#31
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The chattanooga area of TN!
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#32
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In that price range, there are a lot of great options--both used and new. Might be worth doing some comparison shopping before committing to the 814.
Only a three and a half hour drive to Asheville.....home of Dream Guitars.
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My YouTube Page: http://www.youtube.com/user/ukejon 2014 Pono N30 DC EIR/Spruce crossover 2009 Pono koa parlor (NAMM prototype) 2018 Maton EBG808TEC 2014 Hatcher Greta 13 fret cutaway in EIR/cedar 2017 Hatcher Josie fan fret mahogany 1973 Sigma GCR7 (OM model) rosewood and spruce 2014 Rainsong OM1000N2 ....and about 5 really nice tenor ukuleles at any given moment |
#33
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As a owner of both I could not disagree more.
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#34
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If you can a/b with a 618e or a 718e Fall Ltd, you might find either of them to your liking as well.
I did find a very nice, though scarred 814ce, that was stellar a while back. If I'd had your budget, I'd have bought it. I've no experience with the ES2 though. I love the ES 1v3 in my 150e. It is very loud though. I had to turn off the body sensor to get a useable tone with our equipment.
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A bunch of guitars I really enjoy. A head full of lyrics, A house full of people that “get” me. Alvarez 5013 Alvarez MD70CE Alvarez PD85S Alvarez AJ60SC Alvarez ABT610e Alvarez-Yairi GY1 Takamine P3DC Takamine GJ72CE-12-NAT Godin Multiac Steel. Journey Instruments OF660 Gibson G45 |
#35
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I have a friend with the 814ce tobacco burst just like the one posted earlier and it is a great guitar. I also like the Grand Symphony body style and would recommend that you check out the 816ce as well.
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#36
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For that much $, I'd strongly advise against an 814. You can easily get into a higher echelon of handbuilt guitars for the price of a robot made 814...and get sophisticated amplified tone to boot. I'd strongly suggest talking to Shoreline Guitars.
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#37
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Quote:
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#38
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Your just a couple of hours drive from Nashville and Atlanta. I would take a trip and try out some guitars. There are a few great guitar shops in both cities with knowledgeable staff who can help you find the guitar that's right for you.
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Martin D-41 Eastman E10-OM SB |
#39
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Quote:
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#40
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I have an '02 814c that I ordered new back then without electronics. This was before the ES and I didn't want barn door electronics. Even if the ES was available, I wouldn't have wanted it. I prefer no holes and having the option of trying various electronics should I choose. When I got my guitar, immediately I installed a PUTW #27 pickup and PowerPlug. I had it removed a few months ago and had an L.R. Baggs Anthem system installed. I think it's a good idea to not be locked into one system, especially in consideration that pickup systems are getting better all the time.
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Tom '21 Martin D-18 Standard | '02 Taylor 814c | '18 Taylor 214ceDLX | '18 Taylor 150e-12 | '78 Ibanez Dread (First acoustic) | '08 CA Cargo | '02 Fender Strat American '57 RI My original songs |
#41
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Hey.
Used to be a Taylor fan. Not so much anymore. But, I'm just like you..the "new" 814 is a good guitar...and the "new" pick up system is good. Especially if you just wanna plug and play. So I say go for it. Now, I do think there are some great "used" guitars out there for what a new 814 goes of...but, the new 814 is a good one!!
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Collings, Martins, Gibsons, Taylor, Fenders, PRS's, a Takamine and MORGAN amps..love them all!!! |
#42
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Incidentally, I was remiss in not saying this before, but....
Welcome to the forum!
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A few of my early attempts at recording: https://www.youtube.com/user/wcap07/featured |
#43
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However, you can't beat the 814CE. For reference, I traded my custom shop Martin in for it. (Sacrilege for some here, pun intended.) I liked it that much. IFor my sized hands, it has the perfect neck for fingerstyle and other kinds of folk music, Celtic music (or worship music) that I play.
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"Lift your head and smile at trouble. You'll find happiness someday." |
#44
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I believe Taylor's business model is to be able to produce guitars that rival their hand built counterparts in terms of performance and quality of construction and finish and they are very successful at it. A strong recommendation against the 814 as suggested is making an implication (IMO) that anyone who buys one has made a flawed decision. I don't believe a great divide exists as suggested but again, buy what makes you and your ears happy. I'd love to one day try a Collings, Lowden, Huss and Dalton, and other great hand-built guitars but my local economy does not support my local music stores to have those high end guitars in their inventory. If you are going to spend that kind of money, you want to play it before you buy it if possible.
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Doerr Trinity 12 Fret 00 (Lutz/Maple) Edwinson Zephyr 13 Fret 00 (Adi/Coco) Froggy Bottom H-12 (Adi/EIR) Kostal 12 Fret OMC (German Spruce/Koa) Rainsong APSE 12 Fret (Carbon Fiber) Taylor 812ce-N 12 fret (Sitka/EIR Nylon) |
#45
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The 814ce, to those who like it, is as good as any guitar at any price point, IMO - the only differences come in the form of "flavorings" that make different alternatives appeal to different tastes/needs.
I shopped for 2 years before I bought mine, tried guitars made by just about everybody and at as much as twice the price point (and I already owned a D28), and there wasn't a guitar I liked better. 3 years later, I haven't heard or seen a guitar I would trade it for anywhere - incredibly versatile, great sounding guitar. There are plenty of other great guitars out there, but if you like the sound of the 814ce, you CAN'T go wrong with it.
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2016 Taylor GS Mini Mahogany 2014 Taylor 324ceK FLTD 2012 Taylor 814ce Ltd (cocobolo) 2006 Martin D28 1992 Yamaha LL35 1976 Gibson Les Paul 1966 Magnatone Tornado |