#91
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Headstock wood choice
Mark,
I love your choice of wood for the headstock. That will look spectacular with your pillow style headstock and will compliment the body woods perfectly. Jim |
#92
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Thanks Jim!
__________________
Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#93
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Headstock Overlay
Here is a quick pic of the Myrtle overlay with blue paua abalone and Macassar Ebony binding. The embedded truss rod cover is also Macassar:
m
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#94
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Neck
I cut out the Honduran Mahogany neck blank today and have started puting together the center laminates. They will be a cross grained Macassar Ebony center bound in Maple:
m
__________________
Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#95
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More Pics
I have the neck blank getting the final laminate glue:
The headstock overlay is pretty much all set up now: We're going with a Macassar Ebony fretboard which will be bound and have abalone purfling: Here is a picture looking right down the throat of my throated sound port: m
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#96
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Beautiful work, as always Mark. That headstock is "fire" as the kids say.
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Treenewt |
#97
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Quote:
Thanks for following along m
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#98
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That integrated soundport is just stunning. I couldn't visualize how it worked when you showed the beautiful carving, but there it is! I don't appreciate the look of a big hole carved out of the sides of guitars but this is just insanely good design. How did you come up with it?
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Carol _______________ PRS SE Hollowbody II Piezo Emerald X30 Woody Traveler EG-1 Custom |
#99
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Bravo, that is so beautiful. Your art just gets better and better. And the wood! The redwood is spectacular.
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#100
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Quote:
Quote:
I thought I'd invite this White-lipped snail into my studio for a couple pictures while the shop warmed up. I was impressed by how aware they seemed during our photo shoot. I even felt like we bonded a little bit before I sent them back along their way. That night I dreamed about snails and the cochlea in our ears and those old hearing horns people used to use. In the morning all the work was done and I had this throated port design: I did a little tribal Hollywood portrait inlay of them: As I said up above, it is all about maintaining a sense of adventure which requires us to be open to new opportunities as they arise!
__________________
Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#101
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Mark,
Thanks so much for sharing the inspiration behind your integrated sound port! Knowing the back story makes it even cooler! I love how nature inspired this development in your builds!
__________________
Treenewt |
#102
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Thanks Treenewt!
__________________
Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#103
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Me too
Quote:
Beautiful stuff, Mark Merry, happy, Yo ho ho ho Paul
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4 John Kinnaird SS 12c CUSTOMS: Big Maple/WRC Dread(ish) Jumbo Spanish Cedar/WRC Jumbo OLD Brazilian RW/WRC Big Tunnel 14 RW/Bubinga Dread(ish) R.T 2 12c sinker RW/Claro 96 422ce bought new! 96 LKSM 12 552ce 12x12 J. Stepick Bari Weissy WRC/Walnut More |
#104
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Quote:
m
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#105
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Mark, thank you so much for sharing your inspiration! Your story just makes me appreciate your design even more, if that could even be possible!
And what a stunning instrument...whew!
__________________
Carol _______________ PRS SE Hollowbody II Piezo Emerald X30 Woody Traveler EG-1 Custom |