#1
|
|||
|
|||
Pre-War Guitar Co.
Has anyone had any experience with Pre-War Guitar Co.?
I saw a few examples on YouTube and they sounded and looked amazing. One of the clips showed Molly Tuttle playing D Model, which is D-18 clone. I know there is an "anti-relic" contingent out there, but I'd like to know if anyone can relate their impressions regarding tone and playability. Thanks. |
#2
|
|||
|
|||
Bummer, I thought you had one for sale!
__________________
Taylor '96 514c (back when they were good) 1970's Crafters of TN Dread LSL CVS strat (incredible, but it's not a Fender) Fender Custom Shop '57 strat (thick and sweet) Fender Baja Tele (my fav, and great value) Fender '71 Pro Reverb & Vibrolux Reverb |
#3
|
|||
|
|||
Pre War
Roy Book Binder plays one and is an endorser. He had it when he was here. Other than looking newer, I did not notice it sounded any better thuan the Gibsons he had played in the past. We did not talk much about it, but I know he was pleased with his.
__________________
The Bard Rocks Fay OM Sinker Redwood/Tiger Myrtle Sexauer L00 Adk/Magnolia For Sale Hatcher Jumbo Bearclaw/"Bacon" Padauk Goodall Jumbo POC/flamed Mahogany Appollonio 12 POC/Myrtle MJ Franks Resonator, all Australian Blackwood Goodman J45 Lutz/fiddleback Mahogany Blackbird "Lucky 13" - carbon fiber '31 National Duolian + many other stringed instruments. |
#4
|
|||
|
|||
I was something of a skeptic at first, but the tone and feel convinced me. Here's #002, exactly one year old today. Cleared final inspection on 2/14/17.
link to review of my guitar by Boyd Timothy Last edited by Guest 1928; 02-15-2018 at 07:21 AM. |
#5
|
|||
|
|||
I did a session live at Fretboard Journal last winter and they had just gotten a sunburst D18 style the day before or so and I gave it a good run through. I couldn’t have been more impressed. Felt legit broken in and old, nothing like most relic guitars that feel abused and scraped up, this felt like an old guitar - lighter, boomy and woody. Incredible feel and it sounded great. It wasn’t really as much a relic as it was worn in. I’d buy one if I was in the market and wanted to spend the money - especially because I wouldn’t feel like I’d need to Baby it
https://www.instagram.com/p/BQ3Kmb2F1h1/ |
#6
|
|||
|
|||
The one that I've tried played great and sounded mediocre at best. It definitely didn't sound like an actual vintage Martin at all. Don't believe the hype. They may look the part but, despite their strong marketing campaign, they certainly don't sound it.
|
#7
|
|||
|
|||
Ignore Tommy Emanuel, Molly Tuttle, Joseph Terrell, Chris Frank - "Red Clay Ramblers", Woody Platt, Eli West, Joe henry, Andrew Marlin.
|
#8
|
|||
|
|||
Yeah, what do they know.
|
#9
|
|||
|
|||
I got on board early pre TE, Molly and some of the others (wish my skills were at their level?) and I love mine. I purchased a D(18) model and it wasn't long before I had an HD(28) on order. They are great guitars with a dry, woody, vintage voice to my ears and at true prewar (1934-1941) Martin pricing it's definitely as close as I'll get to the real thing?
No one guitar builder is for everyone. The general consensus on this forum is negative although few of the nay sayers have played one? They bypass the sonic merits of these guitars and harp (no pun intended?) on the relicing aspect alone. Try one if you can. Or if you decide to purchase one Wes & Ben will give you your money back if your dissatisfied with it. Which I doubt seriously? They are great guitars but clearly not for everyone. However, if you're looking for a prewar Martin/Gibson voice with modern playability then it just might be for you. Best of luck!
__________________
Jim Dogs Welcome......People Tolerated! Last edited by llew; 02-15-2018 at 09:27 AM. |
#10
|
||||
|
||||
I am enamoured with their slope....
willingness to pay the price for me? not there. However.. I cant imagine a more "one of us" endorsement as persuasive as one from Todd... I am thinking if I stop working in a few years - a PreWar might be my retirement present.
__________________
i got tired of updating my guitars. |
#11
|
||||
|
||||
I haven't played a Pre-War but I've played other guitars that Wes Lambe has built and all had something special. I'm not necessarily after that vintage Martin sound but if I were looking for another guitar and a small-body Pre-War crossed my path, I'd certainly give it every consideration. Actually, I may be better off if one doesn't cross my path. I really don't need another guitar but I might be sorely tempted.
__________________
Bob DeVellis |
#12
|
|||
|
|||
Normally I do not give a fig what this or that artist plays. But I gotta admit that, considering the guitars I have seen Roy Bookbinder toting around, when you drop his name I do sit up and take notice. His shows, especially back in the days when he teamed with Fats Kaplan, were amazing. But like others the price tags on the Pre-War guitar Co. offerings is a bit steep to put them in the casual purchase category.
__________________
"You start off playing guitars to get girls & end up talking with middle-aged men about your fingernails" - Ed Gerhard |
#13
|
|||
|
|||
Quote:
By way of example in applying this criteria, I think Martin excels under criterion 1, and does fairly well under criteria 2 and 3. Gibson also excels under criterion 1, does ok under 2, but (IMO) does poorly under 3. But in no case does a single example give us enough data for an assessment. I have heard several PW guitars played now (I've just listened to others playing them--I haven't played one myself yet, so I can't speak to that end of the equation), and I have heard 4 or 5 I would be more than happy to own, 1 that was rather average, and one that I thought was a bit of a dud (meaning a dud for a guitar in this price range, but still better than most of the market). Sure, there are vintage guitars and new guitars at a much higher price point that I would rather have, but if I were looking at a vintage-inspired and vintage-sounding modern guitar in the $5k range, and if I wanted something in the D-18 or J-45 style, then I would strongly consider a PW. HOWEVER, I would not order one that I couldn't return. My preference would be to pick one up in a shop (or second hand) only once I know that it speaks to me. And I have a fairly high level of confidence that PW makes guitars that would speak to me. |
#14
|
|||
|
|||
I’ll admit being intrigued by the general concept on which this builder has based its guitars. However, intentionally damaging a guitar to make it look old seems questionable.
__________________
1975 Martin D12-35S 1976 Martin D-28 2013 Huss and Dalton CM Non-cutaway Cocobolo |
#15
|
|||
|
|||
I've played a couple of Pre War models ... have to say that I was extremely impressed.
The play and sound great! However, they are pretty pricey! You can go a lot of directions for the money it will take to get you into a Pre War acoustic. Also, I'm just not a fan of the artificial "relic-ing" they do. It looks real enough, so they do a good job of emulating the wear & tear a real guitar made before WWII might have, but I still want to create my own wear & tear.
__________________
"Alas for those that never sing, But die with all their music in them!" --- Oliver Wendell Holmes Hear my original music at: https://www.reverbnation.com/judsonhair |