The Acoustic Guitar Forum

Go Back   The Acoustic Guitar Forum > General Acoustic Guitar and Amplification Discussion > General Acoustic Guitar Discussion

Reply
 
Thread Tools
  #16  
Old 09-02-2018, 10:06 AM
Kh1967's Avatar
Kh1967 Kh1967 is offline
Charter Member
 
Join Date: Jul 2011
Location: Illinois - Chicago Suburbs
Posts: 4,375
Default

Quote:
Originally Posted by stephenT View Post
I think of a songwriters guitar as a small body, so you can lean over and write a few lines without the guitar digging into your chest. Think Woody Guthrie.

My vote would be a Martin 00, say a 00-15.
A good 00 is hard to beat. I am glad to see a small guitar in the mix next to the larger bodies.
__________________
Hope. Love. Music.
Collings
Reply With Quote
  #17  
Old 09-02-2018, 10:32 AM
rmyAddison rmyAddison is offline
Registered User
 
Join Date: Aug 2006
Location: Addison, TX
Posts: 19,007
Default

My thoughts on this have changed over the years..............

Has anybody really heard an accomplished singer and went "wow that guitar doesn't work with their voice"? I have never had the feeling.

I have heard many guitars that I didn't like the sound; too much string noise, pickup quack, metallic non-acoustic sound, etc., but that has no direct relationship to the singer. They could play an instrumental piece, no singing, and my comments about that particular guitar sound would still stand.

This is one thing I just mostly disagree with. Outside of some dreads being really hard to sing over (amplification/microphone dependent), in over 50 years of playing (and performing), and almost 40 guitars, I honestly have never had a guitar that I felt just wouldn't work with my voice, my thoughts.

The guitars in my signature are VERY different in voicing, that's why I have them, I don't have a preference "strictly voice related", but that's me...
__________________
Rich - rmyAddison

Rich Macklin Soundclick Website
http://www.youtube.com/rmyaddison

Martin OM-18 Authentic '33 Adirondack/Mahogany
Martin CS OM-28 Alpine/Madagascar
Martin CS 00-42 Adirondack/Madagascar
Martin OM-45TB (2005) Engelmann/Tasmanian Blackwood (#23 of 29)
Reply With Quote
  #18  
Old 09-02-2018, 10:41 AM
Mbroady's Avatar
Mbroady Mbroady is offline
Charter Member
 
Join Date: May 2008
Location: Asheville via NYC
Posts: 6,090
Default

Quote:
Originally Posted by jim1960 View Post
I think the notion that some guitars are "singer/songwriter" guitars and some are not, is a silly one unless someone can show me the guitars that impede singing and songwriting. I know of none.
I agree. What ever guitar moves you or inspires you would be a good singer/songwriter guitar.

I find that the guitars I have are a delight when writing a song. They play and intonate perfectly and they sound great, with a huge dynamic range.

So try them all and go with what moves u
__________________
Furch D32-LM
Martin D-35
MJ Franks Lagacy OM
Rainsong H-WS1000N2T
Stonebridge OM33-SR DB
Stonebridge D22-SRA
Tacoma Papoose
Voyage Air VAD-2
1980 Fender Strat
2 Partscaster Strats
MIC 60s Classic Vib Strat
Reply With Quote
  #19  
Old 09-02-2018, 10:47 AM
Steve DeRosa Steve DeRosa is offline
Registered User
 
Join Date: Mar 2013
Location: Staten Island, NY - for now
Posts: 14,664
Default

Quote:
Originally Posted by L20A View Post
...After seeing all of these different artists and their wide variety in guitars, I have come to the conclusion that the right guitar for a singer/songwriter is the one that they like and use...
Some well-known singer/songwriters and a few of the guitars with which they are most often associated:
  • Willie Nelson - Martin N-20
  • James Taylor - Gibson J-45/J-50, Olson SJ
  • Bob Dylan - Gibson Nick Lucas, Gibson J-200
  • Cat Stevens - Gibson J-200, Ovation Folklore, Ovation 1619 custom
  • John Denver - Guild F-612, Guild "Artist Award" F-50R, Yamaha L-53, Taylor K-15, Taylor 855
  • Jim Croce - Martin D-21, Gibson B25-12, Ovation Legend
  • Neil Diamond - Gibson Everly Brothers, Ovation Balladeer, Ovation Adamas
  • Stephen Stills - Martin D-28, Martin D-45
  • Gordon Lightfoot - Martin D-18, Gibson B45-12
  • Paul Simon - Guild F-30R, Guild F-212, Martin D-35S, Ovation Custom Legend, Martin OM-42
  • Neil Young - Martin D-45
No general consensus other than most (but not all) tend to be larger-bodied instruments, supporting the troubador/"one-man band"/self-contained act idea - and I prefer my Rainsong JM1000/JM3000 for solo gigs for the same reason...
__________________
"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool"
- Sicilian proverb (paraphrased)
Reply With Quote
  #20  
Old 09-02-2018, 10:57 AM
ocarolan ocarolan is offline
Registered User
 
Join Date: Aug 2006
Location: UK
Posts: 1,260
Default

Particular singer-songwriters may wekl come to be associated with a particular guitars when performing. But the chances are that they use (several) others when actually writing/noodling around at home/in hotel rooms etc.

Keith
Reply With Quote
  #21  
Old 09-02-2018, 11:00 AM
jazzguy jazzguy is offline
Registered User
 
Join Date: Jul 2009
Location: Charlotte NC
Posts: 1,390
Default

I think of a guitar that is both inspiring and comfortable. It should inspire music but not be distracting because it is too big. It should allow you to sit at a chair and write comfortably while holding the guitar. For me, the Martin 00-18 is the perfect size. But then again, I'm partial because I own one.
__________________
Taylor 512ce Urban Ironbark
Fender Special Edition Stratocaster
Eastman SB59
Reply With Quote
  #22  
Old 09-02-2018, 11:13 AM
MHC MHC is offline
Registered User
 
Join Date: May 2013
Posts: 1,856
Default

As someone who plays purely for myself, or occasionally among friends and family in a living room, I myself prefer a rosewood 00. I love my Martin CS-00-21 and I also like the Huss & Dalton T-0014 (I'm currently on the hunt for a used EIR version).

I like the 00 not just for the "intimate performance" aspect, but for the fact that I often work out my songs at a desk or dining table and the 00 body is nice and compact to be near furniture like that. I also play a lot on my sofa, and it's comfortable for that as well. I can take it anywhere.

I've never recorded anything ever (and thank goodness for that) so I can't speak to my 00's ability in that area.
Reply With Quote
  #23  
Old 09-02-2018, 11:15 AM
1neeto 1neeto is offline
Registered User
 
Join Date: Mar 2012
Posts: 3,361
Default

Quote:
Originally Posted by jim1960 View Post
I think the notion that some guitars are "singer/songwriter" guitars and some are not, is a silly one unless someone can show me the guitars that impede singing and songwriting. I know of none.


My sentiments exactly. Any guitar that fits the performer’s singing and original songs is what fits that particular artist. From what I’ve seen in the “singer songwriter” pop artists like Ed Sheeran, they tend to prefer little Martins or OOO/OM style guitars for performing. No idea what they use in the studio though.
Reply With Quote
  #24  
Old 09-02-2018, 11:21 AM
crikey crikey is offline
Registered User
 
Join Date: Nov 2005
Posts: 3,070
Default

I remember reading in the guitar and songwriting mags pre-internet, many moons ago, and the term would crop up periodically. As I remember, these articles seemed to be geared to hype artists who played mostly Gibsons and Martins. D-18, D-35, D-28, J-45...etc. Then, for example, say they were talking about an artist whose "singer/songwriter guitar" was a D-18 in one particular article, lo and behold there was a full page glossy D-18 ad in the inside back cover.

Although I kind of subscribed to the notion at the time, I don't really think about it as much any more. I think you get a good guitar, you play some good singer/songwriter stuff, DONE. Anything else is over-thinking it at my age.

That said, I'm partial to my little acoustic collection and I still prefer the sounds of Martins and Gibsons accompanying good lyrical poetry.
Reply With Quote
  #25  
Old 09-02-2018, 11:23 AM
jim1960 jim1960 is offline
Charter Member
 
Join Date: Sep 2015
Posts: 5,774
Default

Quote:
Originally Posted by Silly Moustache View Post
Hi, I am a singer-guitarist and occasionally write my own songs, but tend to "cover" songs from fine singer-songwriters that I admire.
I go in the other direction. The last time I played a cover song for an audience was in the 1980s. When I perform these days, it's all my own material. I've written songs on all the guitars in my signature, on bouzoukis, and on keyboards. I've never noticed that any particular guitar I own is better for songwriting than another.
__________________
Jim
2023 Iris ND-200 maple/adi
2017 Circle Strings 00 bastogne walnut/sinker redwood
2015 Circle Strings Parlor shedua/western red cedar
2009 Bamburg JSB Signature Baritone macassar ebony/carpathian spruce
2004 Taylor XXX-RS indian rosewood/sitka spruce
1988 Martin D-16 mahogany/sitka spruce

along with some electrics, zouks, dulcimers, and banjos.

YouTube
Reply With Quote
  #26  
Old 09-02-2018, 11:33 AM
gwlee7 gwlee7 is offline
Registered User
 
Join Date: Jul 2017
Location: Lewisville, TX
Posts: 385
Default

Guitars that I have used while writing songs:

Yahama FG 75 from the 70s
1980ish Ibanez Artwood Dread
Ibanez PF 100 (post lawsuit Les Paul type)
Ibanez Roadster (strat type guitar)
A beat up Gibson Firebird
Several Gibson Les Pauls
A 1990 Gibson “Star” Acoustic electric
1993 Fender Strat
1996 Taylor 555 12 string
2016 Martin HD 28
2018 G&L ASAT Classic

All of these guitars have inspired me in different ways both musically and lyrically.
Reply With Quote
  #27  
Old 09-02-2018, 11:36 AM
rokdog49 rokdog49 is offline
Registered User
 
Join Date: Oct 2015
Posts: 13,470
Default

Quote:
Originally Posted by Kh1967 View Post
And, a very nice collection, indeed!
Thank you!
__________________
Forget all about those Nacho Chips and learn how to play guitar. (with apologies to John Mellencamp)

Martin D18
Gibson J45
Gibson J15
Fender Copperburst Telecaster
Squier CV 50 Stratocaster
Squier CV 50 Telecaster
Reply With Quote
  #28  
Old 09-02-2018, 11:50 AM
takamineGD93 takamineGD93 is offline
Registered User
 
Join Date: Jan 2015
Posts: 406
Default

You can play with anything (as people do)...but j200 players have the best arguments by far: they say it has a lot of bottom and a lot of top but lacks some in the middle register where there voice are.

I'm not a j200 player but that is the best logical arguments I've ever heard. Then you can pick any guitar because you like "that" sound
Reply With Quote
  #29  
Old 09-02-2018, 12:01 PM
SongwriterFan SongwriterFan is offline
Registered User
 
Join Date: Oct 2006
Posts: 25,374
Default

I don't know why, but I always think of the J-45 as the "iconic" singer/songwriter guitar. Even though few of the singer/songwriters I know personally use them.

Here's a friend of mine who writes/performs on her Eric Clapton signature model Martin guitar:

Reply With Quote
  #30  
Old 09-02-2018, 12:25 PM
Kh1967's Avatar
Kh1967 Kh1967 is offline
Charter Member
 
Join Date: Jul 2011
Location: Illinois - Chicago Suburbs
Posts: 4,375
Default

Quote:
Originally Posted by SongwriterFan View Post
I don't know why, but I always think of the J-45 as the "iconic" singer/songwriter guitar. Even though few of the singer/songwriters I know personally use them.

Here's a friend of mine who writes/performs on her Eric Clapton signature model Martin guitar:

SongwriterFan - I enjoyed everything about that. Thank you for sharing!
__________________
Hope. Love. Music.
Collings
Reply With Quote
Reply

  The Acoustic Guitar Forum > General Acoustic Guitar and Amplification Discussion > General Acoustic Guitar Discussion

Thread Tools





All times are GMT -6. The time now is 04:20 AM.


Powered by vBulletin® Version 3.8.11
Copyright ©2000 - 2023, vBulletin Solutions Inc.
Copyright ©2000 - 2022, The Acoustic Guitar Forum
vB Ad Management by =RedTyger=