#31
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My wife is a vocalist, and she frequently sings with various local artists. The well-trained ones simply ask, “what key would you like?”
They don’t have any problem transposing...... I must say I never gave a rodent’s patootie what the “original” was written in... I know what keys I can sing in and that’s where I play. I remember reading an interview with Tom T. Hall. He’d wanted to record an album of bluegrass songs but the studio guys said....”No, Tom, you don’t have that “high lonesome” sound.” So, Tom just waited till he’d made enough money to go ahead and record the album anyway... Which proved to be a great seller. |
#32
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Here's the flip side.
I have a friend who is an alto, with a limited range. I counseled her to find the key that works for her, then do it there. Fine. Now she leads a song circle who uses song books she's made up - all in her key. I often find that if I am very familiar with a song, where I should be singing it is burned into the muscle memory of my voice and I cannot sing along with her unless I can find some harmony to fool with. Now the others that attend do not have this "problem" and the results are frequently pathetic; they cannot sing it where she transposed it to - and haven't a clue that they can't.
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The Bard Rocks Fay OM Sinker Redwood/Tiger Myrtle Sexauer L00 Adk/Magnolia For Sale Hatcher Jumbo Bearclaw/"Bacon" Padauk Goodall Jumbo POC/flamed Mahogany Appollonio 12 POC/Myrtle MJ Franks Resonator, all Australian Blackwood Goodman J45 Lutz/fiddleback Mahogany Blackbird "Lucky 13" - carbon fiber '31 National Duolian + many other stringed instruments. |
#33
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"There is a crack in everything. That's how the light gets in." - Leonard Cohen. |
#34
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Some of the ladies complain because a male voice is usually a fourth or fifth lower than females. I'm a bari-tenor with a range from the low F# on the guitar up to the open e string. Sometimes when I'm warmed up and singing loudly, I can push a note or two on the high end. |
#35
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