#16
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How long before a brand new cedar top opens up?
Sounded great on YouTube. Doesn’t make sense to me that it would sound so different irl. It’s the cort ga5f bw ns. Y’all are right though. Gonna stick it out for a couple of weeks, then get a refund if it hasn’t improved [emoji18]
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#17
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Cedar sounds good from jump-street as others have stated. IMO, if it doesn't, don't keep it. Every new Cedar topped guitar I have owned and played were quieter and MUCH warmer and slightly darker sounding than Spruce without any spikey highs. They do "open up" a tad, but nothing like Spruce IME.
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Roy Ibanez, Recording King, Gretsch, Martin G&L, Squier, Orange (x 2), Bugera, JBL, Soundcraft Our duo website - UPDATED 7/26/19 |
#18
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To my ears this one actually sounds brighter than the sitka spruce top I tested before it. I’m looking for a warm guitar for fingerstyle mostly.
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#19
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Maybe you should be looking at hog top guitars.
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Martin D18 Gibson J45 Martin 00015sm Gibson J200 Furch MC Yellow Gc-CR SPA Guild G212 Eastman E2OM-CD |
#20
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I tend to agree with this. I'm sure cedar does open up, but those I've owned and played have sounded open and warm right from the start. In fact, I've never purchased or kept a guitar (regardless of tone wood) that didn't sound great to my ear right from the start. I simply don't understand the concept of buying a mediocre sounding guitar and hoping that at some point it will sound as you had anticipated. Life's too short and there are too many great guitar to wait for magic to happen with one that is just so-so...
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Martin 000-28EC '71 Harmony Buck Owens American Epiphone Inspired by Gibson J-45 Gold Tone PBR-D Paul Beard Signature Model resonator "Lean your body forward slightly to support the guitar against your chest, for the poetry of the music should resound in your heart." -Andrés Segovia |
#21
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Takes about 8 hours for a music speaker or guitar speaker to break in. Pretty accepted fact in the hifi states. Given the top of an acoustic guitar is like a speaker snd the backs are like the box/cabinet I do believe it will break in. But it’s a lot bigger and stiffer so I’d imagine it takes a LONG bit of playing for a stiffer wood to break in.
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#22
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I own an Olson Dreadnought (1993-94) East Indian Rosewood/Cedar which sounded amazing when it arrived, and noticeably opened up for about 20 years before I'd say it's not continued maturing. (It's still an amazing sounding and highly responsive guitar at 28 years of age). I had a Martin D-28 which I owned for 17 years (Spruce top) and it continued to improve/mature and improved in responsiveness noticeably for at least 15 of those years. I think responsiveness and projection and other desirable qualities are a result of the builder, not necessarily the wood. I've played many Western Red Cedar topped guitars and they are darker, and richer toned than their Spruce, or Mahogany contemporaries. The Mahogany ones tended to start a bit harsher and then mellow out over the years whereas the Cedar started dark toned and continued down that path. I've played less expensive Cedar Topped guitars (like Seagulls) which I never perceived a tonal improvement over a period of 5-6 years. My perceptions were, it isn't Western Red Cedar, and over compared to my other guitars…and I didn't expect a $400 instrument to respond to aging the same as upscale guitars. I have played many other upscale and handuilt guitars with Cedar tops. They sounded warmer up front (not necessarily that much more responsive) than Spruce. These are just my perceptions, and I expect them to be everyone's experiences. |
#23
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Do most of us even know how our ears change over 15, 17, 20, 28 years? I do, only because my job requires an annual audiogram to measure my actual hearing loss (I work in a power plant with lots of heavy rotating machinery and water/steam piping). If anyone says "I heard it change" over a period of 10 years or more I'm certain a portion of what you "heard" was due to changes in you, not just the guitar. Quote:
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#24
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Still, I'm glad to know I can still hear up to at least 18khz. In my late forties, so hopefully I still continue to take care of my hearing and have it last a while longer.
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Santa Cruz | Huss & Dalton | Lakewood Fan (and customer) of: -Charmed Life Picks -Organic Sounds Select Guitars -Down Home Guitars |
#25
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This is why you'll not hear my music on a computer. I refuse. One album I converted to MP3 the original warm sound of the analogue recording went right in the crapper. If you want to hear a guitar properly. You have to be in the room with it. |
#26
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Faith Mars FRMG Faith Neptune FKN Epiphone Masterbilt Texan |
#27
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I'm with those saying their cedar topped guitars sounded great new and got better. A cedar top is going to sound different, but in my experience should have that 'warmth' you say you're looking for. By 'warmth' I mean balanced highs and mids that decay a bit more quickly than spruce and predominant but not 'boomy' bass. My Larrivee has all of this and has only improved over the years but I use it mostly as a strummer, not finger style. I should note that there is the possibility that some of my sense of the warm trebles can be attributed to my high frequency hearing loss as well! (though I typically wear my hearing aids when playing)
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"I go for a lotta things that's a little too strong" J.L. Hooker |
#28
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Yup... mine too. The E2OM-CD was a good addition.
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#29
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Husband of Doxy, Martin D-35 50th Anniversary Limited Edition Taylor 814 Taylor DN5--Engelman top, tropical mahogany Taylor 412ce—LTD maple Giannini Classical 1960s vintage Taylor GS Mini |
#30
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How long before a brand new cedar top opens up?
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For example, I have an essentially NOS Taylor 412e-R Grand Concert which I tested out on least 3 separate occasions before purchasing. I just wasn't sure, but some hand issues got me looking for a short scale guitar and I ended up getting this one. A year or so back, I realized just how good this instrument is, and it is a keeper. While I think part of that was myself adjusting to the guitar, it also sounds incredibly good and a big improvement over when I got it. But somehow I just noticed that one day, thinking, "Wow; this has never sounded better, and is not like it sounded when I bought it." I think it just had to change a little bit at a time, and I never noticed it, especially since I played it almost every day, until it just sounded like a different, better instrument. Don .
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*The Heard: 85 Gibson J-200 sitka/rosewood Jumbo 99 Taylor 355 sitka/sapele 12 string Jmbo 06 Alvarez AJ60S englmn/mpl lam med Jmbo 14 Taylor 818e sitka/rosewood Grand Orchestra 05 Taylor 512ce L10 all mahogany Grand Concert 09 Taylor all walnut Jmbo 16 Taylor 412e-R sitka/rw GC 16 Taylor 458e-R s/rw 12 string GO 21 Epiphone IBG J-200 sitka/maple Jmbo 22 Guild F-1512 s/rw 12 string Jmbo Last edited by donlyn; 03-06-2021 at 08:36 AM. |