#16
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I have access to three of these on Long Island and one in Pine Hill, upstate.
Here is the one that I put on at the Plainview-Old Bethpage library; https://www.facebook.com/groups/445679899345171/ We are just getting started but so far we're getting around 10 players each time. Our next jam is this Tuesday. If you are around and looking for a friendly place to play with others. Come on over! |
#17
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Quote:
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"There's a lot of music in songs" |
#18
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I was perusing Craig's List last week, and saw a listing inviting people to an "acoustic jam" at a small brewpub in the city on Sunday afternoon... so I went and played at my first music circle yesterday!
There were maybe 7 or 8 folks there, both men and women, and it was set up in a backroom where the brewing tanks are. There were a couple of guitar players, a couple of banjos, a couple of mandolins, a guy with a lap steel, and a guy thumping a stand-up bass. The repertoire was mostly simple 3-chord folk, bluegrass and country, with a few blues and rock tunes thrown in (but done country-style). I've only ever played in rock bands, so playing folksy stuff on acoustic instruments was a refreshing change, and I had a blast. I plan to go back again next Sunday and do it again!
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1955 Gibson ES-125 1956 Fender Champ lap steel 1964 Guild Starfire III 1984 Rickenbacker 330 1990s Mosrite (Kurokumo) Ventures 2002/2005 Fender Japan '60s Tele [TL-62-66US] 2008 Hallmark 60 Custom 2018 Martin Custom Shop 00-18 slot-head 1963 Fender Bandmaster (blonde blackface) 1965 Ampeg Gemini I 2020 Mojotone tweed Champ kit build |
#19
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I’d love to find one of these nearby. We don’t even have any open mics that I’m aware of.
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Regards, Jim Larrivée L-05 Mahogany Gibson Les Paul Traditional Fender Stratocaster Epiphone Les Paul Standard |
#20
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I would expect that kind of thing to be fairly common in the South. Of course, the Boston area has its own folk music heritage, particularly Cambridge.
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1955 Gibson ES-125 1956 Fender Champ lap steel 1964 Guild Starfire III 1984 Rickenbacker 330 1990s Mosrite (Kurokumo) Ventures 2002/2005 Fender Japan '60s Tele [TL-62-66US] 2008 Hallmark 60 Custom 2018 Martin Custom Shop 00-18 slot-head 1963 Fender Bandmaster (blonde blackface) 1965 Ampeg Gemini I 2020 Mojotone tweed Champ kit build |
#21
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That video was way too short but I'll take what I can get. I think there are a lot more people out there playing this kind of music than most folks realize. The folk tradition of passing down old songs is still alive and well.
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#22
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I do believe you're right. I guess folk musc isn't "cool," so it's mostly done in more intimate settings.
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1955 Gibson ES-125 1956 Fender Champ lap steel 1964 Guild Starfire III 1984 Rickenbacker 330 1990s Mosrite (Kurokumo) Ventures 2002/2005 Fender Japan '60s Tele [TL-62-66US] 2008 Hallmark 60 Custom 2018 Martin Custom Shop 00-18 slot-head 1963 Fender Bandmaster (blonde blackface) 1965 Ampeg Gemini I 2020 Mojotone tweed Champ kit build |
#23
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Used to do this 4 years ago in the town I moved from. Every Tuesday at the Red Rooster coffee shop from 2-5. I could kinda chord and kinda keep up. Often I was playing the wrong chords because I couldnt see the chord shapes on some of the guys fingers. I tried to play quietly and keep up and they welcomed me and tolerated me. Then... I gradually got better. Then one of the guys explained the I, IV, V thing to me. Then I actually brought some songs and led them when the circle came round to me. I’m still getting better and got a long way to go. I was able to sit in a jam with three other guys at the local fall bluegrass festival a week or so ago. Really enjoyed that. I’m ok as long as I can see thier chord shapes and learned to develop a strumming pattern that may not be the one they are doing, but still contributes. Or can just play some of the base sounds of a chord to help contribute.
What I really enjoy is when I play one of my “originals”. I can only chord, but some can guys jump in and add picking to my chords and the song/music really rounds outs and sounds so much better. I really appreciate the skills of those that can do that. Good times!
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Seagul Coastline Folk Cedar Taylor 512CE Yamaha LL16 ARE Taylor T5Z Big Muddy Mandolin-Ziricote b&s Last edited by 62&climbing; 11-25-2019 at 09:24 PM. |
#24
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Would love something like this in the North Houston area.
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Matt 2014 Pono OP-10DC 2013 Martin 0015M 60's Harmony Stella |
#25
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Check out my post here about the biggest jam group ever;
https://www.acousticguitarforum.com/...15#post6221715 |
#26
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The Berkshires are a magical place! Great story!
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”Lorem ipsum dolor sit amet” |
#27
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Quote:
The best way for a developing musician to grow is through playing with other musicians. At the circle I attended, I could evaluate each musician's relative skill level, and some struggled at times to find their place, but there was an overall atmosphere of mutual encouragement rather than competition. It was a positive, inclusive environment. Indeed they are.
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1955 Gibson ES-125 1956 Fender Champ lap steel 1964 Guild Starfire III 1984 Rickenbacker 330 1990s Mosrite (Kurokumo) Ventures 2002/2005 Fender Japan '60s Tele [TL-62-66US] 2008 Hallmark 60 Custom 2018 Martin Custom Shop 00-18 slot-head 1963 Fender Bandmaster (blonde blackface) 1965 Ampeg Gemini I 2020 Mojotone tweed Champ kit build |
#28
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The Hearing Room in Lowell has 'acoustic jams' and bluegrass circles on a regular basis. https://www.hearingroom.net/
Tapley Hall in Danvers has a song circle the 3rd Wednesday of the month.
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Mike My music: https://mikebirchmusic.bandcamp.com 2020 Taylor 324ceBE 2017 Taylor 114ce-N 2012 Taylor 310ce 2011 Fender CD140SCE Ibanez 12 string a/e 73(?) Epiphone 6830E 6 string 72 Fender Telecaster Epiphone Dot Studio Epiphone LP Jr Chinese Strat clone Kala baritone ukulele Seagull 'Merlin' Washburn Mandolin Luna 'tatoo' a/e ukulele antique banjolin Squire J bass |
#29
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Quote:
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1955 Gibson ES-125 1956 Fender Champ lap steel 1964 Guild Starfire III 1984 Rickenbacker 330 1990s Mosrite (Kurokumo) Ventures 2002/2005 Fender Japan '60s Tele [TL-62-66US] 2008 Hallmark 60 Custom 2018 Martin Custom Shop 00-18 slot-head 1963 Fender Bandmaster (blonde blackface) 1965 Ampeg Gemini I 2020 Mojotone tweed Champ kit build |