#46
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#47
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I was pretty impressed by how hard he could attack the guitar without it sounding like it broke up. Many smaller guitars begin to sound distorted when played hard like that.
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--------------------------------------- 2013 Joel Stehr Dreadnought - Carpathian/Malaysian BW 2014 RainSong H-OM1000N2 2017 Rainsong BI-WS1000N2 2013 Chris Ensor Concert - Port Orford Cedar/Wenge 1980ish Takamine EF363 complete with irreplaceable memories A bunch of electrics (too many!!) |
#48
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The X20 is a very versatile acoustic guitar. The new tweaks are functional and aesthetic, not just a change for change' sake. Nice!
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Some CF, some wood. |
#49
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Yeah definitely a couple magicians there- Alistair and Hagrid...er, Johnny.
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#50
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It was a good video and the enthusiasm came through clearly from both builder and user. I did send an email last night before hitting the rack, but no answer so far. As mountainmaster pointed out, I'm sure that Chloe and Kevin are hip deep in emails right now given the announcement. They will answer when they can. |
#51
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--------------------------------------- 2013 Joel Stehr Dreadnought - Carpathian/Malaysian BW 2014 RainSong H-OM1000N2 2017 Rainsong BI-WS1000N2 2013 Chris Ensor Concert - Port Orford Cedar/Wenge 1980ish Takamine EF363 complete with irreplaceable memories A bunch of electrics (too many!!) |
#52
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The new design is very impressive - I would really love to hear a good comparison between the new and old X-20 and the X-30 to see how the sound compares. They do such good quality videos now - it would be great to have a comparison video showing a variety of playing techniques.
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2017 McIlroy AS-15 (Cedar over Mahogany) guitar 2018 Emerald X7 Pao Ferro veneer guitar 2017 Emerald Amicus 1916 Gibson A-1 Mandolin 2023 Joe Foley bouzouki Seamus O'Kane bodhran |
#53
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Just when you are out Mike, they pull you back in! At some point you will have to fish or cut bait..... I can tell you direct experience that returns (while not free) are easy with emerald. You will be out roughly $160 for shipping both ways. I returned a March 2017 special Chimaera because it did not quite work for my playing style, but even so I almost kept it because it was such a cool example of the guitar making art. Since then, we have bought five Emeralds, with a sixth currently in the queue somewhere, so it's not like they lost. Plus that Chimaera sold again in a matter of weeks.
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#54
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Well he was spending a lot of time making that Weisbourn (or however it's spelled)
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Larrivee OM-03RE; O-01 Martin D-35; Guild F-212; Tacoma Roadking Breedlove American Series C20/SR Rainsong SFTA-FLE; WS3000; CH-PA Taylor GA3-12, Guild F-212 https://markhorning.bandcamp.com/music |
#55
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It’s Weissenborn, BTW.
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Martin 0-16NY Emerald Amicus Emerald X20 Cordoba Stage Some of my tunes: https://youtube.com/user/eatswodo |
#56
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--------------------------------------- 2013 Joel Stehr Dreadnought - Carpathian/Malaysian BW 2014 RainSong H-OM1000N2 2017 Rainsong BI-WS1000N2 2013 Chris Ensor Concert - Port Orford Cedar/Wenge 1980ish Takamine EF363 complete with irreplaceable memories A bunch of electrics (too many!!) |
#57
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Alistair should send one each of the “old” and redesigned X20 to Tony Polecastro of Tony’s Acoustic Challenge. If he also threw in an X30 for the ocean voyage he could ask Tony to compare all three. Tony, after all, is known for playing the same music samples on every guitar he reviews so it would really be an “apples to apples” comparison. He could also give his assessment of the ergonomic changes which would not be so notable to someone with Johnny Gallagher’s physique(said with absolutely no disrespect intended).
Alternatively, he could just gift one to Ruppster . |
#58
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Alistair has already stated that there is no tonal difference between the old and new X20....I tend to believe him.
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John |
#59
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Me too JD, and I take comfort in knowing that the tone will not change -- I really like my current 2016 stock X20. I still have no idea if my upcoming custom X20 (ordered in FEB) will be the old version or the new version.
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#60
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He does say that the pinless bridge provides a more direct connection of the strings to the top than bridge pins, to give a stronger transfer of string vibration to the top. While I don’t imagine that would change the sound, maybe it could increase sensitivity plus slightly more volume. What do you all think?
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1950 Martin 00-18 RainSong Concert Hybrid Orchestra Model 12 Fret Eastman E20OOSS. Strandberg Boden Original 6 Eastman T185MX G&L ASAT Classic USA Butterscotch Blonde Rickenbacher Lap Steel Voyage-Air VAD-2 Martin SW00-DB Machiche 1968 Guild F-112 Taylor 322e 12 Fret V Class |