#46
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On second thought I don’t think I would call them beautiful. I think handsome would be more appropriate for those dreads.
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#47
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Way too suggestive. Some like the Gibson bling, others, the simplistic beauty of a Martin. I’m partial to Taylors, but I think every manufacturer makes beautiful instruments. After all, beauty is in the eye of the beer holder. [emoji23]
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#48
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They all make good looking guitars; it depends what you prefer. I'm not a bling guy, so that leaves body shape. My favorites are the Martin 000/OM body shape and the Gibson J-45 shape. Many others make guitars in these shapes and they all look good.
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Alvarez: DY61 Huss and Dalton: DS Crossroads, 00-SP Kenny Hill: Heritage, Performance Larrivee: CS09 Matt Thomas Limited Taylor: 314ce, 356e, Baritone 8 Timberline: T60HGc |
#49
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Martin and Fender. I see beauty in simplicity.
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#50
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I agree. Love their pickguard.
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#51
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Quote:
I didn't mean to imply that D-18's are beautiful. That would be disrespectful of a handsome Martin dread. The emphasis was on the beauty of simplicity. In a zen kind of way. |
#52
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Kinda surprised no one has mentioned Daisy Rock.
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#53
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I actually don’t like the pickguards on Guilds! My favorite pickguards are Taylors
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Taylor 814ce Gibson G-00 Epiphone J-200 Heritage Cherry Sweetwater Exclusive Gibson G-45 Studio Martin X1-DE Washburn WP21SNS Taylor 110 Mitchell D120 |
#54
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Taylor is pretty nice as far as high volume guitars go, but in my view there are so many boutique builders that can make far more special/attractive instruments.
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2020 Yamaha LL56 Custom 2021 Boucher SG-51-BMV 2020 RainSong CO-WS1000N2 2019 PRS Silver Sky |
#55
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I guess if you are Prince.
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#56
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The purple-black burst is really pretty nice.
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#57
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There....fixed it.
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Mick Martin D-28 Maton EA808 Australian Maton EBG808 Performer Cole Clark FL2-12 Suzuki Kiso J200 |
#58
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I'm not especially interested in bling, I'm more of a hot rod guy. So to me, the silhouette is more important.
Irrespective of maker, I would say the 16" L-5/ Small Jumbo shape as originally set down by gibson looks the best. The curves and tangent lines are well defined and flow smoothly into each other. The F mandolins don't look bad either. So it would be late 20's- early 30's gibson for me. side note, one could consider different eras effectively different makers, especially for companies like gibson and fender that have had so much variability throughout their history. Different strokes for different folks. |
#59
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#60
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Aesthetically, Kim Walker is unbeatable to me.
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