#16
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I agree with James.
In my own IR experiments, I usually do one recording with one mic position and then spend a lot of time in signal processing (a recipe including, number of samples, IR size, EQ, shaping the tail, multiband blending...). It can be very tricky and it does not seem to give better results that what people have come to with Tonedexter just playing with the mic position. I think everyone is trying to achieve a certain sound. Cuki PS: However I really wished Tonedexter enabled to export/import the wavmaps as wav or aif files and let people apply whatever plugins to their IR files. But I understand the DIY audio tweaker is not a valuable market target for Tonedexter. PS2: The main advantage you have in tweaking yourself is the FFT windowing which seems to be quite strong in Tonedexter (from the samples I heard: I don't have a Tonedexter)... Making the IR a bit dark with a high end loss (to my taste). Quote:
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Martin 00-18V Goldplus + internal mic (2003) Martin OM-28V + HFN + internal mic (1999) Eastman E6OM (2019) Trance Audio Amulet Yamaha FGX-412 (1998) Gibson Les Paul Standard 1958 Reissue (2013) Fender Stratocaster American Vintage 1954 (2014) http://acousticir.free.fr/ |
#17
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#18
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#19
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One of the very best investments I made for my home studio was a pair of SM 81s.
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2007 Martin D 35 Custom 1970 Guild D 35 1965 Epiphone Texan 2011 Santa Cruz D P/W Pono OP 30 D parlor Pono OP12-30 Pono MT uke Goldtone Paul Beard squareneck resophonic Fluke tenor ukulele Boatload of home rolled telecasters "Shut up and play ur guitar" Frank Zappa |
#20
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Condensor mic. ... shhh .. You can buy these on eBay cheap and they sound really good. I don't think you'll notice a huge difference in what ToneDexter does with a lesser mic then it will do With a 500 dollar mic in a live setting anyway. Shame you can't rent a high end mic for this purpose. As it's a one time use and your done. Last edited by varmonter; 12-06-2017 at 12:11 PM. |
#21
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I can get a new SM81 for $299.00. I may pull the trigger on it. |
#22
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The mics you already have. |
#23
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The SM 81 is a great mic and I would think you’ll get use out of it once the Tone Dexter is set up to your liking - it’s a great hi hat mic for example and very good as an instrument overhead for violin, flute etc.
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Gibson ES-335 Studio 2016; Furch OM34sr 2015; Fender MiJ Geddy Lee Jazz bass, 2009; Taylor 414CE 2005; Guild D35 NT 1976; Fender MIM Classic 60s Tele 2008; Fender US Standard Strat 1992; G&L ASAT classic hollowbody 2005; Ibanez RG350MDX 2010(?); Ibanez Musician fretless, 1980s; Seymour Duncan Tube 84-40; Vox AC4TV; Ex-pat Brit in Sweden
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#24
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The 214 is based on the 414 range but has one diaphragm whereas the 414s have two. As a result the 214 is a cardioid, the 414s have a choice of patterns. Not that it is immediately relevant here but I use 214s a lot to mike up jazz drum kits or when I can’t close mike rock kits. Great value for money and way better than the equivalent Perception series mics. James can probably chip in here with the science etc but small diaphragm mikes are more likely to give an even response - the smaller diaphragm is easier to move by high and low frequencies whereas large diaphragm mics tend to be better at capturing detail and “air” but not necessarily “good at everything”!
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Gibson ES-335 Studio 2016; Furch OM34sr 2015; Fender MiJ Geddy Lee Jazz bass, 2009; Taylor 414CE 2005; Guild D35 NT 1976; Fender MIM Classic 60s Tele 2008; Fender US Standard Strat 1992; G&L ASAT classic hollowbody 2005; Ibanez RG350MDX 2010(?); Ibanez Musician fretless, 1980s; Seymour Duncan Tube 84-40; Vox AC4TV; Ex-pat Brit in Sweden
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#25
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Has anyone used the ADK A6 large diaphragm mic with the tone dexter?
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Steve Mcilroy A25c (Cedar, English Walnut) with Schatten HFN (custom MiSi Crystal Jack Preamp, putty install.) Maton 75th Anniversary OM 50th Anniversary Fender Am Std Strat. Gretsch 6120 Nashville Players in Blue. Line 6 Helix. If I played as much as I read threads, I'd be a pro.... |