#46
|
||||
|
||||
They've been kicked around by so many. So sad. Such a wonderful line in their heyday. Hope they make it all the way back.
sm |
#47
|
|||
|
|||
As to all the builders in California. The ones that build large numbers, like Taylor, have been there a long time and have their factory built and permitted a LONG time ago. The others are small quantity guitar builders. A lot of Cordoba guitars are built overseas. Larrivee is the one that has moved rather recently, but he got in before a bunch of "Cap and Trade" legislation came into play, as far as I can recall.
So, a slow start-up and high costs of production are part of the price they have paid to be here. I suspect once the production numbers increase, as they get everything working smoothly, the prices will drop. Guilds biggest hurdle may be there are plenty of used Guilds to be found in great shape. I suppose the same can be said of Martin and Taylor, but they build around 100K a year, so the cost per guitar is much lower, just because of the economics of volume.
__________________
2010 Guild F47R 2009 G & L Tribute "Legacy" 1975 Ovation Legend 1986 Ovation 1758 12 String 2007 Walden G2070 2008 Guild D55 Prototype 1998 Guild Starfire IV 2016 Guild Newark St. X-175 Sunburst 1996 Ovation 1768-7LTD " custom " |
#48
|
|||
|
|||
Guild fans also often have favorites when it comes to the various factories and time periods. For example, I would rather have a good New Hartford built guitar in excellent condition over an equally good new build, warranty or not.
|
#49
|
|||
|
|||
Quote:
__________________
Guild F47R (New Hartford) Yamaha LS16 Yamaha FG3 Red Label Eastman OM1 Ibanez M-340 Japan Simon & Patrick SP12 Harmony mandolin |
#50
|
|||
|
|||
Quote:
http://guildguitars.com/g/f-512-natural/ |
#51
|
|||
|
|||
My favorite Guild guitars were from Hoboken, the Westerly guitars designed by George Gruhn/Kim Walker, Tacoma WA, and the Orpheum series.
__________________
"Vintage taste, reissue budget" |
#52
|
|||
|
|||
At the risk of opening the Chinese can of worms, I'd suggest that Guild are doing very well at making their classic designs available to a wider audience through their Westerley collection. My son has an F-1512e, I have an F-2512e, and I've played three D-1212s - all Chinese made. The F-2512 and D-1212 are solid sides and back with solid spruce and mahogany tops, the F-2512 has laminated maple sides and a curved laminated back. Although they sound different, all three (especially the maple archback F-2512) have the classic Guild jangly 12 string sound character, like Leo Kottke in a box. We played a bunch of other new sub $1500 12s before we bought these, and nothing else had this character . Some (Taylor 150, Eastman 30) were lovely guitars and first class value, but they all had a different, smoother sound, to me less characterful.
I've also played one recent US built Guild F-512. It was just like my boy's F-1512, but with better machines and more ornamentation (and maybe a better pickup). A lovely guitar, but here in UK, it's over three times the price of the F-1512, and the one I played sounded pretty much identical. A first class setup and better machines, and they'd be indistinguishable with your eyes shut. So (regrettably), why would you buy the US made guitar? Last edited by maxr; 06-02-2018 at 07:13 AM. |
#53
|
|||
|
|||
I agree that the Chinese made Westerly Collection Guilds both (1) sound like Guilds (I know-whatever that means) and (2) are very nice guitars for the money. They are very competitive with other makes in the same price range, IMO.
I have not played any of the earlier GAD versions, but have read a lot of good things about them. Many people prefer them to the Westerly Collection versions. |