#16
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Ooops!
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I'm learning to flatpick and fingerpick guitar to accompany songs. I've played and studied traditional noter/drone mountain dulcimer for many years. And I used to play dobro in a bluegrass band. |
#17
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I think WAY too much worry about humidity exists in the acoustic guitar world.
If you have a guitar made of wood, remember that it once was a tree. Trees are designed by mother nature to survive all kinds of humidity and temperature changes as well as the other elements. Now that doesn't mean to leave your guitar in the truck of your car when it's a 100 degrees outside. Just be sensible and your guitar will be just fine. |
#18
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I wouldn't be worried with 64% humidity over an extended period of time, although the guitar wouldn't sound it's best ... that I would notice.
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#19
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I think I'd be more concerned about prolonged exposure of salt laden air to the tuners etc. unless you've taken specific steps to mitigate that.
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Mick Martin D-28 Maton EA808 Australian Maton EBG808 Performer Cole Clark FL2-12 Suzuki Kiso J200 |
#20
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Will this happen to the same degree to every guitar? No. Some will handle the humidity better than others. The problem is, you don't know if your guitar will handle it badly until the damage happens. So what can you do? 1. You can up your dehumidifying game. That may be hard to do on a boat, but if you have room, perhaps a well-constructed and well-sealed storage box could be made to hold additional dehumidifying agents so that exposure to high humidity would be limited to playing time. Perhaps something as simple as an oversized guitar case could suffice. 2. If your guitar isn't too expensive, you might just treat it as a beater and accept that damage may occur and at some point the instrument will be firewood. As you already have a CF guitar, you have the best kind of instrument for your living conditions. If the wood guitar isn't very valuable, I'd probably just play it till it dies and not replace it with another wood guitar but opt for the CF going forward. 3. If the guitar has value, you might sell it before it's damaged and the value is decreased. That would minimize your loss and if you wanted a second guitar for variety, you could put the money towards another CF guitar.
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Jim 2023 Iris ND-200 maple/adi 2017 Circle Strings 00 bastogne walnut/sinker redwood 2015 Circle Strings Parlor shedua/western red cedar 2009 Bamburg JSB Signature Baritone macassar ebony/carpathian spruce 2004 Taylor XXX-RS indian rosewood/sitka spruce 1988 Martin D-16 mahogany/sitka spruce along with some electrics, zouks, dulcimers, and banjos. YouTube |
#21
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You really don't want the relative humidity higher than 60% for an extended time. Even though really dry environments are the ones you need to worry about the most, high humidity can also damage the structure of the guitar.
It is erroneous to compare trees to guitars -- in a guitar, you are essentially taking a sheet of material that expands and contracts with humidity and locking it in a specified place/location (due to bracing and attachment to the sides). As this material expands and contracts beyond a certain point, you will obviously have problems. This is why we recommend that you keep a quality, solid wood guitar between 40-50% humidity if you can. At the very least, try and make sure your instruments are never exposed to humidity outside the 35% to 60% range for extended periods of time. |
#22
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Couple of CF guitars, Couple of wood guitars Bunch of other stuff. |
#23
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Similar situation for me. I keep two guitars at my summer cottage located about 500 feet from the Atlantic Ocean. The paduak has turned brown more quickly than you might expect. The guitars play and sound fine. The same two guitars have stayed at my summer place since 2010.
Last edited by k_russell; 07-09-2020 at 12:32 PM. Reason: Spelling |
#24
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Quality guitars certainly deserve attention to humidity for their long term health, but not obsession over RH and minor temporary changes..... just as eating a single bacon cheeseburger will not automatically cause heart disease. |
#25
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That's better than where you were but it's still not great because that level of humidity, at the very least, is robbing your guitar of its best tone.
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Jim 2023 Iris ND-200 maple/adi 2017 Circle Strings 00 bastogne walnut/sinker redwood 2015 Circle Strings Parlor shedua/western red cedar 2009 Bamburg JSB Signature Baritone macassar ebony/carpathian spruce 2004 Taylor XXX-RS indian rosewood/sitka spruce 1988 Martin D-16 mahogany/sitka spruce along with some electrics, zouks, dulcimers, and banjos. YouTube |
#26
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Also, you are probably aware that marine stores sell dessicants in large containers that are intended to be used in the boat's cabin. Some of these are reusable.
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RM ----------------------------------------------------- Taylor 856, Taylor GC7, Martin 00-28, Breedlove Oregon Concertina, Breedlove Jeff Bridges Signature, Guild JF55-12, Guild D212, Larrivee OM3, Eastman E20 OM, Farida OT22w, Cordoba Fusion 12 Orchestra, Blueridge BR-361, Pono 0-15 mango, Journey OF-660, Tanglewood TWJP parlor (Nashville tuned), Paul Reed Smith SE Custom. |