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A thought
I think nobody is stretching any strings. Wire don't stretch. I think most of what constitutes 'stretching' is seating the string ball end up against the bridge plate.
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#17
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On the other hand I have a really nice Pono baritone uke I have to tune every time I pick it up. It drives me crazy how much that uke can go out of tune with just a minor temp or humidity change. Maybe it's the nylon strings. Sounds nice otherwise. On my guitars I do a couple of major bends with each of a new set of strings and within a few minutes they stay in tune.
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Cheers, Tom PS If you don't want to invest in yourself, why should anyone else even bother to try? |
#18
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#19
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As I said earlier it's mostly ensuring there's as little slack as possible in the wraps around the tuner post. A ball end snugged up against a bridge plate doesn't have anything that needs 'stretching'.
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#20
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https://www.stringjoy.com/stretching...-strings-myth/
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McCollum Grand Auditorum Euro Spruce/Brazilian PRS Hollowbody Spruce PRS SC58 Giffin Vikta Gibson Custom Shop ES 335 '59 Historic RI ‘91 Les Paul Standard ‘52 AVRI Tele - Richie Baxt build Fender American Deluxe Tele Fender Fat Strat |
#21
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#22
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#23
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How do you play in new strings to get to concert pitch?
I typically tune up to pitch, pull on the strings a little -- no more than a few pounds of pull -- to tighten the turns up on the tuner posts, and then retune until the guitar strings hold normal, concert pitch. If I remember correctly, at least for me, new steel strings usually require no more than 3 cycles of tuning and slight pulling to get the strings to hold normal pitch. I don't purposely tune above concert pitch on any strings, but sometimes I do accidentally end up above pitch. Generally, a little tug on the string and it comes down to below pitch, anyway. I don't think there is serious risk of damaging a guitar by occasionally tuning slightly above pitch on only one string for a very short period of time. This situation has never caused any problems with any of my guitars over almost 6 decades of playing and putting on new strings. - Glenn
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#24
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Here's what 50 years of practical experience has proven to me about the process of string changes:
1. Change your strings, but do learn how to do it properly so you don't end up with problems due to slippage, crossed wraps, etc. The Taylor Guitar website has a good tutorial on doing it the correct (and easy) way. 2. Tune close to pitch, then seat the balls and wraps on the string posts by grabbing each string over the soundhole with your thumb and index finger and giving them repeated "twists". If you look at the previously posted "String Stretcha" you'll see that you can do the exact same thing without needing a special tool or purchasing anything. Guitarists have been "doing the twist" to seat strings for as long as steel strings have been marketed. I use the exact same technique for mandolin family instruments, 12 strings, banjos, bass guitars, or anything that has a tensioned string. 3. Pluck each string, twist, pluck again and listen for the pitch drop. Repeat the "twist" until the string no longer drops in pitch. 4. Tune up to correct pitch and play. You're done! Some players lift the string to seat the ball and string post wraps but "doing the twist" applies a much more uniform amount of tension each time. Try it, you'll like it! ...and you don't need to keep track of another tool when it's time to change strings. Last edited by Rudy4; 09-20-2022 at 10:28 AM. |
#25
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How do you play in new strings to get to concert pitch?
I usually change only one string at a time, starting with the bass and working toward treble. I tune 'em up as I go, usually listening to the whole guitar after each string. After changing all the strings, I do a serious tuning and play for about a half hour. Then I tune up again, and let the guitar sit for a day in its case. The next day I check the tuning, play another half hour, and re-check the tuning. Strings usually have realized they're part of something else by the time I pick it up again. I do the same for my 12-string guitars except I change all the main strings first and then all the octave strings. I keep my 12 string guitars tuned down a semi-tone to D#. And I usually leave the fine tuning to the octave 'g' string last. Basically I try to keep the same tension on the neck at all times. Don .
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*The Heard: 85 Gibson J-200 sitka/rosewood Jumbo 99 Taylor 355 sitka/sapele 12 string Jmbo 06 Alvarez AJ60S englmn/mpl lam med Jmbo 14 Taylor 818e sitka/rosewood Grand Orchestra 05 Taylor 512ce L10 all mahogany Grand Concert 09 Taylor all walnut Jmbo 16 Taylor 412e-R sitka/rw GC 16 Taylor 458e-R s/rw 12 string GO 21 Epiphone IBG J-200 sitka/maple Jmbo 22 Guild F-1512 s/rw 12 string Jmbo Last edited by donlyn; 09-20-2022 at 10:41 AM. |
#26
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If you test a string to failure, there are two zones of strain: elastic and plastic. Most of the time a string returns to its normal length, like a spring does elastically. When a high E string is stretched up to F or F#, it begins to undergo plastic deformation, and it won’t return to its original length. It is on the way to breaking, as you can see in this article: https://imechanica.org/node/21939 The idea of string stretching is based on plastic deformation occurring before elastic deformation. It’s the other way around. I think the ends of the string settle, and people attribute it to plastic deformation in the middle. Plastic deformation is generally bad news, though.
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------------------------------- Gibson J45 12 string Gibson J45 Studio Walnut 6 string Furch D24 SR 12 string Rickenbacker 330w 6 string |
#27
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I have always found the strings on all my guitars incredibly stable on installation and last a long time. So I must be doing something right!
I stick them on; wind them up close to pitch; give them a tug about the 5th, 12th and 17th; take them to pitch; play. Oh yes; I forgot; after a couple of minutes playing I'll seat them into the nut and bridge. And another thing - one string at a time or all bets are off and the settling takes much longer!
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I'm learning to flatpick and fingerpick guitar to accompany songs. I've played and studied traditional noter/drone mountain dulcimer for many years. And I used to play dobro in a bluegrass band. Last edited by Robin, Wales; 09-20-2022 at 10:52 AM. |
#28
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How do you play in new strings to get to concert pitch?
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Something that eludes the National Football League to this day. Don .
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*The Heard: 85 Gibson J-200 sitka/rosewood Jumbo 99 Taylor 355 sitka/sapele 12 string Jmbo 06 Alvarez AJ60S englmn/mpl lam med Jmbo 14 Taylor 818e sitka/rosewood Grand Orchestra 05 Taylor 512ce L10 all mahogany Grand Concert 09 Taylor all walnut Jmbo 16 Taylor 412e-R sitka/rw GC 16 Taylor 458e-R s/rw 12 string GO 21 Epiphone IBG J-200 sitka/maple Jmbo 22 Guild F-1512 s/rw 12 string Jmbo |
#29
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Guitars: Waterloo WL-K Iris AB 1990 Guild GF30 Bld Maple Archback Alvarez AP66 Baby Taylor G&L ASAT Tribute T-style |
#30
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