#46
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Circa OM-30/34 (Adi/Mad) | 000-12 (Ger/Maple) | OM-28 (Adi/Brz) | OM-18/21 (Adi/Hog) | OM-42 (Adi/Braz) Fairbanks SJ (Adi/Hog) | Schoenberg/Klepper 000-12c (Adi/Hog) | LeGeyt CLM (Swiss/Amzn) | LeGeyt CLM (Carp/Koa) Brondel A-2 (Carp/Mad) |
#47
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I have no issue with distressing a new guitar, and if I liked the tone/playability I'd consider getting one. To me calling it "fake" suggests the purchaser wants to "fool" someone else. Perhaps they just like the look/feel of it.
It reminds of this ad a few years ago, different strokes for different folks. It also struck me that distressing new guitars relates to the recent "Death of the OCD" post. Might be nice to have a structurally new guitar without worrying about getting (new) dings and dents.
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“The tapestry of life is more important than a single thread.” R. Daneel Olivaw in I. Asimov's Robots and Empire. |
#48
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Also, I saw a distress level 3 up for sale in the classifieds and the owner stated something like “mint condition, no additional wear other than what came from the factory” as if the wear from the factory somehow doesn’t count or isn’t real scratches and nicks. Like we would have any way of knowing (nor would anyone interested in a relic guitar really care)! |
#49
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"...(about the relicing)...But it still is fake. That's what really bothers...."
Just as high gloss nitrocellulose lacquer is fake. I've never seen wood that shinny unless someone put a finish on it.... be it glossy or checked(reliced), it's just a finish. |
#50
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Some folks like the relic "thing" because they think it looks cool, they like the worn in look but are nervous about buying a used guitar that is heavily worn, for fear that there are underlying structural issues to go with the physical wear...which is sometimes true, and sometimes not...BUT...not an absolute. Some folks like it because they think it gives them "street cred" to play a worn guitar...which is bunk...but...that is what they think. Some folks like it because they are OCD and they just can not bring themselves to really play and enjoy a guitar anywhere but other than in their living room...for fear of damage...so the relic look gives them some emotional freedom to enjoy playing situations that they would not otherwise be able to. Pick yer poison... duff Be A Player...Not A Polisher |
#51
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I'd be much more inclined to look at them if they offered a non-relic version. I play my guitars plenty and they still look new.
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#52
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Level one looks brand new except for light lacquer checking. (Scroll back a page or two for photos) |
#53
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Level zero is my goal.
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#54
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Might not happen but you could give Wes a call?
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Jim Dogs Welcome......People Tolerated! |
#55
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Most folks with new looking guitars do not like to expose their guitar to such playing situations, for fear of wear/damage, so sometimes a guitar with wear on it already, like a relic'd guitar, allows them to feel good in doing so. duff Be A Player...Not A Polisher |
#56
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I think that it’s really cool that luthiers are adopting yet another dimension, the dimension of aging, to their expression of artistry. There’s certainly a market for it and if there are positive tonal properties from this kind of process all the better! Love that there is movement and evolution in acoustic guitars!
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#57
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I saw a van today painted like it was rusty all over with paint peeling.
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#58
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As a licensed contractor in my state it’s illegal for me to take more than 10 percent down on a job and am legally required to carry a bond as protection for clients. |
#59
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Previously very sceptical, I played the PWGC guitars owned by Jason and Pharis Romero a few months ago, at Jason’s insistence, and absolutely loved them. His O-12 reminded me of the sound of Dylan playing Don’t Think Twice It’s Alright on Freewheeling BD.
If the GB pound comes back out of the toilet I’ll be ordering one. Pontificating about why anyone would buy one of these guitars seems to me pointless. Might as well ask why someone would buy a Ferrari or an ice cream or a very large collection of anything including acoustic guitars. It’s up to them.
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Chris Stern Guitars by: Bown Wingert Kinscherff Sobell Circa Olson Ryan Fay Kopp McNally Santa Cruz McAlister Beneteau Fairbanks Franklin Collings Tippin Martin Lowden Northworthy Pre-War GC Taylor Fender Höfner 44 in total (no wife) Around 30 other instruments Anyone know a good psychiatrist? www.chrisstern.com |
#60
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Martin 000-28EC '71 Harmony Buck Owens American Epiphone Inspired by Gibson J-45 Gold Tone PBR-D Paul Beard Signature Model resonator "Lean your body forward slightly to support the guitar against your chest, for the poetry of the music should resound in your heart." -Andrés Segovia |