#16
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I seem to recall getting a set of classical strings in the past, I think D'Addario, and it had 2 G strings, one wound and one unwound. I guess some players like it wound and others do not.
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#17
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there are two kinds of guitar players in the world... |
#18
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Those are my favorite by a long shot - use normal tension and they sound great and last forever.
__________________
"One small heart, and a great big soul that's driving" |
#19
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The D'Addario Composites are some of my favorites, too. The composite basses sound lively and are long-lasting, and the composite G is one of my favorite G strings for a classical guitar, despite the unusual olive green color. It sounds much better than the standard nylon G that is also included.
I wish they made a set where the B and high-E were also made from the olive green composite of the optional G, both to make it visually more consistent, and to give the B and high-E the same presence of the composite G. Their "Dynacore" basses are pretty good, too, as are the "titanium trebles" that come with them, but the "titanium trebles" G is as dead as their normal nylon G. I like using the composite G with the TT B and high-E, either with Dynacore or Composite basses (which I change out twice as often as the trebles). I don't think D'Addario's strings are better than those of some of the smaller companies like Hannabach, Alvarez, Augustine, Savarez, La Bella etc... but they are inexpensive and easily accessible... and have consistent tension across multiple sets and materials, which gives a consistent feel and benchmark as you experiment with different sets in the same tension. They are a good place to start for someone looking find their preferences.
__________________
2003 Esteve Model 75 Classical 1994 Ibanez Iceman IC500 1997 Fender American Roadhouse Stratocaster 2002 Line 6 DuoVerb 2x12 1999 Warwick Streamer Standard 2003 SWR LA15 1x15 2012 Remo 14inch Key-Tuned Djembe |
#20
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Great stuff here!
I love the specific recommendations coming from experienced users! Thank you all. |
#21
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String gauges vary from mfg. to mfg,
D'Addarios high tension is the same as Hannanbachs medium tension you really have to pay attention to the string gauges, low,medium , high could be very different between different brands, W |
#22
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I just tried a set of those. My first impression was I don't like them. Three weeks later and now I do. The D string just had this obnoxious pop to it. It just sounded very unnatural but eventually it just broke in I guess.
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#23
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Was it only the D string that gave you your initial impressions or did the other strings also need a breaking in period?
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#24
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Almost sound to me like you might have a minor nut issue or something on the D string.
__________________
"One small heart, and a great big soul that's driving" |
#25
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I got some Luthier strings from a generous forum member a few weeks ago, and I have to throw in my recommendation for them. They are very bright and alive, and seem very loud. They beat the D'Addario (Titanium Treble set) and Hannabach's I have used recently, IMO.
__________________
2003 Esteve Model 75 Classical 1994 Ibanez Iceman IC500 1997 Fender American Roadhouse Stratocaster 2002 Line 6 DuoVerb 2x12 1999 Warwick Streamer Standard 2003 SWR LA15 1x15 2012 Remo 14inch Key-Tuned Djembe |
#26
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Nylon strings change in tone over the first few days, and sometimes even weeks, of use. As they stretch the diameter shrinks, which changes the tonal characteristics and attack. Once they start to go south, it is nothing but a downward spiral (basses especially), but it is not uncommon for a nylon string to sound better on day 3 than day 1, which is unexpected if you are typically a steel string user.
__________________
2003 Esteve Model 75 Classical 1994 Ibanez Iceman IC500 1997 Fender American Roadhouse Stratocaster 2002 Line 6 DuoVerb 2x12 1999 Warwick Streamer Standard 2003 SWR LA15 1x15 2012 Remo 14inch Key-Tuned Djembe |
#27
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#28
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#29
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#30
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I must give credit where credit is due. I totally pilfered my user name from my younger brother, a dog lover who thought-up "dogsnax".....
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