#31
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BTW, Folks, if anyone's interested, I started a thread three years ago about Eastman guitars. Pure Vida and some of the other participants in this discussion come in there and share their thoughts. All are welcome.
https://www.acousticguitarforum.com/...d.php?t=540591 I have no vested interest, other than I love their instruments and know some of the great folks who work there. All the Best, Scott Memmer |
#32
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Scott,
Thanks for sharing. Everything about that performance is great. The playing, singing, guitar tone, the song itself - all of it. I’ve come across some discussions where your high opinion of the E10ss helped me focus on that make/model, in particular. Peter, Thanks for the encouragement. The short scale is part of what drew me to this particular guitar. I’m looking forward to joining the ranks of happy Eastman owners.
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Martin HD-28, Eastman E10ss, Martin OM-21, Martin 000-28, Guild F-30, Santa Cruz 1929 00, Collings 02H, Rainsong CH Parlor, Fender Tele, Farida uke https://soundcloud.com/user-652759467 |
#33
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‘00 Martin HD28LSV ‘04 Martin D18GE ‘22 Burkett JB45 |
#34
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1.76" nut, and you let it go? One of the great AGF tragedies.
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"It's only castles burning." - Neil Young |
#35
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Here is my E10SS (without the first string that I broke), you can almost hear it is short scale
https://drive.google.com/file/d/1KgA...ew?usp=sharing |
#36
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Zissou,
It sounds like you let a great one slip away. At least it’s in capable, appreciative hands. Peter, Thanks for sharing and nice playing!
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Martin HD-28, Eastman E10ss, Martin OM-21, Martin 000-28, Guild F-30, Santa Cruz 1929 00, Collings 02H, Rainsong CH Parlor, Fender Tele, Farida uke https://soundcloud.com/user-652759467 |
#37
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sm |
#38
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I would be remiss if I did not give props to my #1 guitar hero, the late, great Steve Goodman, from whose version I modeled mine. Steve died way back in 1984, so he is not well known. However, he was John Prine's best friend for more than ten years, and it was mainly his version of "The Dutchman" that propelled it to a much wider audience. Steve also wrote the best train song in history, "The City of New Orleans" (no, Arlo didn't write it). Here's Steve's version, in a really crappy video from long ago. I pray he and John Prine are jamming up in heaven as I write this. Finally, while I'm in the props department, a shout out to the amazing Michael Smith, another under-the-radar guy who penned this song, and who we also lost in 2020. What a horrible year. Mike and Steve and John came out of the Chicago scene around the same time in the early seventies. An extraordinary writer whose best songs hang with the best American songs of the last hundred years. Rest easy, my dear friend. I'm babbling. Caffeine! Glad I could help, JhHey. scott memmer Last edited by Charmed Life Picks; 01-23-2021 at 03:41 PM. |
#39
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If you want the J-45 sound then save up for a J-45. Eastman looks the part but has a sound of their own (that’s a good thing). That big dry thumpy thing J-45s do is often imitated , rarely duplicated.
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#40
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Have you played “many,many” or are you basing that on the here-say on this forum or elsewhere. I didn’t find that to be the case at all and I played quite a few over the years. There were a couple I wouldn’t have bought, not “many, many”. The J45 owners on the forum will support me on this.
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Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#41
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The J45 is a stand-alone sound and I’ve never played another guitar that sounds like one. I’ve played the Eastman E10SS. It is a really nice sounding guitar. It does not resemble J45 or a J15 in its voicing...has its own deal.
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Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#42
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Interesting discussion here
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#43
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I was in a similar situation as you - I was after the impossible - a 'holy grail' sort of 00018 type guitar, but on a much lesser budget. Seemed like an absurd goal, but the search kept leading me to the Eastman OM10TC. This is Eastman's answer to the Martin Authentic line at around 1/3 of the cost.
I bought one new, sight unseen. My first ever new guitar purchase. I've had it about 6 months now and it keeps opening up, which is interesting for a thermo cured guitar. My son was playing it next to me yesterday with pretty old strings and MAN did it have fantastic tone. Just that woody mahogany goodness with the mellowed out 'snap' of the Adirondack. It is gorgeous and I love it. I've played a slew of 00018 style guitars including the real thing. One of the finest guitars I've ever played was a Martin Authentic OM18. I have no idea how the Eastman compares, but I sure love how it sounds and I keep picking it up to play again and again. I suspect you'll really enjoy the slope. I think SS guitars are some of the most beautiful designs. I prefer smaller guitars, but if I get a hankering for a dread one day, it will be a slope for sure and the Eastman will be top of the list.
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Steve Mcilroy A25c (Cedar, English Walnut) with Schatten HFN (custom MiSi Crystal Jack Preamp, putty install.) Maton 75th Anniversary OM 50th Anniversary Fender Am Std Strat. Gretsch 6120 Nashville Players in Blue. Line 6 Helix. If I played as much as I read threads, I'd be a pro.... |
#44
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I agree, Steve - I think I’ll enjoy it. I’ll hang onto it for awhile, no matter what my initial impression is. I’ve found that if you love a guitar enough it’ll usually and eventually love you back.
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Martin HD-28, Eastman E10ss, Martin OM-21, Martin 000-28, Guild F-30, Santa Cruz 1929 00, Collings 02H, Rainsong CH Parlor, Fender Tele, Farida uke https://soundcloud.com/user-652759467 |
#45
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Especially those Adi tops, which seem to work on their own timelines.
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"It's only castles burning." - Neil Young |