#16
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Cheers, Joe
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Pimentel Concert #1 '74 Breedlove C25 Masterclass Custom Ovation Country Artist |
#17
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I've come across folks who think a Martin dread is "the only acceptable" guitar tone. If that works for them, I'm OK with that. The guitars I have bring a variety of tone, but if I didn't appreciate what each offers, it wouldn't make much sense to buy... duh. If push came to shove and I had to narrow it down to just one guitar, it would definitely be one of my Emeralds. Great sound, humidity carefree, great playing, and extremely comfortable. I've not been one to tell people what they should play or buy, nor look down my nose at a guitar I don't personally care for. Life is short - you should play what works for you. If someone doesn't care for "the carbon fiber tone," (as if there is one tone that describes all CF options) I don't understand why they would come to this sub-forum. I also don't get the "my Taylor can beat up your Martin" threads either. I don't give a furry rat's rear what someone else chooses, but I have been playing long enough (over 50 years) to know what I like. People come here to find out about CF, and many of us have stayed because we appreciate not just the guitars or the manufacturers, but also the comradery. To come in and proclaim an entire genre of guitars "thin" or "sterile" simply shows ignorance, bad taste, or an intent to troll. I'm not familiar with "tainsong," but it sounds like a cheap knock-off of a RainSong. If you want something that sounds like a J45, I'd suggest checking out a Gibson. I was a "Gibson guy" back in the late 60s and 70s (electric and acoustic; still have a 335)... been a long time since I was "a kid," but as I matured, I opened my mind and ears to more than one tone. Good luck with your search. |
#18
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Come on Captain, tell us what you really think. By the way, the Taintsong is one of those instruments that is neither here nor there.
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#19
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Taint never heard of it... I really like my CH OM....so I got that going for me .
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YUP.... Emerald: X-20, Center hole X-10 (Maple) and X-7 (redwood), Spalted Chen Chen X 10 level 3, CA: Early OX and Cargo McPherson: Early Kevin Michael Proto Some wood things by Epi, Harmony, Takamine, Good Time, PRS, Slick, Gypsy Music, keyboards, wind controllers.. etc |
#20
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Cheers, Tom PS If you don't want to invest in yourself, why should anyone else even bother to try? |
#21
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https://soundcloud.com/rocket_song/3...-sound-samples
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Larrivee OM-03RE; O-01 Martin D-35; Guild F-212; Tacoma Roadking Breedlove American Series C20/SR Rainsong SFTA-FLE; WS3000; CH-PA Taylor GA3-12, Guild F-212 https://markhorning.bandcamp.com/music |
#22
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The 3rd guitar is the Shorty? Sounds gr8 2 me!
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Don't chase tone. Make tone. Last edited by steelvibe; 09-14-2018 at 08:58 PM. |
#23
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This, and it could even be all 3 simultaneously? We've seen it before and we will see it again.
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Don't chase tone. Make tone. |
#24
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#1 Larrivee OM-03
#2 Rainsong "Shorty" #3 Larrivee OM-03R I think my OM-03R (Rosewood) sounds better than my Rainsong, but the Rainsong sounds better than the OM-03 (Mahogany) YMMV.
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Larrivee OM-03RE; O-01 Martin D-35; Guild F-212; Tacoma Roadking Breedlove American Series C20/SR Rainsong SFTA-FLE; WS3000; CH-PA Taylor GA3-12, Guild F-212 https://markhorning.bandcamp.com/music |
#25
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I played a couple of Rainsong guitars last weekend, because I had only played one CF guitar ever (and it was during a music conference so it was kind of crazy).
I LOVED the feel, light yet super solid. Tight in the best way. Light!!! I LOVED the easy playability all over the fretboard. I was puzzled by the tone, though. It had a very nice sound profile, nicely balanced and good consistent sustain, yet... it wasn't as dynamic as I was expecting and there was something subtle missing - air maybe? It was also relatively quiet (compared to the guitars I am used to). I'll have to play more guitars and more makers, because I want a CF guitar that can equal my current 'touring' guitar (Larrivee LV03) as I would rather not worry so much about airlines, warm/cold car trunks, outdoor gigs in hot sun etc. Maybe I'll end up having to go Emerald, as it sounds like people are finding them to be more refined in tone then others.
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-Gordon 1978 Larrivee L-26 cutaway 1988 Larrivee L-28 cutaway 2006 Larrivee L03-R 2009 Larrivee LV03-R 2016 Irvin SJ cutaway 2020 Irvin SJ cutaway (build thread) K+K, Dazzo, Schatten/ToneDexter Notable Journey website Facebook page Where the spirit does not work with the hand, there is no art. - Leonardo Da Vinci |
#26
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Rainsong Smokey Hybrid Enya X4 Pro |
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Agreed. I'm looking for something that works for me in the CF world. Quote:
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If you're going to quote me, please be accurate. I wrote: "They few CF guitars that I played sounded very articulate and thin like a Taylor. They lacked depth to my ears. Didn’t sound bad, but don’t sound like what I want to hear. I realize that other makers may sound different. I tried two different tainsong models." (Kept the typo in there for quote accuracy!) I mentioned that the **two** CF's that I played sounded thin. I've played a bunch of Taylors, and personally didn't care for the sound. They don't sound bad, but they weren't my cup of tea. There's an articulateness to them. A nice string separation to the sound that doesn't suit my style. I've played a bunch of Taylors, and I've run sound and open mic for years. I should have specified that most Taylors that I've come in contact with have a certain sound that doesn't suit what I do. I find most of them to sound thin to my ears. Interestingly enough, my good friend has an 814CE that sounds much fuller than most of the other offerings I've heard, but he also runs it through a Pendulum SPS-1. There was zero bashing in my original post, just descriptive words used to convey my feelings. In other words: my opinion. It looks like you may have misunderstood me, as I admittedly may have misunderstood you, Captain. Quote:
The pitfalls of typing and not proof reading on a small cell phone screen. Both were Rainsongs. They sounded thin to me. Could have been both models. I'd be willing to try other models as well as other makers though. That's why I'm here. I'll spare you by not scouring your posts for mistakes, and just stay on task here. Quote:
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I'm 43 and I've made my living playing for the last two decades. Yes, you've been playing longer than I've been alive, but I'm still entitled to an opinion. Even if it differs from yours. Nothing in my post was disrespectful, and nothing I wrote, was even close to trolling. This post remains respectful, and I've even took the time to respectfully address your concerns. Quote:
Let me know if there are any descriptive words that are off limits. I'd really rather have some kind and proactive discourse in the future between you and I if possible. You too, Captain! That said, as I start to explore this CF territory, I'd love to find out if there is anything close to a J45 in sound. Last edited by The Kid!; 09-15-2018 at 01:29 AM. |
#28
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Easy, guys. It looks like we have some broad, general comments and lots of people are reacting. Guitars are very personal things. We all have different preferences; we just need to state them politely. Thanks...
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#29
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Agreed. Thank you.
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#30
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1. Different CF guitars sound differently, but stunningly consistent within a specific manufacturer and model. Different constructions (hybrid, etc.) also result in tonal differences, but, again, really consistent guitar to guitar within the specific manufacturer and model. (others have said this -- and I agree) 2. I haven't played or heard a CF guitar that sounds like my 1955 J50. But, I LOVE the tone of that guitar. I worry about the bellying below the bridge, etc., but the tone of that specific guitar is "music to my ears." 3. I own a Rainsong P12 and an Emerald T20 Baritone. The Rainsong sounds like a great parlor, is hugely flexible, detunes great, and is a little chimey, so I take care with respect to the strings I put on it. Different Rainsongs I have played bring different sounds to the party. The Emerald is the most interesting Baritone I have ever picked up, and it made me buy it (second hand). Love it. To my ears, Emeralds are getting "rounder and rounder" in tone as Emerald develops its guitars. 4. Both of my CFs are a little neck heavy. 5. As a perspective, to my ears, Taylors can sound "thin or modern," Martins sound like Martins depending on body size, construction, good Gibsons are amazing, and CFs vary between manufacturers. Do try them, but I bet there is one you could like. I have picked up almost every CF guitar I have found in a store over the years and played it so I would grow to understand them. It started with Composite Acoustics many years ago before they were taken over by Peavey and some very early Rainsongs. I did not like the early Rainsongs. But I have liked more modern Rainsongs. And I have appreciated or really liked almost every other CF guitar I have picked up. 6. We really should probably find a short-hand term for "non-wood" as Blackbird isn't making primarily CF guitars anymore, but those instruments are a part of the "non-wood" world and major contributions to this sector.
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=== "Don't let your baby down" Storm Windows, John Prine '66 Gibson J-200, '55 J50, JB Model 1; Martin M-36; Micheletti Osprey Rigid Rim; Collings OM2H, GR Bear OM C; Emerald X10 Slimline; Gretsch HOF Country Gent & G6120CMHOF; Gibson ES-165; CP Thornton Improv; Veillette Flyer 14 & Lyric; Anderson Crowdster++ .... |