#76
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Hey Kev.. Thanks. Your guidance and info in the forums has been greatly appreciated.
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#77
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I can make this iso booth out some of panels that are able to be moved. The side panels can be raised and lowered on the mic stands.
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97 Taylor 555 12 string 17 Martin HD 28 19 Martin CEO 9 20 Gibson 1960 Hummingbird reissue 16 Gibson Hummingbird Avant Guard (gigging guitar) Note to self: Never play a guitar you arent willing to buy. |
#78
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This is a great thread! Thanks to everyone for the things to think about.
My bandmates and I have a rehearsal space that we also rent out to other bands to try to offset our costs. I can't recall the exact dimensions, but it's roughly a 30' X 14' space with a 10' high ceiling. We made about a dozen panels of rockwool and muslin and did our best to position them to control things in this sort of odd space. We made foam blocks for the corners also. In my experience treating this room and also a small space in my basement (7' sheetrock ceiling), the ceiling panels a make a HUGE difference...maybe the most bang for the buck. I hung our panels from picture wire at the corners so they sit about 4" below the ceiling. I'm far from expert but didn't see much about this idea elsewhere in the thread so thought I'd bring it up. |
#79
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Ceiling 'cloud' panels are a must if you have a drum kit. It's amazing how much both the snare and cymbal sound bounce off a hard (close) ceiling. For tracking acoustic guitar and vocals, not much effect, but for mixing, again they are a must.
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Mike My music: https://mikebirchmusic.bandcamp.com 2020 Taylor 324ceBE 2017 Taylor 114ce-N 2012 Taylor 310ce 2011 Fender CD140SCE Ibanez 12 string a/e 73(?) Epiphone 6830E 6 string 72 Fender Telecaster Epiphone Dot Studio Epiphone LP Jr Chinese Strat clone Kala baritone ukulele Seagull 'Merlin' Washburn Mandolin Luna 'tatoo' a/e ukulele antique banjolin Squire J bass |
#80
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Definitely agree on drums etc. I found that having a panel overhead of the vocal mic made a big difference in quality also...mainly in the low ceiling room of my basement. Just my experience.
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#81
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Thanks gwlee7 for the garment rack solution, found one at Walmart that I'll pick up later today, Thanks!!
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#82
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Glad you like the suggestion!
__________________
97 Taylor 555 12 string 17 Martin HD 28 19 Martin CEO 9 20 Gibson 1960 Hummingbird reissue 16 Gibson Hummingbird Avant Guard (gigging guitar) Note to self: Never play a guitar you arent willing to buy. |
#83
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Quote:
Did you walk the room and listen to it? If you haven't you might want to give it a try. It's clearly not all right angles in there so see if you can work with the room and not against it, find a sweet spot if there is one. Strap on your guitar, walk the room, and listen. After you've done it yourself and have an idea of the room it helps to bring in a friend who also plays and have that person play in the spots you thought sounded good. If you find a spot where it all comes together, then rearrange some things to make that sweet spot the recording area. After you re-arrange things double check and adjust accordingly. Sometimes fighting a room ends up being counterproductive. There seems to be a common misconception home recordists have developed over the past 20 years that "treating the room" is first and foremost before ever critically listening to it. It's not a good foundation to build upon. Best of luck in your endeavors. Quote:
Last edited by Optofonik; 04-07-2019 at 10:34 PM. |