#61
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I'm sure waitresses and dancers are just thrilled when you come off the stage with your guitar.
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#62
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You beat me to it. 'Thrilled' has not been my experience when I've dared to leave the stage wirelessly
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"I go for a lotta things that's a little too strong" J.L. Hooker |
#63
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Just accept that wireless is here to stay.
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Journey OF660, Adamas 1581, 1587, 1881, SMT - PRS Cu22, Ibanez JEM-FP, S540, RG550, Fender Stratocaster Heil PR-35 : Audio Technica AE-6100, ATM5R : Beyer TG-V90r : Sennheiser 441, 609, 845, 906 : ElectroVoice ND767 HK 608i Friedman WW Smallbox, Marshall 4212 |
#64
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Journey OF660, Adamas 1581, 1587, 1881, SMT - PRS Cu22, Ibanez JEM-FP, S540, RG550, Fender Stratocaster Heil PR-35 : Audio Technica AE-6100, ATM5R : Beyer TG-V90r : Sennheiser 441, 609, 845, 906 : ElectroVoice ND767 HK 608i Friedman WW Smallbox, Marshall 4212 |
#65
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Relax Nama. I'm an ardent fan of wireless guitar systems. Servers and dancers are not typically a fan of my leaving the stage. Not snark, but humor, self deprecating at that so take it easy.
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"I go for a lotta things that's a little too strong" J.L. Hooker |
#66
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I leave the stage area when doing an acoustic solo to talk to customers and see if they'd like to hear anything. All of that depends fully upon where I'm playing of course and I still prefer not having the guitar cord even if I stay firmly planted in front of the mic all night.
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Journey OF660, Adamas 1581, 1587, 1881, SMT - PRS Cu22, Ibanez JEM-FP, S540, RG550, Fender Stratocaster Heil PR-35 : Audio Technica AE-6100, ATM5R : Beyer TG-V90r : Sennheiser 441, 609, 845, 906 : ElectroVoice ND767 HK 608i Friedman WW Smallbox, Marshall 4212 |
#67
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Quote:
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"I go for a lotta things that's a little too strong" J.L. Hooker |
#68
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It was a lot of money, but then so has been just about every other piece of gear that I've got, and quite bit less then a few of them. Now that it's been years since I bought them, the price has long been forgotten about, but the satisfaction is there every time I use them. Worth it just for the sound and losing the cord, so the rechargeable transmitter and excellent tuner in the receiver are just icing on the cake.
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Journey OF660, Adamas 1581, 1587, 1881, SMT - PRS Cu22, Ibanez JEM-FP, S540, RG550, Fender Stratocaster Heil PR-35 : Audio Technica AE-6100, ATM5R : Beyer TG-V90r : Sennheiser 441, 609, 845, 906 : ElectroVoice ND767 HK 608i Friedman WW Smallbox, Marshall 4212 |
#69
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"I go for a lotta things that's a little too strong" J.L. Hooker |
#70
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Actually, they really haven’t cared. Most of the patrons are amazed, trying to figure out “how does he do that?”
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Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#71
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It seems ironic to me that almost everyone is so used to cell phones and watches that let them talk and read the news, but they can't understand how they can hear sound from the speakers when you're playing from across the room during a sound check.
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Journey OF660, Adamas 1581, 1587, 1881, SMT - PRS Cu22, Ibanez JEM-FP, S540, RG550, Fender Stratocaster Heil PR-35 : Audio Technica AE-6100, ATM5R : Beyer TG-V90r : Sennheiser 441, 609, 845, 906 : ElectroVoice ND767 HK 608i Friedman WW Smallbox, Marshall 4212 |
#72
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Rokdog may be referring to the audience at one of our recent assisted living gigs. They're not among the rest of folks who are used to cell phones and watches that talk to them!
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"I go for a lotta things that's a little too strong" J.L. Hooker |
#73
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It's okay though, there's lots of simple things outside my own experience that I'm surprised to find out about, so fair turnaround I guess.
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Journey OF660, Adamas 1581, 1587, 1881, SMT - PRS Cu22, Ibanez JEM-FP, S540, RG550, Fender Stratocaster Heil PR-35 : Audio Technica AE-6100, ATM5R : Beyer TG-V90r : Sennheiser 441, 609, 845, 906 : ElectroVoice ND767 HK 608i Friedman WW Smallbox, Marshall 4212 |
#74
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Everybody knew about it. First guy I ever saw who went out into the audience was Angus Young. Back on their first support tour with Aerosmith. I think in the late 70's. They were booed by the way. In my experience. When gigging in a packed club. Coming off the stage with my guitar, with full dance floor. And waitresses trying to navigate them. Then having to deal with me out there too. Guitar in hand. Well let's just say it didn't go too well. I would still do it now and then. Considering alcohol intake. But trust me, even though some may think it's cool. For the most part, they don't. And, first time you whack someone in the back of the head, giving new meaning to "headstock." You will begin to rethink your actions. But have fun. |
#75
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I think it's very venue dependent. I wouldn't do it at the main bar I play at but we are also on an elevated stage with a loud sound system, playing for 200+ people. Having said that, one time the sound man thought we were done our last set and cut the mains and walked away. The crowd wanted me so we unplugged, walked into the crowd and simply played acoustic for three songs. The crowd literally loved it. I think if you are forcing it just to be cool then it's probably not going to work, but I can see a lot of times where it could work, especially at smaller venues. As for Angus Young, him going out into the audience is still incredible. |