#31
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Everything you wrote in your posts is correct, especially the effect of speaker efficiency. A good speaker in a good enclosure can deliver 100db in one meter distance and that’s quite loud. Louder than our ears can stand for more than 10 minutes or so. But it’s not that easy for developers and manufacturers. They have to deliver products that last at least a bit longer than the warranty period to a competitive price. If we would be ready to pay more, we’d get better products. The low power input (30 watts) in relation to high power output (100 watts) is possible. Music signals have lots of very short peaks of 10db and more above the average level. The amps power supply can store some energy in the quiet periods and deliver that additional power on short time peaks.
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Martin D-18MD, Martin OM-21, Martin CEO-7, Martin J-40, Martin 000-1, Guild D-55, Guild D-140, Gibson SJ-200, Gibson Hummingbird, Gibson Frank Hannon Love Dove, Gibson Southern Jumbo, Furch Gc-SR Red Deluxe, Furch Yellow Masters Choice, Larrivee P-03ww, Kawaii piano, mandolines, drumsets, doublebass, Fender Jazzbass, ... |
#32
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I appreciate your response and agree. I wanted to clarify I’m not putting a value judgement on less efficient speakers. They might sound better, and there probably isn’t an exact relationship between quality and efficiency at any price. Unless you happen to enjoy efficient speakers like I do (quietly with my 2W tube amp)[emoji16]. Back to amps: I wonder if there is an explicit different measurement standard for class D (peak) and tube amps (RMS), so that tube amps are louder because they can sustain a loud sound longer. In summary, my explanation for tube amps sounding louder is, in order: - speaker pairing - measurement standard (not verified) - even harmonic distortion
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#33
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#34
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All type of amps can break all of a sudden, especially tube amps with their fragile tubes and hot transformers … or f you forget to connect the speaker. Transistor amps are as easy to repair as tube amps. And repair works are much safer for the engineer. Modeling amps are more complicated for an amp doctor, this is true, because it’s not an amp but a computer. I love tube amps BTW.
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Martin D-18MD, Martin OM-21, Martin CEO-7, Martin J-40, Martin 000-1, Guild D-55, Guild D-140, Gibson SJ-200, Gibson Hummingbird, Gibson Frank Hannon Love Dove, Gibson Southern Jumbo, Furch Gc-SR Red Deluxe, Furch Yellow Masters Choice, Larrivee P-03ww, Kawaii piano, mandolines, drumsets, doublebass, Fender Jazzbass, ... |
#35
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It’s odd that today we have dramatically improved technology, but not better music. Almost the opposite.
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#36
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I have a 1970 Dual Showman head with a huge transformer that my amp guy tweaked a bit for me. Through a closed backed 4/12 with v30s it sounds like God. And it is the best pedal platform I’ve ever played through in 44 years. It is also completely impractical.
That said, I can get a good current modeling amp to sound just fine with our band. But in a studio, I don’t believe there’s a modeling amp made that could come close to the life that comes out of that DS. Just my $.02. |
#37
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What it really boils down to is:
After you paid 3 or 4 times as much for an amp. it HAS to sound better.
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"My opinion is worth every penny you paid for it." "If you try to play like someone else, Who will play like you". Quote from Johnny Gimble The only musician I have to impress today is the musician I was yesterday. No tubes, No capos, No Problems. |
#38
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As far as the op.... Many products/ss amps sound amazing in the studio or a showroom...live gigs are the true test and why tube amps still reign superior with the vast majority of pros... |
#39
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Try to get a solid state amp repaired . You will get , use it as a boat anchor . The techs tell me they can’t get the schematics to repair solid state equipment . There isn’t a week that goes by on Craigs list someone has a cheap Fishman . Something isn’t working just right . Nobody will repair it . But when I played electric guitar , nothing sounded better then a tube amp. Go solid state save money up front and the quality keeps getting better .
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#40
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I have repaired many solid state amplifiers. Most schematics are available on line and parts are easy to get.
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"My opinion is worth every penny you paid for it." "If you try to play like someone else, Who will play like you". Quote from Johnny Gimble The only musician I have to impress today is the musician I was yesterday. No tubes, No capos, No Problems. |
#41
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just ditch the whole amp thing and move to amp/cab sim pedals. you can switch between SS and tube, you can pick which tubes you want in which cab, you can pick which power amp, which pre amp. You get a much quieter stage, no hauling around kit and 99.9% of listeners will never be able to tell that you are ampless.
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Jet JS-300 Sea Foam Modified Iron Gear Pig Iron and Texas Loco Pups and SD Vintage pup 2012 Gibson J-45 Custom Shop Pure Voice www.tupelolime.com https://tupelolime.bandcamp.com/ |
#42
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I started playing SS amps in the 80's due to weight. Moving every day, (with no roadies). Tone suffered immensely. We are talking electric guitars here. As for acoustic amplification, I run into a mixer. Mixers have no tubes. At least the ones I can afford. Modeling units, I refuse to even go down that road. I have heard major recording artists that have gone to these Direct Modelers to keep from having to haul amplifiers. Some of my favorites. I don't go to a live show to hear an emulation... The recordings are recorded with a Tube amp. I expect the live show to include a tube amp. There is an interaction with a guitar, amp, speaker, when all played on the same stage, that can't happen with a modeling unit. I was once at a music store, checking out an old JCM800. Next to me was a guy playing a Line6 Spider. Indecently, Neil does not play one of these. At one point I cranked the JCM800, and the next to me's mouth dropped open. He couldn't believe what he was hearing. I said "that Line6 is a modeling amp right?" "Well this is what it's modeling." "And it doesn't do a very good job." Sure things have come a long way since then. That said, I haven't heard any music coming out of the last 25-30 years that I care to even listen to. And when all of us older guys, who know why we play tube amps are dead and gone. The generation Z'ers. can model to their little hearts content. 2204halfstack.jpg JTMAC.jpg HAPPINESS IS A WARM TUBE |
#43
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to the OP: now you've done it!
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"I go for a lotta things that's a little too strong" J.L. Hooker |
#44
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Jet JS-300 Sea Foam Modified Iron Gear Pig Iron and Texas Loco Pups and SD Vintage pup 2012 Gibson J-45 Custom Shop Pure Voice www.tupelolime.com https://tupelolime.bandcamp.com/ |
#45
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Many electric players I see who are fervent members of the tube amp cult, and own and use a (usually expensive) tube amp, plug into it through a vast array of solid state pedals.
I experienced the sound they hope to achieve but generally cannot. That sound played a part in the harm I have done to my hearing playing music. My musical mentor was one of the best musicians I have ever met and a monster guitar player across any genre, acoustic or electric. When he played rock music he did so with a Tele Custom, A Sunn Model T, and the Sunn 4x cabinet loaded with JBLs....with the volume dialed up to 11... The sound he got was comparable to the sound you hear from Who or Mountain records. This seems to be the sound the tube purists on the rock side of the ledger are after, and they get some excellent sounds with their pedals in the pursuit, but not that sound. It seems to me that particular sound is only had with a high wattage tube amp with a bunch of voltage on the plate, overdriven to the max through numerous high efficiency speakers. I'm not sure anyone plays that loud anymore, I doubt it. |