#1
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Studio Monitors for audio work
working with laptop speakers or earbuds and would like to get studio monitors
to connect to my laptop: after some research Yamaha HS7 looked good , not cheap , I did consider the KRK Rokit 5's but saw a reviews that they have reliability problems I saw this from Front End Audio: http://www.frontendaudio.com/Yamaha-...5w&click=18920 (1) need to connect to a laptop , so far just using the apogee jam(with gband) , so was looking at a Hosa CMP 159 Stero Breakout 3.5 mm TRS to Dual 1/4 TS 10 ft , will this work ? (2) Per Yamaha marketing these have flat and accurate response , what do you experts out there think of these studio monitors ? |
#2
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Unless your room is acoustically treated you may be better off with a good set of headphones.
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#3
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Though you don't mention it, I assume that your interest is recording acoustic guitar? Assuming you might want or need to include other instruments or vocals, I'd consider sharing some of your monitor budget on a better interface and microphones. Nice monitors are great, but you almost certainly should consider the whole system before dumping a big pile on just a single component. Good luck.
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~ Music is the cup which holds the wine of silence. ~ Robert Fripp '98 Martin HD-28VR, '98 Bourgeois Martin Simpson European, '98 Collings CJmha |
#4
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cart before the horse
I realize the cart and the horse aspect .
Original question: interested to know what experienced audio folks think of the the Yamaha HS7's , would they consider them for their studio work if the budget for monitors was 600 dollars |
#5
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I got some Equator D5s that are amazing, so far. in the $400 range.
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2019 Applegate SJ |
#6
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I got a pair of monitors early this year; I went with the Equator D5's.
My need is for acoustic guitar only, and I don't have a treated space at this time. In general, I found that I like smaller (5") monitors placed in the very near field (2' to 4') for my space and the recordings I work with. I did consider the KRK, Alesis, Yamaha, JBL, etc, in my price range ($400) and the Equators seemed to satisfy me much better. Sorry, can't help with direct experience with the Yamaha HS7's or direct comparisons in the $600 price bracket.
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Chuck 2012 Carruth 12-fret 000 in Pernambuco and Adi 2010 Poling Sierra in Cuban Mahogany and Lutz 2015 Posch 13-fret 00 in Indian Rosewood and Adi |
#7
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How large is your mixing room?
With the 'cart before the horse' statement, I have to agree - a better interface that lets you plug the monitors into it is the first step. Spending $600 (or even much less) on monitors is almost useless unless you have done some acoustic treatment (bass traps!) in your room. I just upgraded to JBL LS305s - $225 for a set (on sale) - but didn't do that until I had added 6 2'x4'x4" bass traps, 2 2'x4'x3" thick ceiling clouds and a few corner superchunks into my (small) room.
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Mike My music: https://mikebirchmusic.bandcamp.com 2020 Taylor 324ceBE 2017 Taylor 114ce-N 2012 Taylor 310ce 2011 Fender CD140SCE Ibanez 12 string a/e 73(?) Epiphone 6830E 6 string 72 Fender Telecaster Epiphone Dot Studio Epiphone LP Jr Chinese Strat clone Kala baritone ukulele Seagull 'Merlin' Washburn Mandolin Luna 'tatoo' a/e ukulele antique banjolin Squire J bass |
#8
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thanks all for the responses , I looked up the equators , Attack magazine
has a good review of them . I have a room approx 8 x 12 , Roger Miller specs . need to get some Owens 703 , anyone have a cheap source like a insulation distributor / building supply co in Los Angeles , preferably on the west side? |
#9
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If you can find ANY local distributor for the rockwool, you'll be saving money. I had to havemine shipped to me which added 20% to that cost alone.
I bought from http://www.atsacoustics.com/ - they also have posted some good reference specs for the various materials. With a small room like yours, I would not go with anything larger than 5" monitors - check out the JBLs, they are great (but you do need to have bass traps behind them due to the rear ports).
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Mike My music: https://mikebirchmusic.bandcamp.com 2020 Taylor 324ceBE 2017 Taylor 114ce-N 2012 Taylor 310ce 2011 Fender CD140SCE Ibanez 12 string a/e 73(?) Epiphone 6830E 6 string 72 Fender Telecaster Epiphone Dot Studio Epiphone LP Jr Chinese Strat clone Kala baritone ukulele Seagull 'Merlin' Washburn Mandolin Luna 'tatoo' a/e ukulele antique banjolin Squire J bass |
#10
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Quote:
getting a 5" would cost considerably less , thanks |
#11
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Quote:
I checked with local lumber companies and found one that would order in Roxul rockboard at a price similar to the online sources, and there would be no shipping charges. I'm most likely going to use Roxul Rockboard 80.
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Chuck 2012 Carruth 12-fret 000 in Pernambuco and Adi 2010 Poling Sierra in Cuban Mahogany and Lutz 2015 Posch 13-fret 00 in Indian Rosewood and Adi |
#12
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What about the foam panels offered by ATS? Would that work for a small room like the OPs 8 x 12?
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#13
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The studio monitor speakers I have heard aren't all that accurate and some are fatiguing to listen to. Consider a set of small audiophile speakers, like B&W, Celestions, or KEF's. These companies excel at making small speakers that have uncolored sound. You will get a much more accurate representation of what your recording sounds like and they will be more enjoyable to listen to.
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Warren My website: http://draudio56.wix.com/warren-bendler "It's hard...calming the Beatle inside of me." |
#14
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Quote:
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2019 Applegate SJ |
#15
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http://www.soundproofing.org/infopag...ural_fiber.htm I have always disliked glass insulation,don't know if it is a good substitute for glass and no one that has used or is using Yamaha HS series monitor's 5,7,8 ? |