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  #31  
Old 10-17-2020, 04:08 PM
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I prefer the 1st 2 versions (capo on 3) and over the shoulder mic placement. I like the warmer sound also.
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  #32  
Old 10-17-2020, 07:57 PM
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Wrighty, your latest I liked. Much more overall clarity. For fun I did some raw file tweaks in the following order:
10 sample delay left channel
Low cut at 31 hz (12 db per octave)
High cut at 7511 hz (36 db per octave)
0.85 db boost at 129 hz Q 2.15
Seventh Heaven Rooms 2 Guitar Room at -13 db (Master Equalizer disabled)

http://dcoombsguitar.com/Misc/AGF1017.wav
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  #33  
Old 10-18-2020, 02:55 AM
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Quote:
Originally Posted by rick-slo View Post
Wrighty, your latest I liked. Much more overall clarity. For fun I did some raw file tweaks in the following order:
10 sample delay left channel
Low cut at 31 hz (12 db per octave)
High cut at 7511 hz (36 db per octave)
0.85 db boost at 129 hz Q 2.15
Seventh Heaven Rooms 2 Guitar Room at -13 db (Master Equalizer disabled)

http://dcoombsguitar.com/Misc/AGF1017.wav
Hi Derek

Thanks for this - very interesting.

I like the warmth achieved by cutting the highs - I would never have considered putting a steep high cut this low down the spectrum but it works really well here I think.

I had already put a low pass at 40hz / 18db/oct.

Why the boost at 129hz out of interest?
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  #34  
Old 10-18-2020, 02:56 AM
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Originally Posted by Doug Young View Post
This new recording is more clear, but the trebles seem rather harsh to me. Probably just the new strings, often a challenge. I'm not hearing the low end issues some people are reporting on your other recordings. Yes, the original recording was darker, but I like a warm sound, and I'd take a warm, smooth sounding recording over one that's not. This is a case where you could probably tame the high end a bit, tho, and with some reverb, it could be pretty nice.
Hi Doug - agreed on the trebles, I went from one end to the other here..

I think I was being guided too much by Stephens mix that I was using as a reference - it is very treble focused.
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  #35  
Old 10-18-2020, 08:38 AM
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Quote:
Originally Posted by Wrighty View Post
Hi Derek

Thanks for this - very interesting.

I like the warmth achieved by cutting the highs - I would never have considered putting a steep high cut this low down the spectrum but it works really well here I think.

I had already put a low pass at 40hz / 18db/oct.

Why the boost at 129hz out of interest?
I thought some of the bass notes could have been a bit louder. Seemed to make a bit of difference as I searched around frequencies.

As far as trebles. Some melody notes did hit a bit hard. Partially a volume thing. I would not call it harsh. When you listen back through studio monitors in near field or with studio headphones the high frequencies have higher punch than you would get with most music listening consumer products. Also with distance the treble frequencies are the first to drop off. Personally I do tweaks around what sounds good to me with my Grado headphones within my DAW. The raw recording is always around should I want to tweak later.
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Last edited by rick-slo; 10-18-2020 at 08:51 AM.
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  #36  
Old 10-18-2020, 09:16 AM
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Quote:
Originally Posted by TBman View Post
I prefer the 1st 2 versions (capo on 3) and over the shoulder mic placement. I like the warmer sound also.
Thanks Barry
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  #37  
Old 10-18-2020, 09:40 AM
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I was wondering what the distance was from the mics to the guitar on your A-B setup. Also, what was the distance on your other setup (mic pointing towards the neck join)? Thanks for sharing all of these recordings and the setup details.
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  #38  
Old 10-18-2020, 09:51 AM
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Originally Posted by ChuckS View Post
I was wondering what the distance was from the mics to the guitar on your A-B setup. Also, what was the distance on your other setup (mic pointing towards the neck join)? Thanks for sharing all of these recordings and the setup details.


Sure - on both setups mics were around 10-12Ē from the guitar.
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Masano 420 D18 (1979)

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  #39  
Old 10-18-2020, 02:25 PM
Wrighty Wrighty is offline
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Quote:
Originally Posted by rick-slo View Post
I thought some of the bass notes could have been a bit louder. Seemed to make a bit of difference as I searched around frequencies.

As far as trebles. Some melody notes did hit a bit hard. Partially a volume thing. I would not call it harsh. When you listen back through studio monitors in near field or with studio headphones the high frequencies have higher punch than you would get with most music listening consumer products. Also with distance the treble frequencies are the first to drop off. Personally I do tweaks around what sounds good to me with my Grado headphones within my DAW. The raw recording is always around should I want to tweak later.


I tend to mix in my AKG 702 headphones as I donít have any monitors at present - I do notice the treble emphasis here but the high cut you applied has tamed it and I have applied the same to my mix now and am pretty happy with the result.

Thanks very much for all your help on this, I am learning a lot.
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Webber OM (2009 - Sitka/Sapele)
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Masano 420 D18 (1979)

https://www.youtube.com/channel/UC8A...2TVEhWes2Djrig
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