rosewood + Alpine spruce) Guitar #2: Kraut OM (Brazilian rosewood + Alpine spruce) Guitar #3: Martin OM-21 Special (East Indian rosewood + Sitka spruce) Guitar #4: Olson SJ (Mahogany + Cedar)
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"One small heart, and a great big soul that's driving" |
#80
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You have great taste in guitars and really play extremely well. My question is how do you not have a Goodall in your stable? I think you would love a Goodall and you could definitely make them sing.
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Guild CO-2 Guild JF30-12 Guild D55 Goodall Grand Concert Cutaway Walnut/Italian Spruce Santa Cruz Brazilian VJ Taylor 8 String Baritone Blueberry - Grand Concert Magnum Opus J450 Eastman AJ815 Parker PA-24 Babicz Jumbo Identity Walden G730 Silvercreek T170 Charvell 150 SC Takimine G406s |
#81
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--------------------------------------- 2013 Joel Stehr Dreadnought - Carpathian/Malaysian BW 2014 RainSong H-OM1000N2 2017 Rainsong BI-WS1000N2 2013 Chris Ensor Concert - Port Orford Cedar/Wenge 1980ish Takamine EF363 complete with irreplaceable memories A bunch of electrics (too many!!) |
#82
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Hey I'm one of the few that voted for no. 4. However, that's only because it sounded to my ears most like the recordings Mau has made of his Olson, and I knew the Olson was cedar. Apart from that, I wouldn't have had the faintest clue. I still think the nicest sounding for recording is the OM-21 Special, which is probably by far the cheapest. Dennis
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#83
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Beautiful playing, Joe. They all sound nice.
My preferences, in order, are #1, #3/#4 (tied) and #2. It's interesting to me that the Brazilian one was my least favorite. |
#84
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Wow, 4 immediately stuck out to me. Perhaps because all of my acoustics are cedar (Seagull, Taylor, Cordoba) or perhaps because that's really what I prefer. I voted for 4 and saw that no one else had and hung my head in shame that I could be SO wrong. Then I read through the comments....
Interesting how so many people think it's the second, I skipped that one after about 3 seconds because it sounded nothing like cedar or hog to my ear.
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Taylor 712 Aria A551b Cordoba C10 Cr/Ir Seagull Entourage Rustic (I won it!) PRS CE22 American Standard Stratocaster Silverface 1978 Fender Champ Fender Deluxe Reverb Winner of the Virginia Guitar Festival Feel free to call me Zach |
#85
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I would be very surprised if it is not guitar number 3 that is cedar. Guitar #4 is my least favorite.
Whoops, I read that the answers are posted, now I have to go looking! |
#86
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Guitar #1: Bourgeois SJ (Madagascar rosewood + Alpine spruce) Guitar #2: Kraut OM (Brazilian rosewood + Alpine spruce) Guitar #3: Martin OM-21 Special (East Indian rosewood + Sitka spruce) Guitar #4: Olson SJ (Mahogany + Cedar)
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Taylor 712 Aria A551b Cordoba C10 Cr/Ir Seagull Entourage Rustic (I won it!) PRS CE22 American Standard Stratocaster Silverface 1978 Fender Champ Fender Deluxe Reverb Winner of the Virginia Guitar Festival Feel free to call me Zach |
#87
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Number 3 did seem to me to be the odd one out. Oh well, back to the drawing board... Jon PS: although being able to distinguish the boutique / sole luthier guitars from the Martin makes me feel better... even if that wasn't what I was listening for
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Kraut Italian Spruce/Ziricote OMC Eastman E10-OO Last edited by JonBarclay; 03-09-2013 at 06:18 PM. Reason: postscript |
#88
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My shot-in-the-dark guess was 1, and I had absolutely no confidence in it. I do not think I would have done any better if I was in the same room with these guitars, or even playing them myself (without looking of course). This thread is potentially highly instructive.
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#89
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I had no definitive opinion -- although, I thought it was #3.
I personally, greatly preferred #1 to all the other guitars for "Fields of Gold" (I didn't listen to the second song). I liked #3 the least as it seemed the "muddiest" to me -- which is why I thought it was Cedar as my Redwood/Cedar topped guitars tend to have less clarity and much more warmth than my Spruce guitars. I think the take home point here is that the builder is significantly more important than the woods used. That said, I also think it is obvious to those of us with experience in playing different wood combinations from one builder/manufacturer that the woods do make a noticeable difference. Great Thread, Joe!!! Last edited by Simon Fay; 03-10-2013 at 02:43 AM. |
#90
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I too thought #3 the odd one out tonally, and #4 too weak to be cedar, which despite its peculiarities is almost always loud. #1 and #2 both sounded very good to me, and I am happy to hear that they should do so.
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