#1
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help with recording gibson j-35 and blue spark digital mic
i quickly pieced together some demos of my first attempt at acoustic recording. I think it went very well for first attempt. I used my gibson j-35 and a blue spark digital mic, a condenser usb mic. However, the recording is lacking in the high end detail and sparkle that i hear when playing. It seems the bass and mids came out very well, any ideas how to get the treble and sparkle in the mix? I placed the mic above the guitar and aimed the head of mic towards where the body meets the neck at a distance of 1-2 feet. Anyways, here is a link to my youtube uploads with the mic and guitar mentioned, i have 4 or 5 total acoustic clips uploaded for reference. http://www.youtube.com/watch?v=dGXqnABNTxY
If anyone can help me out that would be super fantastic, thanks zsb |
#2
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What software are you recording with?
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Steve 2020 McKnight Grand Recording - Cedar Top 2005 McKnight SS Dred 2001 Michael Keller Koa Baby 2014 Godin Inuk 2012 Deering B6 Openback Banjo 2012 Emerald Acoustic Doubleneck 2012 Rainsong JM1000 Black Ice 2009 Wechter Pathmaker 9600 LTD 1982 Yairi D-87 Doubleneck 1987 Ovation Collectors 1993 Ovation Collectors 1967 J-45 Gibson 1974 20th Annivers. Les Paul Custom |
#3
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i have been using audacity, i do not know how to properly use it, i just hit record, do my thing, his stop, then export as .wav
If you saw on my profile i also tried to record my electric guitar and amp, it came out really messed up, it is either my amp or laptop causing the issue (lots of hiss/static). The acoustic recording were done using my desktop computer, no amp or anything, just straight acoustic, no hiss/static which is good, but i would like to capture more of a sparkle sound then the dull sound if you know what i mean. Thanks zsb |
#4
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The guitar will sound different recorded than to your ears live - that's normal. You will get a fuller sound going stereo. As is it is pretty good for mono - any brighter and it might get harsh. Your software is fine. Just keep experimenting with you location in the room, mike position relative to the guitar, and perhaps the pick you use for strumming. You can go in post recording and play around with equalization and perhaps get closer to the sound you want.
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Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above |
#5
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Quote:
zsb |
#6
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Quote:
__________________
Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above |
#7
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Z,
using a lighter pick can make the guitar sound brighter. at least here in my world. Regards, Ty Ford |
#8
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It's really so hard to answer questions like this. In truth the best answer is mic'ing anything successfully is always a hard fought sojourn. It's a journey. It's trial and error. It's the room, the guitar, the mic. It's the talent, the temperature, the humidity. It's practice and patience.
Seems to me your off to a good start. If I did have to point a finger at a pragmatic spot to start I'd say your room, your room and your room |
#9
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A Fender Medium pick is .80 I believe so you have a thin pick. I record in Garage Band and really just got back into it. The new version is pretty amazing it has a lot of pesent EQs which you can hit. One is to "brighten guitar". Seems like you could record it and do a lot to change to your liking. Its $15. But I am far from the expert. But its a lot of fun and pretty user friendly.
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Steve 2020 McKnight Grand Recording - Cedar Top 2005 McKnight SS Dred 2001 Michael Keller Koa Baby 2014 Godin Inuk 2012 Deering B6 Openback Banjo 2012 Emerald Acoustic Doubleneck 2012 Rainsong JM1000 Black Ice 2009 Wechter Pathmaker 9600 LTD 1982 Yairi D-87 Doubleneck 1987 Ovation Collectors 1993 Ovation Collectors 1967 J-45 Gibson 1974 20th Annivers. Les Paul Custom |
#10
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i found an even thinner pick to use, no markings to say what mm it is, but i made a new recording with that pick and the mic further up the neck, sounds closer to where i want, it sure is a process. this recording i used audacity to record the background track then added another track over it, i am getting better at it. i would love to re-record my electric stuff i put up, i will try again with ipad. Any ideas how to get rid of background tube amp noise, i think that is what it is?
http://www.youtube.com/watch?v=_xRiLHcqrfk |