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#16
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The only caveat to that is if I'm in a situation where I'd have people sitting in and playing my instrument. In that case I'm frankly not going to do that with my main basses or guitars. That said, I really don't take those gigs any more (mostly were being backline for jazz jams on bass) so it is less of an issue. The only other caveat is if you're playing someplace with hostile weather conditions. But I'm back to the cardinal rule of if it is ok for my body, it is ok for the instrument. Totally ymmv and I get why folks want a "beater" (relatively speaking) for certain gigs or for a tour. But I've ended up with the instruments I have for good reason, so they're going to the gig.
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Beard Radio R Squareneck Hipshot | Martin 000-28 CA 1937 | Collings OM1 JL | Collings I-30 LC | Anderson Raven Fodera fretted and Rob Allen fretless basses 2022 album | new 2023 album | live album | nostatic site “Sometimes science is more art than science…” - Rick Sanchez |
#17
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I think for some, playing a cheap guitar makes them feel like a cheap guitar player and that feeling is reflected in their music. Others not so much so.
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If I'm wrong, please correct me. I'm still learning. Taylor GS Mini Mahogany. Guild D-20 Gretsch Streamliner https://www.minnesotabluegrass.org/ |
#18
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All of my guitars are 'good' in terms of their cost. I gig with the four that have pickups but to be honest, I play them out because I enjoy playing them. Only the very few guitar geeks that see us notice as the majority of your audience doesn't. Play what makes you feel best playing.
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"I go for a lotta things that's a little too strong" J.L. Hooker |
#19
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There's been lots of good comments already, so I'll echo some of the ones that hit home for me.
-You have to like playing it and it's comfortable. -it has to sound good to your ears, makes you play better. -once it's plugged in, the playing field is leveled if you have a decent pickup. -truth is, most people don't care what you are playing if you are sounding good.
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-Joe Martin 000-1 Rainsong CH-OM Martin SC10e sapele My Band's Spotify page https://open.spotify.com/artist/2KKD...SVeZXf046SaPoQ |
#20
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![]() Anyway, this is all great info and hopefully useful to other people too. Thanks everyone, really appreciating your collective wisdom.
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Martin D35 Bourgeois Custom OM Gibson SJ-150 Custom-made Slothead 000-28 Tele Strat My music here: https://open.spotify.com/album/6t6Np...QpyroLrwiVSclQ And here: https://borrowedbooks.bandcamp.com/ |
#21
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Martin D35 Bourgeois Custom OM Gibson SJ-150 Custom-made Slothead 000-28 Tele Strat My music here: https://open.spotify.com/album/6t6Np...QpyroLrwiVSclQ And here: https://borrowedbooks.bandcamp.com/ |
#22
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If a guitar doesn't sound and feel good, I don't play it. Period. Doesn't have to be expensive, but it should make me smile when I play it. Otherwise it's just a distraction that challenges inspiration. If you don't enjoy the guitar you're performing with, the audience will feel that too. That's my nickel's worth.
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2022 Martin HD12-28 2022 Martin HD-28 2022 Gibson J-45 Standard 2022 Taylor American Dream AD27 Mahogany 2007 Breedlove AC250/SM-12 2006 Breedlove AD20/SR Plus 2003 Martin 000C-16SGTNE 2000 Taylor 410ce 1990 Martin Shenandoah (< 1990 a bunch of great old Yamahas I lost track of) My music: https://pro.soundclick.com/dannybowman |
#23
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I'd make my first stop the Emerald Guitars shop for one of their smaller carbon fiber guitars with a pickup. Travel worry free.
A Blackbird Savoy is a more organic looking instrument. I played one and was very impressed. Both these instruments are not cheap. Both would survive, sound great, and serve a useful purpose when you return.
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2007 Martin D 35 Custom 1970 Guild D 35 1965 Epiphone Texan 2011 Santa Cruz D P/W Pono OP 30 D parlor Pono OP12-30 Pono MT uke Goldtone Paul Beard squareneck resophonic Fluke tenor ukulele Boatload of home rolled telecasters "Shut up and play ur guitar" Frank Zappa |
#24
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Martin D35 Bourgeois Custom OM Gibson SJ-150 Custom-made Slothead 000-28 Tele Strat My music here: https://open.spotify.com/album/6t6Np...QpyroLrwiVSclQ And here: https://borrowedbooks.bandcamp.com/ |
#25
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It plays nice enough, and sounds nice enough, but the response and tone is not very inspiring to me. I used it on one tour and a conference. That was enough for me to decide that I needed better. (I still own it and in fact took it to Maui last winter.) I realized that - for me - if I didn't have the confidence, comfort and excitement that comes from a very good/great instrument, that I could not perform at the level I desired. So, the choice of which guitar comes down to MY desires, not my audiences needs. It's all about me. ![]()
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-Gordon 1978 Larrivee L-26 cutaway 1988 Larrivee L-28 cutaway 2006 Larrivee L03-R 2009 Larrivee LV03-R 2016 Irvin SJ cutaway 2020 Irvin SJ cutaway (build thread) K+K, Dazzo, Schatten/ToneDexter Notable Journey website Facebook page Where the spirit does not work with the hand, there is no art. - Leonardo Da Vinci |
#26
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It needs to be good enough to inspire you.
If not your gig will be less than optimal Cheers Paul
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For Sale: 1995 Taylor LKSM 12 https://www.acousticguitarforum.com/...d.php?t=677895 3 John Kinnaird SS 12c CUSTOMS: Big Maple/Cedar Dread Jumbo Spanish Cedar/WRC Jumbo OLD Brazilian RW/WRC R.T 2 12c RW/Claro 1995 & 96 LKSM 12s 552ce 12x12 J. Stepick Bari Weissy WRC/Walnut More |
#27
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I agree with the post above - it's got to inspire you.
I did something similar a few years back - got myself a Epiphone acoustic with a pickup. I was forever tinkering with it to get the action and sound that I wanted. In the end I gave it away and I have a couple of good ones I gig with now.
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In no particular order: Gibson J45 Martin D28 Maton EM225c Cole Clark FL1 Cole Clark FL3 Gibson J160e Epiphone Casino Martin LX1 Epiphone 335 Dot Studio |
#28
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#29
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I like playing guitars that have a bit of "character" - that's what gives me the buzz. And, to be honest, you can find guitars like that at any price range.
Your Guild Westerly 120m with a sound hole p/u seems like a great idea. Go and play one - and if you like it, buy it. BTW - I don't agree that you get a better playing guitar by spending more cash. Many cheap guitars have very good geometry and stability these days - and so will set-up just as perfectly as an expensive guitar. The guitar that's most spoiled princess like when it comes to set-up is my D-18 (but I can forgive it!). My $350 guitars, once set-up, have stayed that way come rain or shine.
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I'm learning to flatpick and fingerpick guitar to accompany songs. I've played and studied traditional noter/drone mountain dulcimer for many years. And I used to play dobro in a bluegrass band. |
#30
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Most people I know who play out choose the guitar they feel most comfortable playing, usually cheaper guitars. When you play through a pickup and primarily on smaller and cheaper PAs, sound becomes less important.
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Jan |