#16
|
|||
|
|||
Quote:
Those look cool. Do they pick up any ambient? |
#17
|
||||
|
||||
Quote:
And FYI, the way ToneDexter trains and creates the IR is independent of the type of pickup used. Microphone pickups work just as well as piezo pickups. Magnetic pickups are the exception due to their non-linear nature.
__________________
James May Audio Sprockets maker of ToneDexter James May Engineering maker of the Ultra Tonic Pickup |
#18
|
|||
|
|||
Quote:
James can you confirm that there is no assumption on the training process? Is this quote from the patent is still valid: Quote:
In my little experience it is very difficult in a signal to discriminate the contribution of the pickup from the contribution of the guitar body. Also you posted in the AGF that Tonedexter would mostly correct the response of the pickup rather than recreate the top/body response of the guitar. So if I understand you well. You think that because the body of the guitar is part of both the pickup and mic signal it will be removed from the equation. In this case only the pickup response is left and can be corrected. That makes sens, but in this case why does the most critical decision in the process involve knowledge on characteristic of strings instruments... since they are out of the equation? When I made my own process, I wanted to have absolutely NO assumption, Including knowledge on characteristics of sting instruments. I am quite happy with what I did but I am always curious about TD and how you did manage to build a such a knowledge completely independently of the source of the signal: pickup. Even if you did experiments with a hundred guitars, violins, cello... they would all have a pickup in order to perform the process... so how can you be sure that the pickup did not end up participating to that knowledge base? I know I am too curious James. You don’t have to answer. Cuki
__________________
Martin 00-18V Goldplus + internal mic (2003) Martin OM-28V + HFN + internal mic (1999) Eastman E6OM (2019) Trance Audio Amulet Yamaha FGX-412 (1998) Gibson Les Paul Standard 1958 Reissue (2013) Fender Stratocaster American Vintage 1954 (2014) http://acousticir.free.fr/ |
#19
|
|||
|
|||
Quote:
I had an old Seymour Duncan Woody in my toolbox for the past 10 years. Finally got it out and tried it on my beater guitar over the holidays. Sounded TERRIBLE. Hot B string, no warmth, etc. But I also have the M1, M80 and have had the Sunrise, Blackstack and Black Angel and they are all very nice. I've actually got a Fishman Rare Earth Blend on the way, interested to see how the Mic augments the Mag.
__________________
'10 Wechter 5712c - Fishman Rare Earth '13 Jaffrey #26 - Malaysian Blackwood! '21 Gretsch 5622 '22 Furch Red Pure G-LR - Barbera Soloist ST-300 Mini + DIY mic preamp |
#20
|
|||
|
|||
Quote:
Will you post your impressions when you get it installed? |
#21
|
|||
|
|||
Sure. Another option is the Seymour Duncan MagMic SA-6. There are a couple used ones on Reverb for ~$150, a fair bit cheaper than the RE Blend. It has fantastic reviews here on AGF. I opted for the RE Blend because it's smaller, less noticeable and more compact inside (no 9v), but others swear it has the best bass and sound of all of them.
__________________
'10 Wechter 5712c - Fishman Rare Earth '13 Jaffrey #26 - Malaysian Blackwood! '21 Gretsch 5622 '22 Furch Red Pure G-LR - Barbera Soloist ST-300 Mini + DIY mic preamp |
#22
|
|||
|
|||
I put a LR Baggs Lyric in my 83 HD-28 and am very happy with the sound!
__________________
2023 Gibson 1960 Fixed Bridge Hummingbird w/Ultratonic 2021 D'Angelico EXP-1 Throwback archtop 1983 Martin HD-28 w/Ultratonic 1965 Gibson J-45 w/K&K/Ultratonic conversion 1940's??? Harmony Patrician archtop 2002 Taylor Big Baby 1985 Kentucky KM850 mando w/lr baggs radius 1959 Gibson A-5 Mando 2004 Fender Strat (Mexican) Army bugle Old autoharp Indian flute Cowbell |
#23
|
||||
|
||||
Quote:
That's the extent of what we can say.
__________________
James May Audio Sprockets maker of ToneDexter James May Engineering maker of the Ultra Tonic Pickup |