#166
|
|||
|
|||
I sold my Eastman E20D last year, I never liked it. I even preferred my Yamaha FG700S. I am thinking of buying a Martin D28 now
__________________
Martin OM-28 Yamaha LS6 Squier VM Stratocaster Yamaha FG700MS |
#167
|
||||
|
||||
Quote:
And yes yes yes on the D-28. If you're thinking of buying new, I'd play the D-18 too at the same time. Looks like you're a rosewood man, but I played a D-18 at McCabes a few years ago that still has me dreaming. Great guitar. take care, scott |
#168
|
||||
|
||||
Quote:
As far as the D28, you should try out an HD28 before grabbing a D28. The HD28 has scalloped bracing which gives it more bass, etc. It's only about $200 difference in price. The times I've compared a D28 to an HD28 the HD28 wins every time. |
#169
|
|||
|
|||
thanks to everyone for their input
__________________
Martin OM-28 Yamaha LS6 Squier VM Stratocaster Yamaha FG700MS |
#170
|
||||
|
||||
MG: Did you ever end up playing an HD-28? Were you able to play it against any of the Eastman models?
Thanks for contributing to this thread. sm |
#171
|
|||
|
|||
Quote:
I’m way late to this, but when you say “deep bass bias”, would you say that the bass on Eastman dreads is less powerful, or that the bass is there, but the overall sound is more balanced? |
#172
|
||||
|
||||
Quote:
It's less overpowering, so you can call it less powerful or more balanced. Same idea. But it's not like it's lacking or can't hear it.
__________________
"It's only castles burning." - Neil Young |
#173
|
|||
|
|||
Thanks. “Less powerful” is helpful
|
#174
|
|||
|
|||
My E10D has "more" low end than my D28. I put it in quotes because they are different and in one way the D28 had a more expansive low register. Maybe it's the Rosewood. But the Eastman sounds like a scalloped guitar compared to the Martin (as it should). More volume, more low end.
__________________
1970 Martin D28 1970s Eko Ranger 12 1984 Goodall Rosewood Standard 1990s Hirade K5 1996 Ibanez AG600e 2000s Eastman E10D 2009 Breedlove American 000 MM 2007 Breedlove DR Deluxe Custom 2010s Eastman E10OM SB |
#175
|
||||
|
||||
Quote:
It's funny. Everyone knows both Martin and Gibson have their own "sound" that is very distinctive and immediately recognizable. And yet most people say Eastmans don't sound exactly like either one of those brands. They have their own sound, but I don't think we've named it yet. Maybe we'll just call it GOOD. sm |
#176
|
|||
|
|||
Quote:
Actually, of all the different brands that I've owned, I would say Eastman is closest in voicing to Bourgeois. Balanced, slightly modern take on the classic Martin thing. When I heard about the Eastman bourgeois alliance, they made perfect sense to me just for that reason.
__________________
1970 Martin D28 1970s Eko Ranger 12 1984 Goodall Rosewood Standard 1990s Hirade K5 1996 Ibanez AG600e 2000s Eastman E10D 2009 Breedlove American 000 MM 2007 Breedlove DR Deluxe Custom 2010s Eastman E10OM SB |
#177
|
|||
|
|||
I'm 10 years in with my Eastman AC420B ... and still loving it. I have other fine guitars (Martin, Breedlove, Guild) but this $1000 wonder is still a favorite, and the one most likely to be near at hand.
|
#178
|
||||
|
||||
Quote:
sm |
#179
|
|||
|
|||
I'm a few months into ownership of a brand new Eastman E10OM-TC. It is a a pretty phenomenal guitar for the price. I've never bought a guitar brand new before and at first the bass was underwhelming but it woke up big time after about 6 weeks.
It is Eastman's response to the Martin Authentic line, as far as I can tell. (torrified Adi top.) People looking for a budget Martin won't get what they want out of an Eastman, but people looking for a very well built guitar with outstanding tone for days will be very happy.
__________________
Steve Mcilroy A25c (Cedar, English Walnut) with Schatten HFN (custom MiSi Crystal Jack Preamp, putty install.) Maton 75th Anniversary OM 50th Anniversary Fender Am Std Strat. Gretsch 6120 Nashville Players in Blue. Line 6 Helix. If I played as much as I read threads, I'd be a pro.... |
#180
|
||||
|
||||
Quote:
scott |