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#31
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Fender extra heavy
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#32
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Glad I’m not alone in this. My wife hears it as well. I am definitely going to change strings when I can and see if it makes a difference.
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#33
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Well, I got the celluloid part right. Fender lists the gauge of extra heavy picks as 1.2mm. I would have expected a fuller sound from a pick that thick. If you can get ahold of a pick made out of a "warmer" sounding material, say, Ultex, in a 1.4mm thickness, I'd be curious how different the guitar sounded.
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#34
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If you could record something like a fiddle tune with it maybe I could hear what you're concerned about. From what I hear it just sounds like a nice guitar.
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#35
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It is equally pronounced either way.
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#36
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#37
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I am hearing the dominant overtones from below the D string, but it is not too far out front. Depending upon where the acoustic guitar fits into the whole track, I have found that a dreadnought that sounds great in person is not always what you want to record with. I have often found them to create a bit of a tangle around 350-550hz., not on bluegrass or other predominantly acoustic music so much, but with more pop oriented instrumentation like keyboards and some vocals as well.
After recording acoustic guitar parts on our first album with a kick butt D-28, only to have to claw those tracks to pieces to mix them properly, we recorded the second album with a little 1976 Yamaha FG75 and a Yamaha FS720 Nashville strung. We got better results quicker with much less headache. But, again, these tracks were for "finish' and "sheen" on rock/pop recordings, not the acoustic guitar carrying the body of the song. That is a bit of a different animal. |
#38
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#39
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Changed strings yesterday. Put on the Martin medium Lifespan 2.0s that the D-18 ships with. No difference. And now that I pay a bit more attention it’s not much less noticeable when just playing the guitar vs recording, as I mentioned in an earlier post.
Moments ago I clicked on a Guild D-40 demo video as I was curious what these sound like. Well, I wasn’t listening for it but as soon as the video started I heard the same prominent overtone. At about :30 seconds in as well when he starts strumming the G chord. So again, perhaps just some nascent/hopefully temporary sensitivity to it on my part! Not gonna spend any more time thinking about it. But I sure thought this was interesting. https://www.youtube.com/watch?v=Tb-HNIff4ko Last edited by electrotele; 02-10-2023 at 05:04 PM. |
#40
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Thanks for the suggestion. I'll give it a try!
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RM ----------------------------------------------------- Taylor 856, Taylor GC7, Martin 00-28, Breedlove Oregon Concertina, Guild JF55-12, Guild D212, Larrivee OM3, Eastman E20 OM, Farida OT22w, Cordoba Fusion 12 Orchestra, Blueridge BR-361, Pono 0-15 mango, Journey OF-660, Recording King RP-G6-CFE5, Tanglewood TWJP parlor (Nashville tuned), Paul Reed Smith SE Custom. |