#16
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#17
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Long ago, say over 15 years back, I used to be fastidious about keeping the RH around 47% (and under 55%) since that's what the Taylor factory is held to; ok, made sense to me to keep the guits in the same env't as their mothership. But after some reading, I ended up "relaxing" my requirements, down to the low 30s as my minimum. And this for many years now, maybe a decade. Well that has proven to me to be the best solution for my acoustics (and electrics) all hanging on the wall, and gigged with regularity. Rock stable: playability and tone all solid. Too much hand-wringing over RH imo, and anything within a very wide swath of low 30s to 50% is all you need to do. The specific number really is irrelevant. Edward |
#18
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Exactly, same with tuners. I have two tuners, they don't ever agree. He who has one tuner is always in tune, he who has two never knows for sure. Just pick one and either move the other to a different room or throw it away.
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Please don't take me too seriously, I don't. Taylor GS Mini Mahogany. Guild D-20 Gretsch Streamliner Morgan Monroe MNB-1w https://www.minnesotabluegrass.org/ |
#19
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__________________
Fred |
#20
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But do you throw out the good one or the bad one?
__________________
Fred |