#46
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But, would you have bought this guitar if it was painted blue? If it were priced at $25,000? If it had a 1 5/8 nut? I would suggest each of those could have taken priority over sound in considering your purchase.
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Goodall, Martin, Wingert |
#47
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I mean from everything I've read this guitar should sound like a box of rocks and not as it does...Like a highly refined sound, with texture and Character depth, and fullness that I haven't found before or since. How it sounds is like a purebred how it looks, Well like it's been used but not abused. I mean how can a 37-year-old guitar not show some age? It has tales to tell but only it can hear, but I can hear the age in its tone and see it in its bumps and bruises. Maybe one reason why it's lasted so long is that it's all Laminate? but why does it sound all solid? Yes it has taught me this, don't overlook all Laminate guitars, don't overlook older guitars. And looks are only skin deep, the tone is really where it is at. Yamaha CJ818SB |
#48
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I should have known better, you really got me.
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McCollum Grand Auditorum Euro Spruce/Brazilian PRS Hollowbody Spruce PRS SC58 Giffin Vikta Gibson Custom Shop ES 335 '59 Historic RI ‘91 Les Paul Standard ‘52 AVRI Tele - Richie Baxt build Fender American Deluxe Tele Fender Fat Strat |
#49
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The real question is what does a good guitar sound like?
The real answer is whatever you think it sounds like. I am sure that not one of my guitars would sound good to say a group of 100 unanimously. Somebody would say"well I have a HD28, or 00-15 or S6, etc. that sounds better than that one. " We could all be on a quest for THE best sounding guitar. I turn 68 tomorrow. Far less sand in the hour glass than there was. I would rather just play and enjoy my less than the best sounding guitars. |
#50
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So, you would buy a guitar "for the sound" if the nut were too wide or narrow for you to play cleanly? If course not.
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Goodall, Martin, Wingert |
#51
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There are really only two kinds of sound out there - that which you like and that which you do not. The two most common monikers on headstocks on guitars I choose to live with are Gibson and Harmony. I obviously have a thing for both builders. And while my wife loves her Martin D12-28, I am much happier with my 1961 Gibson B45-12. And on Gibson 12 strings. I prefer the sound of the ADJ bridges to the fixed bridges. To my ears it increases the amount of attack you hear. Go figure.
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"You start off playing guitars to get girls & end up talking with middle-aged men about your fingernails" - Ed Gerhard |
#52
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I didn't pick for color only feel and acoustic tone unplugged. My point is those were the days of screening same model instruments. That was a great experience not only getting a good Dan Smith Strat but the exercise of feeling & listening for the differences. Years ago I remember calling Hollywood GC and asking when is the next large shipment of HD28's coming in. I went down there hoping for their purported 6 but only 3 were there. Although I didn't purchase one I did like that process very much. I remember telling myself "OK so the best couple sold before I got there. I better do the 10AM tryout with next years batch". Being 2 hours away, and traffic of los Angeles being what it is, I have not tried that since. |
#53
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Not much else can be said here... but play-ability and sound are a tandem for me. I can't have one without the other or I won't end up playing the guitar.
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#54
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Barry Youtube! Please subscribe! My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#55
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I don’t get hung up on nut widths as some seem to. The guitar I have now doesn’t have the perfect nut width for me, nor does it play as effortlessly as I’d like. However, it’s sound is better than anything I’ve ever played. I’d appreciate it if you just accept my opinion as nothing more than my own and we move on.
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McCollum Grand Auditorum Euro Spruce/Brazilian PRS Hollowbody Spruce PRS SC58 Giffin Vikta Gibson Custom Shop ES 335 '59 Historic RI ‘91 Les Paul Standard ‘52 AVRI Tele - Richie Baxt build Fender American Deluxe Tele Fender Fat Strat |
#56
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Because we look at guitars the way we look at the opposite sex. Looks definitely attract. We can make a go or stay decision later when we find out the other details.
We could say the same thing about cars, houses, clothes, etc., etc., etc. |
#57
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To some, sounds "good" or sounds "lifeless" is a comment that comes after they've seen the headstock. Not a joke. I've met them. Acoustics, electrics, to amps and pedals ...you name it. Confirmation bias ain't no myth.
Edward |
#58
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Probably for a few reasons -
1. No recording equipment besides cell phone, or none at all. 2. Getting a recording to sound like or close to what the guitar sounds like in person takes a bit of practice and the right tools. Plus if you don't have a quiet and decent room to record in the result won't be the best.
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Barry Youtube! Please subscribe! My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |